How do you defeat a seemingly insurmountable empire, that overtakes foreign nations through trade with hooks attached, that swallows up foreigners and remakes them in its own image? You destroy it from the inside out.
This has been the rallying cry for Baru Cormorant, since 2015’s The Traitor Baru Cormorant, when a bright young child of an island nation watched the Empire of Masks take over her home of Taranoke (renamed Sousward) and kill one of her fathers. Baru threw herself into her Masquerade studies, internalizing the Incrastic hygienic and eugenic disciplines that would condemn her for her womanhood and her homosexuality, proving her brilliance, with the aim to ascend to the capital of Falcrest and make sure no foreign child ever had to suffer like she did again.
But to unmake the Masquerade, she must make herself into one of its agents, burrow deep as a cancer so as to be blameless. To ascend to Falcrest’s inner circle of cryptarchs, she must step upon hundreds of innocent and beloved bodies. Does Baru Cormorant wear the mask, or does the mask wear her? With the third installment of The Tyrant Baru Cormorant, the Empire of Masks’ greatest threat may well prove to be its greatest triumph—and before Baru’s play as Tyrant, we must remember how she became a Traitor and then a Monster.