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Six Literary Visions of the Future

Genre in the Mainstream

Genre In The Mainstream: Karen Russell’s Swamplandia!

Comment number: 5

Genre in the Mainstream: Steven Millhauser’s Dangerous Laughter

Comment number: 4

Genre in the Mainstream: Jonathan Lethem’s Gun, with Occasional Music

Comment number: 11

Genre in the Mainstream: The Dystopia of Gary Shteyngart’s Super Sad True Love Story

Comment number: 4

Genre in the Mainstream: Jim Shepard’s Human Monsters

Comment number: 1

Genre in the Mainstream: Mark Twain’s A Connecticut Yankee in King Arthur’s Court

Comment number: 5

Genre in the Mainstream: Richard Powers

Genre in the Mainstream: José Saramago’s Blindness

Comment number: 4

Genre in the Mainstream: Victor LaValle’s Big Machine

Comment number: 1

Genre in the Mainstream: Jennifer Egan’s A Visit From the Goon Squad

Comment number: 5
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Genre in the Mainstream: The Kurt Vonnegut Question

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Genre in the Mainstream: The (Depressing) Science Fiction Novels That Cross Over

Genre in the Mainstream: Richard Brautigan’s In Watermelon Sugar

Comment number: 8
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Genre in the Mainstream: The Literary Merits of Potter

Comment number: 72
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Genre in the Mainstream: Does SFF Marginalize Characters?

Comment number: 20

Genre in the Mainstream: The Shape Shifting Prose of Etgar Keret

Comment number: 5

Genre in the Mainstream: The Secret History of Science Fiction

Comment number: 8

Genre in the Mainstream: Summer 2011 Issue of The Paris Review

Comment number: 5

Genre in the Mainstream: Pierre Boulle’s La Planète des singes

Comment number: 18

Genre in the Mainstream: Katherine Dunn’s Geek Love

Comment number: 6