Head below for the full list of horror and genre-bending titles heading your way in July!
Keep track of all the new SFF releases here. All title summaries are taken and/or summarized from copy provided by the publisher. Release dates are subject to change.
Week One (July 4)
A Good House for Children — Kate Collins (Mariner)
Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Nick absent all week, commuting to the city for work—Orla finds herself unsettled. She hears voices when no one is around; doors open and close on their own; and her son Sam, who has not spoken in six months, seems to have made an imaginary friend whose motives Orla does not trust. Four decades earlier, Lydia moves into the same house as a live-in nanny to a grieving family. Lydia, too, becomes aware of intangible presences in the large house, and she, like Orla four decades later, becomes increasingly fearful for the safety of the children in her care. But no one in either woman’s life believes her: the stories seem fanciful, the stuff of magic and mayhem, sprung from the imaginations of hysterical women who spend too much time in the company of children.
Week Two (July 11)
Dead of Winter — Darcy Coates (Sourcebooks)
Christa has always been anxious but, at this moment, life seems oh so hopeful with her hand in Kiernan’s as the tour bus climbs a narrow road up the side of the Rockies. Blue skies turn bitterly cold mid-afternoon as a blizzard pushes the group of 8 strangers out of their bus and to take shelter in an abandoned hunting cabin. Deep in the night, their tour guide goes missing… only to be discovered the following morning, his severed head impaled on a large pine tree outside the cabin. Eight drops to seven and it becomes clear that someone in the group is killing for sport.
The Beast You Are — Paul Tremblay (William Morrow)
Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart. In “The Dead Thing,” a middle-schooler struggles to deal with the aftermath of her parents’ substance addictions and split. One day, her little brother claims he found a shoebox with “the dead thing” inside. He won’t show it to her and he won’t let the box out of his sight. In “The Last Conversation,” a person wakes in a sterile, white room and begins to receive instructions via intercom from a woman named Anne. When they are finally allowed to leave the room to complete a task, what they find is as shocking as it is heartbreaking. The title novella, “The Beast You Are,” is a mini epic in which the destinies and secrets of a village, a dog, and a cat are intertwined with a giant monster that returns to wreak havoc every thirty years.
Barbarian’s Mate (Ice Planet Barbarians #6) — Ruby Dixon (Berkley)
‘Resonance’ is supposed to be a dream—that’s when your soulmate is chosen for you. And everyone on the ice planet has hooked up with a big, hunky soulmate of their own… except me. So do I want a mate? Heck yeah. More than anything, all I’ve ever wanted is to be loved by someone. Except that the soulmate chosen for me? My least favorite person on the darn ice planet. Haeden’s the most cranky, disapproving, unpleasant, overbearing male alien… so why is it that my body sings when he gets close? Why is he working so hard to prove to me that he’s not as awful as I think he is? I hate him… don’t I?
Sunrise: Radiant Stories — Erika Kobayashi, translated by Brian Bergstrom (Astra House)
Sunrise is a collection of interconnected stories continuing Erika Kobayashi’s examination of the effects of nuclear power on generations of women. Connecting changes to everyday life to the development of the atomic bomb, Sunrise shows us how the discovery of radioactive power has shaped our history and continues to shape our future. In the opening, eponymous story “Sunrise,” Yoko, born exactly two years and one day after Nagasaki was decimated, mirrors her life to the development of nuclear power in Japan. In “Precious Stones,” four daughters take their elderly mother to the restorative waters of a radium spring, exchanging tales of immortality. In “Hello My Baby, Hello My Honey,” a woman goes into labor during the final days of WWII. And finally, “The Forest of Wild Birds” shows Erika visiting the site of the Fukushima Dai-ichi Nuclear Power Plant disaster, touring grounds that were once covered in green. Translator Brian Bergstrom returns in this collection, bringing to life Kobayashi’s unsettling, lasting, and striking prose. The stories in Sunrise force a reckoning with the lasting effects of known and unknown histories and asks how much of modern life is influenced by forces outside of our control.
Burn the Negative — Josh Winning (G.P. Putnam’s Sons)
Arriving in L.A. to visit the set of a new streaming horror series, journalist Laura Warren witnesses a man jumping from a bridge, landing right behind her car. Here we go, she thinks. It’s started. Because the series she’s reporting on is a remake of a ’90s horror flick. A cursed ’90s horror flick, which she starred in as a child—and has been running from her whole life. In The Guesthouse, Laura played the little girl with the terrifying gift to tell people how the Needle Man would kill them. When eight of the cast and crew died in ways that eerily mirrored the movie’s on-screen deaths, the film became a cult classic—and ruined her life. Leaving it behind, Laura changed her name and her accent, dyed her hair, and moved across the Atlantic. But some scripts don’t want to stay buried. Now, as the body count rises again, Laura finds herself on the run with her aspiring actress sister and a jaded psychic, hoping to end the curse once and for all—and to stay out of the Needle Man’s lethal reach.
Whisperwood — Alex Woodroe (Flame Tree Press)
When curious nomad Anna hears about Whisperwood, a town that’s not on any maps, that nobody goes to, and nobody comes from, she sees an opportunity to hide from her violent witch-hunting ex. But not everything is peaceful in the isolated community. A vanishing town, a gruesome funeral rite, an emergency field surgery—these surprises and more test Anna’s resolve. Prevented from leaving the frontier settlement by folk magic she doesn’t understand, Anna lends helping hands everywhere she can, but quickly finds that investigating the forest too closely could end up being the last thing she does.
Boys in the Valley — Philip Fracassi (Nightfire)
St. Vincent’s Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future…a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent’s and the children within. Soon, boys begin acting differently, forming groups. Taking sides. Others turn up dead. Now Peter and those dear to him must choose sides of their own, each of them knowing their lives—and perhaps their eternal souls—are at risk.
The Book of Disbelieving — David Morse (Sarabande Books)
The nine stories in The Book of Disbelieving open portals to fabulist worlds and magical objects: a village built on the back of a whale, a holiday that requires literal leaps of faith, a tower that houses an entire civilization, a diary that blurs the line between imagination and memory. The worlds Morse creates are fantastical, but the challenges his characters face are grounded in reality, calling into question issues of love, memory, and the subjectivity of experience.
Sucker — Daniel Hornsby (Anchor Books)
Chuck Gross would like nothing more than to prune himself from his family tree. He’s already clipped his name, turning Charles Grossheart, Jr.—son of a billionaire labor exploiter, weapons manufacturer, and climate change denier—into ordinary good-guy Chuck, the “self-made” proprietor of an up-and-coming punk label. But when Daddy threatens to cut him off, Chuck is forced to get a “real job”—and conveniently, an old college friend has just swept back into his life with the perfect opportunity. Famed Harvard dropout and biotech darling Olivia Watts says she is on the verge of totally reinventing the field of medicine, but when Chuck signs on, he soon discovers that things at the vast Kenosis campus are not quite how they appear. Secret labs, vanished employees, and mutated test subjects seem to be as impossible as they are sinister. Is Olivia simply a scammer, or does her technology threaten to usher humanity toward a far bloodier fate? Moreover, does Chuck—who has never accomplished anything without the aid of Daddy’s money—stand a chance of stopping her? Daniel Hornsby hilariously skewers the insatiable hungers of the ultrarich in a novel that no one will be able to resist sinking their teeth into.
Week Three (July 18)
Camp Damascus — Chuck Tingle (Nightfire)
Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold. Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy. And they’ll scare you straight to hell.
Silver Nitrate — Silvia Moreno-Garcia (Del Rey)
Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse… but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend. As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.
Horses of Fire — A.D. Rhine (Dutton)
Behind the timeless tale you know is the captivating story you never heard: a sweeping epic in which Troy’s strong, yet misunderstood women take center stage in the most famous war in history. Andromache is cast as the doting wife of Prince Hector, yet her Amazon warrior name means “battler of men.” The only one with the cunning to outwit the invading Greeks, she must gather a band of outcasts and become the military commander she was born to be before the life she and Hector have built is reduced to ashes. Rhea is a war refugee and a horse whisperer who finally earns a place and sense of belonging in Hector’s stables. To save her new home, she must become an unlikely spy and face down a forbidden love that will test all her loyalties. Helen is blamed by all for starting the Trojan War, but no one knows her real story. To escape her tormentor and foil a plot to undermine Hector, Helen must risk everything by revealing her true face to the one who despises her most. Set in the wider landscape of the late Bronze Age collapse, this realistic and immersive Troy is a perilous battleground for warriors and politicians alike, not a playground where the fate of men and women make sport for gods and goddesses. It’s a harrowing novel of palace intrigue, the transcendent bond of female friendship, and the everyday bravery of invisible heroes in times of war. The women of Troy are threads spinning on a single loom. Can they reweave the tapestry of fate?
Week Four (July 25)
The Possibilities — Yael Goldstein-Love (Random House)
Hannah is having a bad day. A bad month. A bad year? That feels terrible to admit, since her son Jack was born just eight months ago and she loves him more than anything. But ever since his harrowing birth, she can’t shake the feeling that it could have gone the other way. That her baby might not have made it. Terrifying visions of the different paths her life could have taken begin to disrupt her cozy, claustrophobic days with Jack, destabilizing her marriage and making her husband concerned for her mental health. Are the strange things Hannah is seeing just new-mom anxiety, or is something truly weird and sinister afoot? What if Hannah really did unlock a dark force during childbirth? When Hannah’s worst nightmare comes true and Jack disappears from his crib, she must tap into an extraordinary ability she never knew she had in order to save him: She must enter different versions of her life while holding on to what is most important to her in this one to bring her child back home.
