"Sneewittchen" illustration by Franz Jüttner, c. 1905
Divas are divine. Literally: “Diva” derives from the Latin word for “divine,” or a “goddess,” and it’s no small thing to label a person (or a character) as such. Diving into a book and discovering a diva lurking within brings an immediate rush, because divas are super confident of their place in the universe—and absolutely positive that the sun spins around them, not the other way around.
Not only that, divas have a way of taking the wheel in a story, in part because they operate under a totally different set of rules: namely, their own. As an author who’s recently written a loose cannon—er, divine diva actor—named Fiona Ballantine in my upcoming book Tune In Tomorrow, I promise that these characters sometimes they surprise even their creators.
Yet when we think of divas in literature, fantasy might not be the first genre to come to mind. There’s Scarlett O’Hara in Gone With the Wind, or Miranda Priestly in The Devil Wears Prada, or Rhoda Penmark in The Bad Seed. But divas exist everywhere—from opera (their natural habitat) to reality TV to wrestling. So why not fantasy? And, for that matter, there’s no rule that says divas have to be cisgender women, or even human—divas tend to transcend labels and confound expectations; it’s all part of the gig.