“Welcome Back, Jim Gordon,” is an interesting title choice for this episode, but not in the way that “Selina Kyle” or “Harvey Dent” or “Lovecraft” were. “Welcome Back, Jim Gordon” feels like almost a re-pilot for the entire Gotham series. It contains all of the show’s trademark elements, both good and bad, and presents them in a mostly adequate package. If you combined every single episode of Gotham up until this point and then divided to find the median, you’d probably end up with ‘Welcome Back, Jim Gordon.” In true Gotham fashion, the exposition re-hashes just about everything we already know about the world of the show, and even though it kind of does technically advance the overall plot, it also feels (with the exception of a few details) like it could have been slotted in at any point in the series, just to fill up space.
Still, it makes for a decent hour of procedural television—which, coming from me is some of the highest praise that I can offer this show.