Just shy of half a century since the young Michael Moorcock took the editorial helm of a long-running magazine called New Worlds and ushered in a new age of avant-garde science fiction, it appears that we might be in the throes of the birth of a new New Wave.
The original New Wave moved away from shiny futures and bug-eyed monsters and offered more experimental literature, both in technique and subject matter, perhaps best exemplified a couple of years later in 1967 when Harlan Ellison released his Dangerous Visions anthology, bringing new voices, new ideas and a new way of telling stories to take over from the rocket-ships and square-jawed heroes that had gone before. New Wave also brought to the fore many more female writers, such as Joanna Russ and James Tiptree, Jr.
But does the emergence of a new aesthetic in (largely) contemporary British SF signal a similar movement nearly 50 years on?
John, we need to let Moriarty know this is our turf. Futher, did you bring my hat? I want to wear my fly hat so the honeys know the Sher-Lock is on Lock. You are my homey, John. Homeys are forever.
Tor Books has just received word that Brandon Sanderson's first young adult novel The Rithmatist has debuted at #6 on the New York Times YA Bestseller List!
Scratch 'n' Sniff
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