The language of the originators defines reality, every word warping the world to fit its meaning. Its study transforms the mind and body, and is closely guarded by stodgy, paranoid academics. These hidebound men don’t trust many students with their secrets, especially not women, and more especially not “madwomen.” Polymede and her lover Erishti believe they’ve made a discovery that could blow open the field’s unexamined assumptions, and they’re ready to face expulsion to make their mark. Of course, if they’re wrong, the language will make its mark on them instead.
We set out on a dangerous mission: to build a better butterbeer. We searched through recipes! We gleaned truths from the Wizarding World of Harry Potter! We scoffed at cream soda! And finally, just in time for a slew of winter holidays, we created and tested four drinks that just might set a new bar for fantasy-based beverages. But perhaps the truth can only be known once each and every one of you has created and tested these recipes? Click through for four of the yummiest—dare we say…magical?—concoctions we could hope to imbibe.
Only one thing is certain.
WE BLAME J.K. ROWLING FOR THE SUGAR HANGOVER WE STILL HAVE.
Now read on, gentle traveler, and join us for some serious DIY Hogsmeade shenanigans.
If you’ve been following this column at all, you know that I enjoy teaching folks about the history of the real Middle Ages by pointing out the real issues with the reel Middle Ages.
This often leads to the misconceptions that I don’t “get” that many movies are meant to be “just fantasy” or that I hate most medieval movies. To such keen criticisms, I would reply that I totally get that fantasies aren’t meant to be historically accurate (though they clearly utilize that history and, fantasy or not, “teach” audiences about it), and oh my god I totally enjoy most medieval movies.
No. Scratch that. I adore most medieval movies — even the ones that cause me to roll my eyes at their historical inaccuracies.
While superheroes have always been the bread and butter of comic books, other subgenres have had their day in the sun. Two of the most popular have been Westerns and horror.
The 1970s saw a revival of the horror genre—Tomb of Dracula, Man-Thing, Swamp Thing, Ghost Rider, The Spectre, etc.—and in 1972, John Albano and Tony DeZuniga created Jonah Hex for DC’s All-Star Western, which was soon renamed Weird Western Tales. Hex mixed the ever-popular Western with the equally popular horror to provide tales of a scarred bounty hunter who dealt with monsters both human and supernatural.
William Goldman, acclaimed author, screenwriter, raconteur, and chronicler of Broadway theater and Hollywood passed away yesterday at the age of 87. Goldman had a fascinating life and career, writing screenplays for classic movies in a broad array of genres, including Butch Cassidy and the Sundance Kid (1969) and All the President’s Men (1976), for which he won Academy Awards, The Stepford Wives (1975), A Bridge Too Far (1977) and Misery (1990). He also wrote the novel Marathon Man and the screenplay for the 1976 movie version starring Dustin Hoffman, Roy Scheider, and Laurence Olivier.
He is perhaps best known, though, for writing The Princess Bride, which was first published in 1973 and remains one of the most beloved stories of the last century. The movie version based on Goldman’s screenplay was directed and produced by Rob Reiner in 1987, and is easily one of the most delightful, most quotable, and most iconic comedy films of all time. If you’ve seen the movie and haven’t read the original novel, however, you owe it to yourself to pick up a copy: Goldman’s writing, and his humor and intelligence, are worth experiencing firsthand. It’s an incredible book.
Born in Chicago in 1931, Goldman spent most of his life in New York, starting out as a novelist before his run as a sought-after screenwriter. In addition to his many fictional works, he also produced some rollicking non-fiction, such as The Season: A Candid Look at Broadway (1969) and 1983’s acerbic, often hilarious Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. He was a gifted, funny, insightful writer who clearly cared deeply about the act of storytelling and the bonds it creates; he had a legendary career, and will be profoundly missed.
Lies Sleeping is the latest instalment in Ben Aaronovitch’s Peter Grant series of magical murder mysteries, set in London and featuring a London Metropolitan police force that really doesn’t want to have to admit that magic exists. Lies Sleeping is the seventh full-length novel in a series that also encompasses several graphic novels and at least one novella. Peter Grant’s London has depth, breadth, and a complex array of recurring characters, and every one of the novels can be relied on to start with a bang.
The reboot of She-Ra is now available to binge on Netflix, and you really wanna set aside some time for this one. Want to know a little more? Here are a few thoughts on the two-part opener…
I didn’t read any romance books growing up. Or at least, not anything that would today be categorized as Romance, with a capital R. As an immigrant child I mostly read books chosen for me by my parents, who were keen to make sure I retained the language we spoke at home and who didn’t always have a lot of available books to choose from, in the pre-digital age.
I did read a lot of science fiction and a lot of historical fiction, among other things: Asimov, Sheckley, Bradbury, Dumas, Sabatini, Jules Verne (all of whom I read in translation). In almost every genre, works by male authors tend to be considered the “classics” and “mandatory reads,” so perhaps that was why I read relatively few women authors. And perhaps that’s why now, as an adult, it’s particularly glaring to me that books categorized as Romance, overwhelmingly written by women, are so often shunned from the spotlight of mainstream SF/F, no matter how many science fiction or fantasy elements they contain.
So, let me tell you about KJ Charles, an author you should check out if you haven’t already, if you enjoy fantasy books.
Rolling in the Deep, Mira Grant’s (a.k.a. Seanan McGuire) science horror novella about a documentary crew who venture into the Mariana Trench in search of a mermaid hoax, only to discover that mermaids are real and very deadly, is becoming a movie! Variety reports that Branded Pictures Entertainment will produce the adaptation, with Pet Sematary director Mary Lambert at the helm.
The seventh book in Ben Aaronovitch’s Rivers of London urban fantasy series, Lies Sleeping, is available November 20th from DAW—and to celebrate, we want to send you a set of the whole series from DAW and Del Rey!
The Faceless Man, wanted for multiple counts of murder, fraud, and crimes against humanity, has been unmasked and is on the run. Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring him to justice.
Sasha Samokhina has always been an average sort of girl, if a bit overly studious—at least, that’s what she always thought before meeting the strange and imperious Farit Kozhennikov while on vacation with her mother. The bizarre tasks Kozhennikov sets her to as she goes through her final year of high school leave her with a pile of strange gold coins, used to pay for her entrance to a college she’s never heard of and has no desire to attend. But Kozhennikov gives her no choice but to attend the Institute of Special Technologies, where the lessons in Specialty are at first completely incomprehensible and the students’ transgressions and failures are punished by harm to their families. Yet Sasha continues to push forward in her studies… and soon she finds herself transformed as she discovers the truth of the “Special Technologies” she’s studying so fervently.
Korede has her fair share of concerns in life: a declining familial fortune and social position, a frustrating job as a nurse in a large hospital with an irresponsible staff, a lack of romantic prospects, and a gorgeous but immature younger sister who has an unsavory habit of murdering her boyfriends. However, these problems don’t overlap until the afternoon Ayoola comes to visit Korede’s workplace and picks up the handsome young doctor Korede herself has feelings for—bare weeks after her most recent violent indiscretion and subsequent body disposal.
My Sister, The Serial Killer is a high-tension, hideously comedic work of literary horror fiction, a memorable debut from Nigerian writer Oyinkan Braithwaite. Korede’s role as a terse and smart narrator who also happens to lack self-awareness creates a fascinating dual experience for the reader, one that allows Braithwaite to deliver scathing social commentary in scenes her protagonist coasts past without comment or is herself at fault in. The mundane realism of the text—social media, crooked traffic cops, the dichotomy of being wealthy enough for a house maid but not enough to avoid working—makes the ethical questions of murder, consequences, and justification for protecting a family member that much sharper.
October may be done and dusted, but horror comics are a year round affair as far as I’m concerned. Alright, so technically Blackbird isn’t a horror comic—it has a similar feel as Netflix’s Chilling Adventures of Sabrina—but Jook Joint most definitely is. Either way, if these two creeptastic Image series aren’t already in your subscription box, you need to rectify that, like, right now.
Autonomous, Annalee Newitz’s vision of a future full of sentient robots, indentured humans, and patent-looting pirates, is coming to the small screen! AMC has optioned Newitz’s debut novel as a television series, with the io9 cofounder and author cowriting the pilot.
In the second century AD, the Roman writer Lucius Apuleius Madaurensis interrupted the winding plot of his novel, Metamorphoses, or The Golden Ass (a title used to distinguish the work from its predecessor, Ovid’s Metamorphoses) to tell the long story of Cupid and Psyche—long enough to fill a good 1/5 of the final, novel length work. The story tells of a beautiful maiden forced to marry a monster—only to lose him when she tries to discover his real identity.
If this sounds familiar, it should: the story later served as one inspiration for the well-known “Beauty and the Beast,” where a beautiful girl must fall in love with and agree to marry a beast in order to break him from an enchantment. It also helped inspire the rather less well-known “East of the Sun and West of the Moon,” where the beautiful girl marries a beast—and must go on a quest to save him.
I like this story much more.
After years wandering the wilderness, Princess Adora and her bad-ass alter ego—She-Ra, the Princess of Power—is starring in a series of new adventures on Netflix. While I’m thrilled to binge the new show, I’ll always have a soft spot for the original 1980s series—partly because of the amazing sidekicks that tagged along her adventures in Eternia. This got me thinking about some of my favorite sidekicks from across the varied landscape of 1980s kids’ cartoons, which, naturally, resulted in a ranking list post.
THESE ARE MY OWN PERSONAL VIEWS. IT’S OK IF YOU LIKE SNARF.
I mean, I think you might want to talk to a therapist, but it’s probably OK, cosmically speaking.
But by all means tell me about your faves in the comments.