As an ex-smuggler and two-time reluctant revolutionary, Alyssa is used to staring into the razor-sharp jaws of death. But now she’s embarking on the most terrifying adventure of her life—journeying into the darkness to become a new type of being, one who can help humanity to survive. And deep at the heart of the city in the middle of the night, the price of transformation could be higher, and more terrible, than Alyssa ever expected.
Apple has finally released its first look at its upcoming science fiction anthology series, Amazing Stories, which is set to debut on Apple TV + on March 6th.
One of our favorite techniques in writing is the use of multiple close points of view. While it has an exalted history in fantasy—Tolkien jumped all over Middle-earth in The Lord of the Rings—what we’re especially excited about now is the way authors use the style to craft a much more personal story, by taking us into deep into the minds of many different characters. Multiple points-of-view allow a writer to show us the depth and breadth of their world, to explore class disparity and racial oppression, to tell different sides of a love story or a battle.
We’ve picked a few of our favorite recent examples—tell us yours in the comments!
BSFA Award-winning author Gareth L. Powell delivers an explosive conclusion to his epic Embers of War trilogy in Light of Impossible Stars — and we want to send you the full series, including Embers of War, Fleet of Knives, and Light of Impossible Stars!
Low on fuel and hunted by the Fleet of Knives, the sentient warship Trouble Dog follows a series of clues that lead her to the Intrusion–an area of space where reality itself becomes unstable. But with human civilisation crumbling, what difference can one battered old ship have against an invincible armada?
On Christmas Eve 1617, in the tiny fishing village of Vardo, Finnmark, a sudden storm wipes out almost the entire male population. Forty of the grown men who had set out in their boats, much as they often did, are killed by a freak storm that defies logic, and the women of Vardo are left to fend for themselves, even as they grieve for the loss of their loved ones.
In Kiran Millwood Hargrave’s first adult novel, The Mercies, the “storm comes like a finger snap […] then the sea rises up and the sky swings down and greenish lightening slings itself across everything, flashing the black into an instantaneous, terrible brightness,” as the women are perhaps “screaming but here is no sound save the sea and the sky and all the boat lights swallowed and the boats flashing and the boats spinning, the boats flying, turning, gone.”
Some hundred years ago, visionary hydroelectric pioneer Adam Beck proposed a grand scheme for electrically powered trains that would service the city of Berlin, now Kitchener, Ontario’s transit needs, as well as those of outlying communities. Such is the blinding speed at which modern society moves that scarcely a century later, something akin to a much-reduced version of Beck’s proposal became reality in the form of Waterloo Region’s Ion Light Rail System. For the most part the Ion is perfectly functional, some curiously patron-hostile stops aside, but an unexpected emergent property of the system very quickly became apparent: Kitchener-Waterloo drivers are terrible at noticing train-sized objects. You’d think a massive, whale-sized object bearing down on your car would draw attention … but apparently not. (As I type, the system celebrates its first two–collision day, within hours of each other and only blocks apart. Happily, no one involved in these car-vs-Ion accidents was seriously injured.)
Anyone who has read A. J. Deutsch’s 1950 short, “A Subway Named Möbius” could have predicted that something unexpected would happen.
I woke up last night in a cold sweat. I had a dream.
I dreamed that someone read the list below and said, “Wow, these films sound great! I’m gonna binge this stuff this weekend!”
It…didn’t end well.
Do me a favor: DO NOT binge this list. You may think you’re strong, but take it from the man who sat in his doctor’s waiting room, staring at his tablet while straining, fruitlessly, to suppress the tears: The list is stronger.
There’s no shortage of things to love about Tamsyn Muir’s Gideon the Ninth—and its upcoming sequel, Harrow the Ninth—but if we had to pick just two: (1) it is full of necromancers, and (2) there are nine separate Houses dedicated to their Undead Emperor, each with a purpose, and necromantic talents all their own.
Want to know where you’d belong? Here is a glorious breakdown, complete with rhyme scheme…
The Doctor and friends show up to a haunted house full of writers and end up meeting an old enemy instead. Does this episode inspire, or all flat? Let’s talk it out.
After an increasingly brutal fourth season, Outlander marks its return with a party! In contrast to the dark irony of last year’s premiere “America the Beautiful,” “The Fiery Cross” delivers exactly what it says on the tin: one big, blazing eponymous event, and lots of little moments sprinkled around it like so many sparks. It’s not the most thrilling way to kick off the season, but there’s a nice warmth to it—sweet interludes of connection and tension for the fans who have eagerly followed the triumphs and tragedies of Clan Fraser. Considering that this season looks to be building up to the American Revolution, that calmness is probably welcome before everyone invariably winds up on opposite sides—and possibly affecting the course of history.
Back in September, NBCUniversal announced that it was developing a reboot of its space opera franchise Battlestar Galactica for its upcoming Peacock streaming service. According to Ronald D. Moore, the creator of the influential 2003 remake, the new series might remain in the same universe, rather than reboot the franchise with a brand new story.
In recent years, genre shows like Battlestar Galactica and Game of Thrones brought mainstream audiences to science fiction and fantasy with their attention to relevant stories and realism. But for every prestige-class television show, there’s plenty of room for shows that throw most of that out the window in favor of plenty of action, excitement, and humor.
Judging from its brand new trailer, Syfy’s upcoming space opera series Vagrant Queen has all of the above, and I can’t wait to watch.
Fans have been demanding a remake of the iconic Final Fantasy VII since the days of the PlayStation 2, but nothing official ever came together until 2015, when game publisher Square Enix and the original creative team announced the Final Fantasy VII Remake for Playstation 4.
The first footage of the game was released in 2017; a full teaser followed in 2019. And today, Square Enix has revealed the full opening cinematic, which gives us an immersive idea of what we can expect from this next-gen take on a beloved classic.
War is fast approaching Fireach Speuer as the armies of the Xoconai Empire make their way west to lay conquest over the humans and reclaim their ancient lands. Under Scathmizzane the God King’s orders, the xoconai have descended upon the uamhas and the Usgars in the mountain, the start of their bloody, long campaign.
In Song of the Risen God, the final book in the Coven trilogy, everything comes to a head in a clash of magic and steel as Aoelyn and her band of friends rouse up forces in an attempt to save the world as they know it from the oncoming threat of the xoconai.