Head below for the full list of horror, romantasy, and other SFF-crossover titles heading your way in October!
Keep track of all the new SFF releases here. All title summaries are taken and/or summarized from copy provided by the publisher. Release dates are subject to change.
October 1
Woke Up Like This — Amy Lea (Mindy’s Book Studio)
Planning the perfect prom is one last “to do” on ultra-organized Charlotte Wu’s high school bucket list. So far, so good, if not for a decorating accident that sends Charlotte crash-landing off a ladder, face-first into her obnoxiously ripped archnemesis J. T. Renner. Worse? When Charlotte wakes up, she finds herself in an unfamiliar bed at thirty years old, with her bearded fiancé, Renner, by her side. Either they’ve lost their minds or they’ve been drop-kicked into adulthood, forever trapped in the thirty-year-old bodies of their future selves. With each other as their only constant, Charlotte and Renner discover all that’s changed in the time they’ve missed. Charlotte also learns there’s more to Renner than irritating-jock charm, and that reaching the next milestone isn’t as important as what happens in between. Navigating a series of adventures and a confounding new normal, Charlotte and Renner will do whatever it takes to find a way back to seventeen. But when—and if—they do, what then?
October 3
Death Valley — Melissa Broder (Scribner)
In Melissa Broder’s astounding new novel, a woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path, thanks to a receptionist who recommends a nearby hike. Out on the sun-scorched trail, the woman encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door. So she enters it. What awaits her inside this mystical succulent sets her on a journey at once desolate and rich, hilarious and poignant. This is Melissa Broder at her most imaginative, most universal, and finest. This is Death Valley.
Bloom — Delilah S. Dawson (Titan)
Rosemary meets Ash at the farmers’ market. Ash—precise, pretty, and practically perfect—sells bars of soap in delicate pastel colors, sprinkle-spackled cupcakes stacked on scalloped stands, beeswax candles, jelly jars of honey, and glossy green plants. Ro has never felt this way about another woman; with Ash, she wants to be her and have her in equal measure. But as her obsession with Ash consumes her, she may find she’s not the one doing the devouring.
Let Him In – William Friend (Poisoned Pen Press)
Alfie wakes one night to find his twin daughters at the foot of his bed, claiming there’s a shadowy figure in their bedroom. When no such thing can be found, he assumes the girls had a nightmare. He isn’t surprised that they’re troubled. Grief has made its home at Hart House: nine months ago, the twins’ mother Pippa died unexpectedly, leaving Alfie to raise them alone. And now, when the girls mention a new imaginary friend, it seems like a harmless coping mechanism. But the situation quickly develops into something more insidious. The girls set an extra place for him at the table. They whisper to him. They say he’s going to take them away. Alfie calls upon Julia―Pippa’s sister and a psychiatrist―to oust the malignant tenant from their lives. But as Alfie himself is haunted by visions and someone watches him at night, he begins to question the true character of the force that has poisoned his daughters’ minds, with dark and violent consequences. Whatever this “friend” is, he doesn’t want to leave. Alfie will have to confront his own shameful secrets, the dark past of Hart House, and even the bounds of reality―or risk taking part in an unspeakable tragedy.
Menewood (The Hild Sequence) Nicola Griffith (MCD)
Making a much-anticipated return to the world of Hild, Nicola Griffith’s Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking’s court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood. But old alliances are fraying. Younger rivals are snapping at Edwin’s heels. War is brewing—bitter war, winter war. Not knowing whom to trust, Edwin becomes volatile and recalls his young advisor to court. There Hild begins to understand the true extent of the chaos ahead—and realizes she must find a way to navigate the turbulence and fight to protect both the kingdom and her own people. She will face the losses and devastation of total war, and then must summon the determination to forge a radically different path for herself and her people. In the valley, her last redoubt, Hild draws strength from the fierce joy she finds in the natural world, as, slowly, her community takes root. She trains herself and her unexpected allies in new ways of thinking, learning what it means to gather and wield true power. And she prepares for one last wager: risking all on a single throw for a better future.
A Haunting on the Hill — Elizabeth Hand (Mulholland Books)
Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play. Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone.
The Dead Take the A Train — Cassandra Khaw and Richard Kadrey (Nightfire)
Julie Crews is a coked-up, burnt-out 30-something who packs a lot of magic into her small body. She’s trying to establish herself as a major psychic operative in the NYC magic scene, and she’ll work the most gruesome gigs to claw her way to the top. Desperate to break the dead-end grind, Julie summons a guardian angel for a quick career boost. But when her power grab accidentally releases an elder god hell-bent on the annihilation of our galaxy, the body count rises rapidly.
Throne of the Fallen — Kerri Maniscalco (Little Brown)
Sinner. Villain. Wicked. The Prince of Envy has never claimed to be a saint. But when a cryptic note arrives, signaling the beginning of a deadly game, he knows it will take more than a hint of sin to win and save his falling demon court. Riddles, hexed objects, anonymous players, nothing will stand in his way, though none of his meticulous plans prepare him for her, the frustrating artist who ignites his sin like no other…Virtuous. Darling. Liar. The trouble with scoundrels and blackguards is that they haven’t a modicum of honor, a fact Miss Camilla Antonius learns after one desperate mistake allows Waverly Green’s most notorious rake to blackmail her. To avoid a ruinous scandal, Camilla is forced to enter a devil’s bargain with Envy, little expecting his game will awaken her true nature…Together, Envy and Camilla must embark on a perilous journey through the Underworld—from glittering demon courts to the sultry vampire realm and beyond—while trying to avoid the most dangerous trap of all: falling in love.
The Night House — Jo Nesbø, translated by Neil Smith (Knopf)
In the wake of his parents’ tragic deaths in a house fire, fourteen-year-old Richard Elauved has been sent to live with his aunt and uncle in the remote, insular town of Ballantyne. Richard quickly earns a reputation as an outcast, and when a classmate named Tom goes missing, everyone suspects the angry new boy is responsible for his disappearance. No one believes him when he says the telephone booth out by the edge of the woods sucked Tom into the receiver like something out of a horror movie. No one, that is, except Karen, a beguiling fellow outsider who encourages Richard to pursue clues the police refuse to investigate. He traces the number that Tom prank-called from the phone booth to an abandoned house in the Mirror Forest. There he catches a glimpse of a terrifying face in the window. And then the voices begin to whisper in his ear. She’s going to burn. The girl you love is going to burn. There’s nothing you can do about it. When another classmate disappears, Richard must find a way to prove his innocence—and preserve his sanity—as he grapples with the dark magic that is possessing Ballantyne and pursuing his destruction. Then again, Richard may not be the most reliable narrator of his own story.
A Haunting in Hialeah Gardens — Raul Palma (Dutton)
Hugo Contreras’s world in Miami has shrunk. Since his wife died, Hugo’s debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo. One day, Hugo’s nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo’s debt. Hugo reluctantly accepts, but there’s one issue: Despite being a babaláwo, he doesn’t believe in spirits. Hugo plans to do what he’s done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo’s old tricks don’t work. Memories of his past—his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy—collide with Alexi’s demons in an explosive climax.
Out There Screaming: An Anthology of New Black Horror — ed. Jordan Peele, John Joseph Adams (Random House)
A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world…and redefine what it means to be afraid. Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.
Edenville — Sam Rebelein (William Morrow)
After publishing his debut novel, The Shattered Man, to disappointing sales and reviews, Campbell P. Marion is struggling to find inspiration for a follow-up. When Edenville College invites him to join as a writer-in-residence, he’s convinced that his bad luck has finally taken a turn. His girlfriend Quinn isn’t so sure—she grew up near Edenville and has good reasons for not wanting to move back. Cam disregards her skepticism and accepts the job, with Quinn reluctantly following along. But there’s something wrong in Edenville. Despite the charming old ladies milling about Main Street and picturesque sunflowers dotting the sidewalks, poison lurks beneath the surface. As a series of strange and ominous events escalate among Edenville and its residents, Cam and Quinn find themselves entangled in a dark and disturbing history. Told with equal parts horror and humor, Edenville explores the urban legends that fuel our nightmares and the ways in which ambition can overshadow our best instincts. Sam Rebelein is an exciting, sharp new voice, sure to terrify readers for years to come.
Midnight Showing (The Malice Compendium #2) — Megan Shepherd (Hyperion Avenue)
Now both hunter and prey, Haven travels far and wide to discover the contours of her family curse and escape the worst of her late father’s creations. Constantly looking over her shoulder, she fears Uncle Arnold the most. His irresistible whispers compel victims to commit horrifying deeds, and he’s hungry to use Haven’s abilities to rewrite the world to his liking. Drawn to the desert scrublands and Hollywood mansions of California, Haven discovers a string of murders that point directly to members of her family. Given shelter by a mysterious benefactor, Haven and her sister forge questionable allegiances, using some otherworldly creatures to hunt down others. And when the trail of death ends at a studio from the Golden Age of horror films, reality and fiction become the strangest of bedfellows indeed.
The Scandalous Confessions of Lydia Bennet, Witch — Melinda Taub (Grand Central)
In this exuberant retelling of Jane Austen’s Pride and Prejudice, Lydia Bennet puts pen to paper to relate the real events and aftermath of the classic story. Some facts are well known: Mrs. Bennet suffers from her nerves, Mr. Bennet suffers from Mrs. Bennet, and all five daughters suffer from an estate that is entailed only to male heirs. But Lydia also suffers from entirely different concerns: her best-loved sister Kitty is really a barn cat; Wickham is every bit as wicked as the world believes him to be, but what else would one expect from a demon? And if Mr. Darcy is uptight about etiquette, that’s nothing compared to his feelings about magic. Most of all, Lydia has yet to learn that for a witch, promises have power. Full of enchantment, intrigue, and boundless magic, The Scandalous Confessions of Lydia Bennet, Witch, has all the irreverent wit, strength, and romance of Pride and Prejudice—while offering a highly unexpected redemption for the wildest Bennet sister.
October 10
Bluebeard’s Castle – Anna Biller (Verso)
When the successful British mystery writer Judith Moore meets Gavin, a handsome and charming baron, at a birthday party on the Cornish coast, his love transforms her from a bitter, lonely young woman into a romance heroine overnight. After a whirlwind honeymoon in Paris, he whisks her away to a secluded Gothic castle. But soon she finds herself trapped in a nightmare, as her husband’s mysterious nature and his alternation between charm and violence become increasingly frightening.
A Dawn of Onyx — Kate Golden (Berkley)
Arwen Valondale never expected to be the brave one, offering her life to save her brother’s. Now she’s been taken prisoner by the most dangerous kingdom on the continent, and made to use her rare magical abilities to heal the soldiers of the vicious Onyx King. Arwen knows better than to face the ancient, wicked woods that surround the castle on her own, which means working with a fellow prisoner might be her only path to freedom. Unfortunately, he’s as infuriating as he is cunning—and seems to take twisted pleasure in playing on Arwen’s deepest fears. But here in Onyx Kingdom, trust is a luxury she can’t afford. To make it out of enemy territory, she’ll have to navigate back-stabbing royals, dark magic, and deadly beasts. But untold power lies inside Arwen, dormant and waiting for a spark. If she can harness it, she just might be able to escape with her life—and hopefully, her heart.
Silent Key — Laurel Hightower (Flame Tree Press)
After the loss of her husband under mysterious circumstances, former Detective Cam Ambrose learns how little she truly knew him. Reeling with the grief of her loss and the realization that the man she loved was a stranger, she must learn how to keep her young daughter safe from a world of the supernatural she never knew existed. With the help of her best friend Dimi and reclusive neighbor Eric Morgan, she sets out to solve a decades-old mystery entangling the machinations of an obsessed killer, her husband’s mistress, and a series of deadly hauntings.
The Pale House Devil — Richard Kadrey (Titan)
Ford and Neuland are paranormal mercenaries—one living, one undead; one of them kills the undead, the other kills the living. When a job goes bad in New York, they head west to wait for the heat to cool down. There, a young woman named Tilda Rosenbloom hires them on behalf of wealthy landowner, Shepherd Mansfield, to track and kill a demon haunting a mansion in remote northern California. As Ford and Neuland investigate the creature they uncover a legacy of blood, sacrifice and slavery in the house. Forced to confront a powerful creature unlike anything they’ve faced before, they come to learn that the most frightening monster might not be the one they’re hunting.
Brainwyrms — Alison Rumfitt (Nightfire)
When a transphobic woman bombs Frankie’s workplace, she blows up Frankie’s life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, sleeping with strangers, pushing away her friends. Then, she meets Vanya. Mysterious, beautiful, terrifying Vanya. The two hit it off immediately, but as their relationship intensifies, so too does Frankie’s feeling that Vanya is hiding something from her. When Vanya’s secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister, depraved conspiracy, the roots of which go deeper than she ever imagined.
Last to Leave the Room — Caitlin Starling (St. Martin’s)
The city of San Siroco is sinking. The basement of Dr. Tamsin Rivers, the arrogant, selfish head of the research team assigned to find the source of the subsidence, is sinking faster. As Tamsin becomes obsessed with the distorting dimensions of the room at the bottom of the stairs, she finds a door that didn’t exist before – and one night, it opens to reveal an exact physical copy of her. This doppelgänger is sweet and biddable where Tamsin is calculating and cruel. It appears fully, terribly human, passing every test Tamsin can devise. But the longer the double exists, the more Tamsin begins to forget pieces of her life, to lose track of time, to grow terrified of the outside world. With her employer growing increasingly suspicious, Tamsin must try to hold herself together long enough to figure out what her double wants from her, and just where the mysterious door leads.
October 12
What Hides in the Cellar — Graham Masterton (Head of Zeus)
A Severed Head: After a South London man is shot and killed, his wife swears that the offender didn’t have feet. Then a teacher is murdered at a local school and her pupils insist they saw disembodied legs hanging from the ceiling. A Supernatural Case: These murders are neither straightforward nor easily explained, which means there are only two people fit to investigate: DS Jamila Patel and DC Jerry Pardoe, who are used to tracking spirits intent on causing mayhem. A Bloody History: When two children go missing—finding themselves lost in another time period altogether—the investigation leads to the discovery of a violent entity. One who has been killing for much longer than anyone first realized—and has no plans to stop…
October 17
Jonathan Abernathy You Are Kind — Molly McGhee (Astra House)
Jonathan Abernathy is a self-proclaimed loser… he’s behind on his debts, has no prospects, no friends, and no ambitions. But when a government loan forgiveness program offers him a literal dream job, he thinks he’s found his big break. If he can appear to be competent at his new job, entering the minds of middle class workers while they sleep and removing the unsavory detritus of their waking lives from their unconscious, he might have a chance at a new life. As Abernathy finds his footing in this role, reality and morality begin to warp around him. Soon, the lines between life and work, love and hate, right and wrong, even sleep and consciousness, begin to blur.
The Best American Science Fiction and Fantasy 2023 — ed. R. F. Kuang, John Joseph Adams (Mariner)
Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be. The Best American Science Fiction and Fantasy 2023 includes Nathan Ballingrud • KT Bryski • Isabel Cañas • Maria Dong • Kim Fu • Theodora Goss • Alix E. Harrow • S. L. Huang • Stephen Graham Jones • Shingai Njeri Kagunda • Isabel J. Kim • Samantha Mills • MKRNYILGLD • Malka Older • Susan Palwick • Linda Raquel Nieves Pérez • Sofia Samatar • Kristina Ten • Catherynne M. Valente • Chris Willrich
October 24
Julia — Sandra Newman (Mariner)
Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else. She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell’s now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.
Night Side of the River — Jeanette Winterson (Grove)
In this delightfully chilling collection, the iconic Jeanette Winterson turns her fearless gaze to the realm of ghosts, interspersing her own encounters with the supernatural alongside hair-raising fictions. Lifting the veil between the living and the dead, Winterson spirits us away to a haunted estate that ensnares a nomadic young couple in its own dark past, a staged immersive ghost tour gone awry, a West Village séance that threatens the bounds between AI and reality, and a vacation home in the metaverse where a widow visits an improved version of her deceased husband. Gloriously gothic and unnervingly contemporary, Winterson examines grief, revenge, and the myriad ways in which technology can disrupt the boundary between life and death.
October 31
The Reformatory — Tananarive Due (Saga)
Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory. Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.
