Even if you’ve never seen the 1987 Arnold Schwarzenegger sci-fi action classic Predator, you’ve probably seen this scene: A musclebound Arnold grins slyly as he saunters toward an equally brawny Carl Weathers. The two men clasp their hands together in the center of the room, creating a thunderous clap that resounds even as director John McTiernan holds his camera on their rippling, bulging biceps.
It’s a very manly moment from a very manly movie, the first of three (and soon to be four) entries in a very manly franchise. Even when Arnold and Weathers cede the series to actors not known for their massive physiques (Danny Glover in 1990’s Predator 2 and Adrien Brody in 2010’s Predators), and even when women get to play a more active role (Maria Conchita Alonso as a tough cop in Predator 2, Alice Braga as an Israeli sniper in Predators), these movies remain fixated on a specific type of exaggerated masculinity. And that sort of makes sense, as the series is about alien hunters who test their might against Earth’s greatest warriors.