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H.P. Lovecraft
“Insects Don’t Have Politics”: Jekyll, Hyde, and The Fly
The Lovecraft Reread
The Horror of Improper Preservation Technique: H.P. Lovecraft and Winifred V. Jackson’s “The Green Meadow”
The Lovecraft Reread
An Ecstasy of Arrows: Craig Laurance Gidney’s “Sea, Swallow Me”
Evil Dead II: The Deadites Are Right
The Lovecraft Reread
Love in the Time of Parasitic Breeding Strategies: Octavia Butler’s “Bloodchild”
The Lovecraft Reread
Maybe I Wouldn’t Have These Scars From the Octopus Deity: Autumn Christian’s “Shadow Machine”
The Lovecraft Reread
Lovecraft’s Model? Robert Barbour Johnson’s “Far Below”
The Lovecraft Reread
Safer Meat: Amanda Downum’s “The Tenderness of Jackals”
Ruthanna Emrys on Weird Fiction, Cryptids, and Sympathizing With Cthulhu
The Lovecraft Reread
One Channel and Literally Nothing On: Jerome Bixby’s “It’s a Good Life”
The Lovecraft Reread
Henry James is Not Amused: Gertrude Atherton’s “The Bell in the Fog”
The Lovecraft Reread
National Disturbing Poetry Month: H.P. Lovecraft’s “Nemesis” and Gemma Files’s “Haruspicy”
The Lovecraft Reread
Two Households, Not Exactly Alike in Dignity: Caitlín Kiernan’s “Love is Forbidden, We Croak and Howl”
The Lovecraft Reread
Rules for Healthy Relationships (with Deep Ones): Shibata Yoshiki’s “Love for Who Speaks”
New in Series
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