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The Wheel of Time’s Rosamund Pike on Playing Moiraine in Two Mediums

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The Wheel of Time’s Rosamund Pike on Playing Moiraine in Two Mediums

Home / The Wheel of Time’s Rosamund Pike on Playing Moiraine in Two Mediums
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The Wheel of Time’s Rosamund Pike on Playing Moiraine in Two Mediums

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Published on August 31, 2023

Credit: Jan Thijs/Prime Video
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Credit: Jan Thijs/Prime Video

This interview took place before the 2023 SAG-AFTRA strike. Without the labor of the writers and actors currently on strike, the series being covered here wouldn’t exist.

The second season of The Wheel of Time is set to premiere on Prime Video tomorrow. The first season gave us a lot of surprises, including having Moiraine (Rosamund Pike) cut off from the One Power, something that doesn’t happen in Robert Jordan’s books. But although Pike didn’t have Jordan’s words to look to when playing Moiraine in this state, she did point out that there is plenty in the source material about what someone felt like when they were stilled.

“This is about the most devastating thing that can happen to a woman,” she told me in an interview that took place before the SAG-AFTRA strike. “It’s this aching, primordial loss that is akin to the loss of a child, or it’s something where your whole life is not worth living anymore.”

Pike and I talked to me about how she portrays Moiraine differently on the show than when she records the audiobooks for the series, what scene from Jordan’s  The Dragon Reborn she’d love to play on-screen, and some non-spoiler talk on what happens with her character in the first few episodes of season two.

Read on for our full discussion.

Rosamund Pike Moiraine Wheel of Time TV show
Photo: Wheel of Time Writers Room

This interview has been lightly edited for clarity and brevity.

To kick us off, I know you’re familiar with the books obviously, having done the audiobook versions of the first three already. Is there any specific character you’d love to see Moiraine go against or any place within The Wheel of Time world that you would love to visit as Moiraine that you just haven’t had a chance to yet?

I’m very interested in all of the storyline of book three with Moiraine and Perrin. I think it’s very beautiful, I love the place where she and Perrin are staying at an inn and Perrin is introduced by the innkeeper to his brother, Noam, who is also a wolf brother but a man who’s been absolutely driven mad by his connection with the wolves and he has become more wolf than man. And Perrin sees him and is truly terrified and comes to Moiraine in the night, because Moiraine is asked to heal this character and she tries and she immediately sees that healing won’t work because there’s no man left. It’s all wolf. And I think Perrin has this terrifying realization that this could happen to him.

Now that’s something from the books, which I’ve done through the audiobook and played and thought, “Well, that’s an amazing moment.” And as we know from the way that [showrunner Rafe Judkins] and his team adapt these books, the storylines we love will come into the show, but they might not come in in the way that we think they’re going to come in. So if that storyline comes in, it could be that I’m not part of it. I can’t be wedded to anything to particularly but that’s just a truthful answer to your question.

That makes me think of something else: You play Moiraine, obviously, on the TV show but you’ve also voice-acted her with the books. Is there anything you did when you were doing the audiobooks that informed your performance onscreen or vice versa?

I think it’s always good to read how Moiraine is described. She’s described sometimes as more ice than woman, or like a block of ice, or the way she glides. So often I remind myself to just try and flow more as Moiraine, and try and glide where possible. [Laughs] It’s not always possible to glide, sometimes it’s like, “Rosamund, hey—you got to move on, please, we need some pace in this section.” But you just have it as your touchstone every so often, is the way she’s described.

And I think Moiraine’s voice is often described as like bells or, it’s musical or it has the sort of tingling that sends shivers down your spine. Now I can do all of that with Moiraine in the books, because of the way she speaks, almost in this cryptic, slightly mellifluous fashion. The Moiraine that we have in the series is more direct—we need her to move the story on and she speaks less in the sort of cryptic fantasy speak, I suppose, that [author Robert Jordan] does so brilliantly. So there is a difference in my Moiraine in the books.

Credit: Prime Video

One thing that didn’t happen the books is that Moiraine gets cut off from the One Power. When you were preparing for that at the end of Season One, and obviously as it carries over into Season Two—without getting spoilery, can you talk about how you prepared for portraying Moiraine was going through that experience, especially because there wasn’t source material explicitly laying that out?

No, there isn’t, but there is enough discussion about what stilling means for an Aes Sedai in the books, the idea that this is about the most devastating thing that can happen to a woman. It’s this aching, primordial loss that is akin to the loss of a child, or it’s something where your whole life is not worth living anymore. It’s a grief so extreme that many women will take their own life within a year.

Those are the pieces of information I had, and I think my own imagination would have led me to a similar place because of the way the One Power is described. You can imagine its opposite. The One Power is something so sweet running through your veins that you can’t draw enough of it, and you can’t bear to let it go when you have to let it go. And I think it’s part of Moiraine’s identity and we know with anything, whether it’s the loss of a partner, the loss of a career, the loss of an ability, if something is connected with your identity, then the loss of it is extreme and profound. And that’s what we meet Moiraine contending with at the top of season two. So we see her more human, more vulnerable than we’ve ever seen. And vulnerability is not a place where Moiraine is happy living. She feels incredibly exposed. And when she feels exposed, she attacks, she lashes out at those closest to her. And those closest to her in this case is one person—it’s Lan, and she’s very cruel. And we don’t understand it. We don’t want it, you know, but it’s what we get because that is who she is. She’s a proud woman through and through, and if she feels ashamed, she pushes away the people who might see that shame.

Credit: Jan Thijs/Prime Video

Well, thank you so much. I appreciate it. That’s my time, though I could talk to you forever.

Oh, but I’m just getting started! I was just about to tell you—let me just tell you that we see underneath that, that Moiraine is a fighter, and so we see her resilience. And the exhilarating thing about season two is that we see this humanity, which is no longer protected by the One Power, that has to drive her forward with her smarts, her intelligence, her wit, her ability to manipulate events and see ahead just through guile and imagination. So she’s like a chess player who’s 16 steps ahead of her opponents and her allies. And we start in season two to see the breadth of Moiraine’s reach. That is something completely separate from her use of the One Power, and that’s where the fun lies for me in season two.

The first three episodes of The Wheel of Time’s second season start streaming on Prime Video on September 1, 2023. Subsequent episodes will become available on a weekly basis.

About the Author

Vanessa Armstrong

Author

Vanessa Armstrong is a writer with bylines at The LA Times, SYFY WIRE, StarTrek.com and other publications. She lives in Los Angeles with her dog Penny and her husband Jon, and she loves books more than most things. You can find more of her work on her website or follow her on Twitter @vfarmstrong.
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