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H.P. Lovecraft
The Lovecraft Reread
No Mask? No Mask! — Mira Grant’s In the Shadow of Spindrift House
The Lovecraft Reread
It’s Not the Chosen One’s Job to Knock on Doors — The Last Lovecraft: Relic of Cthulhu
The Lovecraft Reread
My Laugh is an Evil Laugh: Michael Chabon’s “The God of Dark Laughter”
The Lovecraft Reread
A Massage From Beyond the Veil of Night: T.E.D. Klein’s “Nadelman’s God”
The Lovecraft Reread
Bantha Milk and Durian: Ng Yi-Sheng’s “Xingzhou”
The Lovecraft Reread
Jobs From Hell Would Be An Improvement: David Liss’s “The Doors that Never Close and the Doors that Are Always Open”
The Lovecraft Reread
Old Gods and Older: Premee Mohamed’s “Us and Ours”
The Lovecraft Reread
Bad Ideas 101: David Barr Kirtley’s “The Disciple”
The Lovecraft Reread
New Words to Wordless Songs: Nibedita Sen’s “We Sang You As Ours”
The Lovecraft Reread
Still the Worst Color: Anya Martin’s “Old Tsah-Hov”
The Lovecraft Reread
Kudzu From Beyond: Lucy Snyder’s “Blossoms Blackened Like Dead Stars”
The Lovecraft Reread
Avoiding Angles is Still Harder Than it Sounds: Adam Gauntlett’s “New Build”
The Lovecraft Reread
The Secret Lives of Serpents: Priya Sharma’s “Fabulous Beasts”
The Lovecraft Reread
Ikea in the Fourth Dimension: Jorge Luis Borges’ “There Are More Things”
New in Series
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