Writing Horses: Setting the Magic

Horses are very much a part of the space they live in. They’re meant to spend their lives within the structure of a herd: a complex social organization with a constantly evolving but ultimately consistent set of rules and hierarchies. Lead mare in charge, lesser mares and youngsters moving up and down beneath, stallion and any subsidiary males guarding the perimeters and fending off predators.

The territory they inhabit is likewise as consistent as terrain, predators, and natural phenomena allow. In a domesticated situation, that means they can become barnbound or stall-bound. They stick to the familiar surroundings and strongly resist change in or removal from those surroundings.

When I write about horses, one thing I try to do is see the world the way a horse would see it. This has the interesting effect of expanding my perception of the world I’m writing in. It teaches me to see not only the horses but the setting as characters in the story.

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I Await the Devil’s Coming: Plain Bad Heroines by Emily M. Danforth

Curses are stories are histories, and Plain Bad Heroines is full to the brim with all three. In 1902 the Brookhants School for Girls witnessed the romance of two students, Flo and Clara, with each other and with Mary Maclane’s scandalous memoir—a romance ending with their gruesome demise in a swarm of yellowjackets. After three more untimely deaths the school closed for good, forgotten until the present, when young Merritt Emmons’s queer novel about Brookhants becomes a breakout bestseller. Hollywood comes calling, bringing along lesbian indie it-girl Harper Harper and former child star Audrey Wells to star in the adaptation. But naturally, when these three young women arrive at the old school grounds to begin filming, the situation goes frighteningly awry.

Plain Bad Heroines is Danforth’s first adult novel and second overall, following the much-beloved young adult book The Miseducation of Cameron Post (2012). Illustrated by Sara Lautman with an echo of Edward Gorey, the book plays luxurious games with the reader, nesting stories within stories (within stories) as the hauntings unfold. Whether it’s the straightforward gothic of the 1902 plot(s) or the compulsive, prickly-sexy contemporary film production’s messy queer attractions, Danforth nails each beat. Plain Bad Heroines is scary, witty, and darkly taunting—without ever losing the core of heart inside the ghoulish cleverness of the prose.

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Read an Excerpt From Alaya Dawn Johnson’s “Reconstruction”

In Reconstruction, award-winning writer and musician Alaya Dawn Johnson digs into the lives of those trodden underfoot by the powers that be: from the lives of vampires and those caught in their circle in Hawai’i to a taxonomy of anger put together by Union soldiers in the American Civil War, these stories will grab you and not let you go.

We’re thrilled to share an excerpt from the title story from the collection, publishing January 5, 2021 with Small Beer Press.

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Star Trek: Voyager Rewatch: “Message in a Bottle”

“Message in a Bottle”
Written by Rick Williams and Lisa Klink
Directed by Nancy Malone
Season 4, Episode 14
Production episode 1551
Original air date: January 21, 1998
Stardate: unknown

Captain’s log. Seven summons Janeway and Chakotay to astrometrics. She has found an alien sensor net that seems to be abandoned. The far end of the net’s range is on the edge of the Alpha Quadrant, and is picking up a Starfleet vessel in that region.

[You know, you really should keep a personal log. Why bore others needlessly?]

Series: Star Trek: Voyager Rewatch

Spoiler-Free Reactions to Beta Reading Brandon Sanderson’s Rhythm of War

You didn’t think we’d let the hype rest, did you? Rhythm of War is almost here! And because you know you need something to do while you’re waiting, we’re here to give you something to puzzle over, play with, or otherwise entertain yourselves. We here present to you, to whet your appetite, a small (but still huge) selection of the comments from the beta-read spreadsheets. All the comments have been carefully edited so as not to give actual spoilers. The idea (in case you haven’t played before) is that you read these reactions, totally without context, and see if you can guess what triggered them. While you’re waiting for the book, the guesses will of necessity be wild; after you get it, well… they might still be wild, but at least they’ll be more informed! Come on in and join us while you await the arrival of the latest hefty tome.

[Journey before pancakes]

Ranking A Decade of Live-Action Marvel TV By Worthiness (Of Your Time)

Over the last decade, a wide variety of live-action Marvel superhero shows have been released… and I’ve watched every single one of them (well, all except for Powersa PlayStation network show. If you’ve ever actually seen it, please let me know where it should go on this list). In honor of Helstrom’s recent premiere and the upcoming WandaVision series, I wanted to look back on the fourteen shows I’ve seen and let you know which ones were most (and least) deserving of your time.

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Babylon 5′s J. Michael Straczynski Will Complete Harlan Ellison’s Long-Unfinished Anthology, The Last Dangerous Visions

When Harlan Ellison died in 2018, he left behind a project that he’d long promised to complete: The Last Dangerous Visions, an infamous third anthology that would have followed his Dangerous Visions and Again, Dangerous Visions anthologies.

Now, it looks like it’ll be completed, nearly half a century after its first intended publication date. Ellison’s friend and now estate executor J. Michael Straczynski (the creator of Babylon 5 and co-creator of Sense8) has promised that he’ll complete the anthology.

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“Man’chi” Is Not the Same as “Liking”: Intercultural Communication in C.J. Cherryh’s Foreigner Series

CJ Cherryh’s long-running Foreigner series has a lot of interesting linguistics in it. One of her specialties is writing non-human species (or post-human, in the case of Cyteen) with an almost anthropological bent. Whenever people ask for “social-science fiction,” she’s the second person I recommend (Le Guin being first). These stories usually involve intercultural communication and its perils and pitfalls, which is one aspect of sociolinguistics. It covers a variety of areas and interactions, from things like international business relationships to domestic relations among families. Feminist linguistics is often part of this branch: studying the sociology around speech used by and about women and marginalized people.

In Foreigner, the breakdown of intercultural communication manifests itself in a war between the native atevi and the humans, who just don’t understand why the humanoid atevi don’t have the same feelings.

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