Ratspeak is the the shrill and sly language of the rats of New York City’s subway. When a curious boy is granted his wish to speak and understand the secret language of the rats, he brings a curse upon his home. “Ratspeak” is a standalone story by the acclaimed author of Vassa in the Night (Tor Teen, September 2016).
Welcome to the weekly reread of Saint Camber! Last time, Camber and company were working Deryni magic to integrate Cullen’s memories with his own before being rudely interrupted by Cinhil.
This week Camber attends his own funeral, Evaine shows hidden depths, and the legend of Saint Camber gets a boost from the man himself. With bonus lengthy Michaeline chapter meeting.
Series: Rereading Katherine Kurtz
IFC Midnight and director Billy O’Brien have brought Dan Wells’s I Am Not a Serial Killer to life on the screen, starring Max Records and Christopher Lloyd. Our protagonist, John Wayne Cleaver, is a teenage sociopath attempting to keep his life together and himself in check with the help of his therapist and small-town associates. This is, of course, until a rash of serial murders begin in his town—and there’s something more or less than human behind them.
When the novel was originally published—six years ago—I found it reasonably compelling and entertaining, as evidenced by this review. It had some narrative hiccups but a strong use of voice and an engaging internal conflict for the protagonist; overall, I thought it was decent. So, when I had the chance to scope out an adaptation from IFC, I thought: why not?
HBO has released the latest trailer for Westworld, Jonathan Nolan and Lisa Joy’s adaptation of the 1973 Michael Crichton movie. Set in a retro futuristic theme park that’s like Jurassic Park but for the Wild West, populated by robots who are as much prisoners as Ava from Ex Machina, the series looks to tackle the crossovers between consumerism and artificial intelligence—with a stellar cast, to boot.
If you’re like me, you’re startled by the staying power of Stranger Things. While I enjoyed the show, I also saw that there were some flaws, and I certainly didn’t expect that it would be the breakout hit of the summer. But here were are, a month later, with Stranger Things cupcakes, Stranger Things cats, and roughly two thousand posts about Barb.
Finally, Jason Concepcion over at The Ringer asked the question: what is the deal with Barb? Why is everyone so obsessed with her? Since such questions are part of the ineffable workings of the cosmos, and provide no ready answer, he quickly moved on to an even more interesting question: why is it that characters with tiny fractions of screentime sometimes explode? OK, Concepcion didn’t quite answer that one either, because really, characters become fan favorites for lots of different reasons. But he did come up with a really interesting way to look at these breakouts.
John Persons is a private investigator with a distasteful job from an unlikely client. He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable.
He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth.
As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential.
Hammers on Bone is a new novella from rising author Cassandra Khaw.
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Words are powerful magic. Finding a word—polyamory—to describe my romantic and sexual relationships made it possible to tell people what I was doing: my friends, my family, my lovers, and most importantly, myself. I was a college dropout when I first encountered the term polyamory, which we’ll define here as the conscious romantic and/or sexual involvement of three or more consenting adults.
The comic book which introduced me to the name of this concept, and which I read so eagerly, has gotten lost somewhere in my forty-plus years of raggle-taggle relocations. Its main character was named Polly, and I think the front cover was mostly black…. At any rate, it left me longing for further literary examples of this newly validated category of human behavior: stories about kissing and hugging and making love with everybody, without guilt or shame. Which I both wrote and found.
Series: Five Books About…
Welcome back to the Tor.com eBook Club! August’s pick is The Just City, the first book in Jo Walton‘s Thessaly trilogy. Join in below, as Jo discusses one of the inspirations behind her characterization of Apollo.
One of the points of view of all three Thessaly books is Apollo. Writing a god’s point of view is literally hubris, though the Greeks did it all the time in poetry and drama. Apollo is the only narrator who stays with us through the trilogy, the one who ties it all together. His voice, his sly snarky voice, and his experience of being a god taking on mortal life for the duration of the experiment, are one of the things that made this project really interesting for me. This part of the books had a much more direct inspiration than most of my ideas. It came from a baroque statue.
What’s an Asgardian to do when he’s not invited to take a side in Tony Stark and Steve Rogers’ little pissing match? Drop in on his average roommate’s office job, make Homeland-esque conspiracy theory boards about Thanos, and tuck Mjolnir in at night, apparently.
This week, the reread jumps roughly 15 years from Barrayar to The Warrior’s Apprentice. First published in 1986, this is the first book in the series to feature Miles Vorkosigan, the fourth in reading order, and the second in publication order. At the time of publication, the only other book in the series was Shards of Honor, published two months earlier. I’m retroactively jealous of 1986 for getting two Vorkosigan books as beach reads, though I think that going straight from Shards to Miles’s adolescence must have caused readers whiplash.
If you’d like to catch up on previous posts in the reread, the index is here, and a series of blog posts on The Warrior’s Apprentice by Jo Walton can be found by following the Warrior’s Apprentice tag. At this time, the spoiler policy permits discussion of all books EXCEPT Gentlemen Jole and the Red Queen. Discussion of any and all revelations from or about that book should be whited out.
Series: Rereading the Vorkosigan Saga
Imgur-er nanotinker posted this fantastic example of Jawas being Jawas. Honestly, we’d disappointed if they didn’t pilfer stuff from the Con…
There’s one thing I’ve learned from researching our founding SFF authors: writers used to be a hell of a lot cooler. Not to insult any of our modern masters—far from it! They’re doing their best with the era they were dealt. But skim over the history of Harlan Ellison. Take a look at Robert Heinlein’s life, or Kurt Vonnegut’s, or Frank Herbert’s or Philip K. Dick’s. You’ll find stories of street brawls, epic rivalries, tumultuous love lives, hallucinations.
And then you get to Jack Vance, and the more you read the more you expect to learn that the man wrestled tigers for fun.
Series: On This Day
In the words of the (hopefully) immortal David Bowie, “We can be heroes.” Artist/designer VictoryVague (Victoria Haigh) has taken up the cry to remind the women of the world that they have that power, too, with a gorgeous mural found by Twitter user KSully54. You can see the original post on Haigh’s VictoryVague Tumblr and Instagram.
The wall is a beautiful array of misfits, from the current set of Ghostbusters to Jessica Jones to Tank Girl to a mash-up of at least two Clone Club members to a couple of DC’s greatest superheroes.
The Neverending Story was a classic children’s fantasy of the 1980s, right up there with The Dark Crystal, Labyrinth, Legend, and The Last Unicorn in creating a latticework of terrifying puppets, questionable animation, and traumatizing storylines. It had an added allure for this small, library-loving nerd: it was about a book that never ended. Most fantasies just give you a perfunctory review of some scrolls or an ancient dusty text before galloping back into an action scene, but The Neverending Story is literally about a kid sitting in an attic and reading all day—making it both fantasy and Carverian realism as far as I was concerned.
Looking back at it as an adult (more or less), I was surprised by how well it holds up. True, you have to look past some extremely…emphatic acting, and Falkor is slightly creepy now that I’m older (although compared to David Bowie’s tights and Molly Grue’s lamentation for her virginity lost youth, he’s really not that bad), but most importantly, watching it now gave me a completely different experience, not just an exercise in nostalgia.
Tom Wilson, the actor who played Biff, Griff, and Buford Tannen in the Back to the Future Trilogy, never intended to become an iconic bully. He planned to be an actor, disappearing into roles as actors do. Instead, he became part of the pop cultural pantheon when the Back to the Future trilogy became a touchstone of the ’80s in general and sci-fi in particular. When he thought about what had happened to him, the only way he could make sense of his fame was in the contxt of pop art. As part of his reckoning with the 30th anniversary of BTTF, he has created a series of pop-inspired painting that reference Andy Warhol, Roy Lichtenstein, and Robert Indiana, while also grappling with the legacy of the Tannens. Click through to see more of his work!