A grieving mother wakes up to find all traces of her lost son have been erased as if he had never existed. Only in the hallway mirror is she able to see a glimpse of the reality she remembers having lived—the reality she wants back.
The Counterworld
A grieving mother wakes up to find all traces of her lost son have been erased as if he had never existed. Only in the hallway mirror is she able to see a glimpse of the reality she remembers having lived—the reality she wants back.
A two-person crew embark on a mind-bending deep space mission inside a living wormship capable of burrowing through space. What lies on the other end is unknown—as is what they will do once they get there.
A man is offered the opportunity to partake in an exclusive, subscription-based eating club for those who wish to dine on human flesh. But he may have bitten off a little more than he can chew.
Graff isn’t quite human. His people move through the galaxy collecting memories and experiences, recording their lives and passing them on. Then, one day, he breaks: he discovers a chunk of his memory is missing. This should be impossible—he’s never forgotten a moment in his life. Now, he has to learn to forget, and to remember, and this has consequences for all his people, his culture, and his whole world.
A talented bookbinder is tasked with creating a copy of a text so inflammatory it threatens to alter the very existence of Truth itself.
Every so often, I get an odd run of books sharing a particular plot element or type of character, despite having been selected for reasons unrelated to that element or character. There was, for example, a week in which every novel I read featured a protagonist who lost a hand as a side effect of violent dynastic disputes.
More recently, I encountered four books in one week that featured active, interventionist gods. It was a remarkable coincidence, particularly as the four books are otherwise quite dissimilar. Identifying the books is something of a spoiler, so here, have a free spoiler alert before reading further!
Calling all fans of movies that are so bad they’re good! It’s time to dive into another round of good-bad films. If the comments on my last post are anything to go by, there’s a lot of love for this oddball category, as well as plenty of debate over whether certain movies are cinematic masterpieces or just plain bad. Be sure to check out that article if you want my personal definition of this genre, which encompasses everything from cult classics to guilty pleasures to pure schlock…
With that said, I’ll cut to the chase: Here are six more science fiction and fantasy films that are so incredibly bad that they manage to swing right back around and somehow become good.
Fungi have not always gotten the attention they deserve—“they will probably never make the bestseller list,” opens a 1996 New York Times Magazine article titled “The Fungus Among Us.” But just look at them now, taking their place in the spotlight thanks to The Last of Us, the wildly successful video game franchise that’s found a whole new audience as a critically acclaimed television series.
Fantasy and science fiction buffs know that fungi infiltrated literature long before we first met Joel and Ellie. Fungi—those mysterious, confusing, grotesque, and intriguing life forms considered plants until just a few decades ago, which include mushrooms, spores, mycelia, hyphae, moulds, mildew, lichens, and yeasts—are great subjects for speculative and weird fiction for a good reason. What are they? Are they visible, or invisible? Friends or foe? Venerated or despised? Are they poisonous, or can they be used for healing? Familiar, or still mysterious and unknown? Yes and yes, to all of those questions.
1931, New Galveston, Mars: Fourteen-year-old Anabelle Crisp sets off through the wastelands of the Strange…
We’re thrilled to share an excerpt from Nathan Ballingrud’s The Strange, the story of one girl’s quest for revenge amidst a spent and angry world—out from Saga Press on March 21st.
Hickory dickory dock, the Death of Rats ran up the glass clock that stopped Time—or however that dang thing goes…
It’s been years and years and years since Michael Keaton told MTV News that a Beetlejuice sequel was in the works. Ten years, to be exact. But with director Tim Burton back in the pop culture spotlight with Wednesday—another story prominently featuring a teenager dressed all in black—perhaps we shouldn’t be surprised that this curséd concept is once again in the news.
The latest detail about the continuation of the Deetz family’s story is directly related to Wednesday. “Multiple sources” tell The Hollywood Reporter that star Jenna Ortega is “circling” a role in Burton’s Beetlejuice 2.
It’s a good time to be a reader. We’re now into the third month of 2023, which feels less and less like a new year by the day and is slowly morphing into simply being a year, full stop. As for what the coming months have in store from indie presses, well, much like the weather in March, they’re all over the place. That’s not a bad thing. From a vision of a bizarre futuristic society to a fantasy epic that’s also an epic poem, there’s a host of innovative work due out in March and April on indie presses. Here are some notable titles, grouped thematically.
The Disney+ animated series What If…? takes the Marvel Cinematic Universe and flips it on its head, often giving us — thanks to the multiverse —different versions of events that happened in its 31 films to date, and different takes on existing characters. But it’s never created an entirely new character.
Until now.
The first season gave us some interesting premises, such as a universe where Peggy Carter became Captain Britain Carter and where everyone became zombies, because why not? We’ve known about a second season for awhile, but haven’t gotten many details about what we’ll see. That changed today when Marvel revealed Kahhori, a new superhero we’ll be introduced to in the upcoming episodes.
Head below for a list of genre-bending titles—horror, mystery, short fiction collections, and more—heading your way in March!
We’re all Mystery Science Theater 3000 fans over here, and if you are too, I have some good news: The show’s thirteenth season is now available on Pluto TV.
We’ve got a new trailer for the sci-fi film, Simulant (fka Hello Stranger), a movie with an impressive cast that explores the trope of whether sentient A.I. beings deserve to live (and love) like biological humans.
July 25th, 2234: The crew of the Adamura discovers the Anomaly.
We’re thrilled to share an excerpt from Christopher Paolini’s newest science fiction adventure Fractal Noise, set in the world of To Sleep in a Sea of Stars, publishing with Tor Books on May 16th.
Given the context, the comparison I’m about to make might seem like a strange one. Bear with me. As the saying goes, patience is a virtue, and patience is most definitely a virtue when discussing Owen King’s The Curator.
LCD Soundsystem’s third album, This Is Happening, begins with one of the best Side 1/Track 1 combinations ever, a song called “Dance Yrself Clean.” For just over the first three minutes, the song exists in a very narrow scope, with a handful of elements: vocals, a minimal drumbeat, and a tinny melody. And then, just over three minutes in, another beat comes in out of nowhere, suggesting an entirely new sonic palette and dramatically expanding the scope of what’s possible in the scope. It’s Dorothy seeing Oz in color; it’s Jeremy Irons stepping through a door into a hidden world in Steven Soderbergh’s film Kafka.
Owen King’s The Curator has a moment like that, when a bunch of seemingly disparate elements all line up and the true nature of the story being told comes into focus. It’s not quite halfway through the book, and it suddenly makes the novel’s true nature—and, to an extent, the magic trick being played by its author—that much clearer.
When I saw the title of this week’s Picard, I was apprehensive. The show has spent its first three episodes doing callbacks to the Star Trek movies in general and The Wrath of Khan in particular, so I was dreading sitting through an hour of Kobayashi Maru references. We’ve already gotten that in Discovery and Prodigy within the last sixteen months…
So I was relieved to get to the end of “No Win Scenario” with nary a Kobayashi Maru reference. That particular deadly test—seen, not just in TWOK, but also in the 2009 movie and numerous works of tie-in fiction—has been beaten to death.
[Forgive me, but at some point asshole became a substitute for charm…]
Fungi have not always gotten the attention they deserve—“they will probably never make the bestseller list,” opens a 1996 New York Times Magazine article titled “The Fungus Among Us.” But just look at them now, taking their place in the spotlight thanks to The Last of Us, the wildly successful video game franchise that’s found a whole new audience as a critically acclaimed television series.
Fantasy and science fiction buffs know that fungi infiltrated literature long before we first met Joel and Ellie. Fungi—those mysterious, confusing, grotesque, and intriguing life forms considered plants until just a few decades ago, which include mushrooms, spores, mycelia, hyphae, moulds, mildew, lichens, and yeasts—are great subjects for speculative and weird fiction for a good reason. What are they? Are they visible, or invisible? Friends or foe? Venerated or despised? Are they poisonous, or can they be used for healing? Familiar, or still mysterious and unknown? Yes and yes, to all of those questions.
Photo: Lysander Yuen [via Unsplash]
Whenever someone says they like to read several books at once, my brain insists on picturing them with too many arms, extra hands grappling with slippery paperbacks, eyes racing from book to book to book. It’s not what we mean when we say that we’ve got multiple books going, though it can be what it feels like. Sometimes the gears shift easily: a chapter from a nonfiction book, a magazine or essay that catches your eye, a long dive into a novel when you have time to sit and luxuriate in it.
And sometimes the gears grind and stick and I ask, not for the first time: Is this any way to read? Why don’t I just pick a book and stick with it?
Is it a Yellowjackets trailer, or is it a creepy short video for Florence + the Machine’s cover of No Doubt’s “Just a Girl”? Honestly, it works either way. Showtime’s drama about teen girls stranded in the wilderness—and their adult selves, still haunted by the experience—returns later this month, and now we get a tiny bit more of a peek at what season two has in store.
Happy Thursday, Cosmere Chickens! Are you ready for some CRAZY ODIUM ACTION? I sure hope so, because Dalinar’s clearly not, poor guy. We’ve got a LOT to cover (though not quite as much as last week thankfully), so let’s dive in, shall we?