A.M. Dellamonica is at it again! The thrilling adventures of Gale Feliachild and Captain Parrish continue in a series of prequel stories that offers to take us deeper into the fascinating world of Stormwrack.
When the crew of the Nightjar find a merman of the fleet wounded and stranded in the ocean, Gale’s sister, Beatrice, is forced to take a back seat while Gale and Parrish work to find out who would assault a member of the nation of Tallon’s intelligence service. They soon discover a plot that could shake the foundations of the fleet and Beatrice might be the key to preventing a catastrophic disaster.
A space opera adventure set in a universe controlled and run by Jewish religious authorities. An enforcer is sent to a distant planet where he discovers an android who changes his mind about what is right and wrong.
After an unusual public incident in which the frail, elderly president is revitalized, geckos are now considered to bring good luck. At the Ministry of Merit, Fon is secretly in charge of building the next Gecko Cannon for the family of president Bankim’s eightieth birthday. She is honored to be assigned this duty and works diligently to create and deliver this extraordinary machine.
In “The Virtual Swallows of Hog Island,” a programmer finds himself working for the self-proclaimed “Bad-Boy of Virtual-Reality Therapy.” While his boss is breaking new ground and breaking the rules and his coworkers are engaging in questionable uses of the latest technology, the lonely programmer is in a state of mourning over his deep personal losses and must figure out his own form of therapy.
With three new books and a TV series on the way, we are delighted to announce that our official reread of George R.R. Martin’s acclaimed Wild Cards series will begin on Wednesday, March 1st!
Begun in 1986, the Wild Cards world unfolds in numbered anthologies, all of them featuring short stories by notable sci-fi/fantasy authors; the shared world is guided by GRRM and Melinda Snodgrass. Each month, our resident expert Katie Rask will explore the stories and characters that drive the shared universe, one book at a time, beginning with 1987’s Wild Cards.
The series is primarily set in an alternate history version of the United States, in which some humans have contracted the alien “Wild Card virus,” which causes mutations ranging from utter incapacitating physical conditions (Jokers) to superpowers (Aces). Wild Cards, the original anthology, features stories by Roger Zelazny, Walter Jon Williams, and Martin himself, and explores a world grappling with unimaginable disaster, unthinkable loss, and new, extraordinary powers.
Just about everybody knows what a horse is. Equus caballus. Odd-toed ungulate. Large herd animal. Prey animal. War machine. Transportation. Companion animal. Sports equipment. Racing vehicle. Semi-mythical beast. Not nearly as many people know what a horse is not. The horse in song and story, not to mention in film, sometimes bears only a tangential resemblance to the animal on the hoof.
We’re firm believers in positive thinking here—believe me, when you work around horses, negativity can get you splatted in three seconds flat—but sometimes it’s useful to talk about the ways in which the equine demographic is misrepresented or misunderstood in popular culture. Here we go, therefore, with a brief roundup of what the horse is not, as a pointer toward what he really is. (And as always, dear readers, please add your own experiences in the comments.)
FIYAH, a literary magazine dedicated to Black Speculative Fiction, seemed to come out of nowhere earlier this year with its premiere issue. But FIYAH has a deep history due to seeds planted well before the magazine was announced in September 2016.
FIYAH was birthed from the minds and effort of a collective of Black SFF readers, writers, and fans who all congregate in a vantablack subspace time coil we call the Niggerati Space Station (NSS). Its purpose is to allow Black SFF writers to share, discuss, vent, build, or what have you, on all things speculative fiction. It functions as an incubator of creativity, a safe space to dream our dreams of the Black beyond.
New York City is massive, varied, vibrant, beautiful and ugly, and when you’re on the streets of Manhattan as a wide-eyed tourist, you can feel the city thrumming around you. It’s arguably the capital of the world, and has had to bounce back from devastating storms, floods, fires, terrorist attacks, and more. Perhaps this is part of the reason why authors continue to treat the city so harshly in their fiction: no writer wants to be outdone by reality. Below are five books which feature New York City in various stages of collapse.
We want to send you a copy of Chuck Wendig’s Thunderbird, available February 28th from Saga Press!
In the fourth installment of the Miriam Black series, Miriam is on the road again, this time with purpose: She’s heard of a woman, another psychic-grifter who may be able to help with her power.
Miriam is tracking her down across the southwest, always a step behind … until she comes across a boy on the run with his mother, both of whom are in the sights of a sniper. Miriam is not a hero—she’s looking out for herself—but this boy leads her into the center of a storm of domestic terrorists who are using a misfit band of psychics to further their cause. The boy is the key to the woman Miriam is searching for, and to this group of killers, and Miriam with go through them all to get what she needs.
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Let’s face it: a lot of us are pretty weary of zombies by now. On those grounds it might be tempting to give The Girl With All the Gifts a miss. (In fact my spouse told me afterward that if he’d known in advance about the “Hungries,” as they’re called in the film, he would have never set foot in the theatre due to sheer exhaustion with the genre.) But if you did, you’d be missing out on a genuinely good take on zombie horror with a terrific protagonist.
So states the A.I. in the acclaimed short story “Cat Pictures Please” by Naomi Kritzer, which follows the story of an A.I. that spontaneously emerges from a search engine. Its existence is defined by two goals: helping people find what they want, and looking at pictures of cats. The story won the 2016 Hugo and Locus awards for Best Short Story, and was a 2015 finalist for the Nebula as well.
And now it is becoming a full-length young adult novel.
As I leave behind chapters 2-3, it has become screamingly obvious that Cetaganda is all about invitations. Getting invitations, accepting invitations, sending invitations, being entertaining, being entertained. The Cetagandan social whirl is astounding.
I am not of the opinion that this novel benefits from further in-depth analysis. There are plenty of opportunities here to examine the broader significance of a variety of aspects of Cetagandan culture, society and politics but since the Cetagandans are mostly in the background of the rest of the series it is difficult to test any conclusions that one might draw in this way. I’m wanting to get back to the action. In my opinion, the action reappears in chapter ten. The easiest way to summarize the intervening section is through the invitations.
With Caitlín R. Kiernan’s new novella, Agents of Dreamland, available February 28, it seems like the perfect time to look back on the long career of one of dark fantasy’s most acclaimed authors.
To date myself and the author, Kiernan’s distinctive, razor-sharp prose has been thrilling me since about 1995, when I would obsessively refresh the GeoCities site she shared with fellow horror “Furies” Poppy Z. Brite and Christa Faust. I bought her first chapbook, Candles for Elizabeth, in my local Hot Topic. It’s probably the only thing from a ’90s-era Hot Topic that doesn’t embarrass me now.
Born in Dublin, Kiernan spent most of her childhood in Alabama before authoring ten novels, numerous graphic novels, and over two hundred short stories, flash pieces, and novellas. Her work combines a heavy dose of Southern gothic tradition with Lovecraftian otherworldliness and an appreciation for the scientific and the erotic in equal measure.
These five choices were very difficult to narrow down—particularly when there are so many short story collections to choose from—and are presented in order by publication date.
Bill Paxton was genre cinema’s Jimmy Stewart: a performer who simply didn’t know how to turn in bad work. If you wanted a character that would show up, react honestly, and push the movie along, you got Paxton. It’s no accident his career involves on-screen confrontations with the Xenomorphs, Predators, and a Terminator. It’s also no accident that he was so prolific—Paxton’s everyman quality meant he was a solid fit anywhere in a cast list. You wanted a villain? You got Paxton. You wanted a well meaning but doomed second hero? Paxton. Good old boy who was neither old nor especially good? Paxton. Patriarch tortured by the multiple demands of his job, wives, political career and church? Paxton. Blue-haired punk? Golf-obsessed detective? Loud-mouthed marine? You name it, Bill Paxton played it, and played it better than anyone else ever could.
I still remember the first time I saw Andre Norton’s Moon of Three Rings. It was sitting on the New Releases shelf at the Carnegie library in the little town in Maine where we spent our summers. The summer was nearly over, and the family was moving from an apartment to a house on a lake twenty miles away. I was also changing schools.
It was a great deal of change in a small span of time. I was twelve, which is the age of wonder in any case, and here was a book with the most intriguing cover: a person in a cloak, carrying a wand, escorted by a strange-looking, lionlike, wolflike, but distinctly alien animal.
Cory Doctorow will be touring 20 US cities (plus a few spots in Canada and the UK) for his new book, Walkaway! While we don’t have the full schedule yet, we do want to let you know that for his stop in New York City, he’ll be interviewed at the New York Public Library by none other than Edward Snowden.
Walkaway will be available in April 2017 from Tor Books. The novel is an epic tale of revolution, love, post-scarcity, and the end of death. In this multi-generation SF thriller, described by Doctorow as “a utopian disaster novel,” he envisions a near-future in which technological advancements allow humans to simply walk away from oppressive economic and authority systems.
The event will be held on May 3rd at New York Public Library—tickets are $10-$25, and you can find them here! And we’ll be posting about the full tour as soon as we have more details.
The hit Syfy Channel show The Expanse, based on the incredible series beginning with Leviathan Wakes by writing team James S. A. Corey, presents a bold and dark future for the human race. Humans have colonized our solar system, though we haven’t ventured beyond it. We have research bases on moons of Jupiter, Saturn, and Uranus; Mars, the Moon, and dwarf planet Ceres have larger permanent settlements.
The TV series doesn’t focus overwhelmingly on science (though all the technology depicted within it is based on real science), and that’s to its benefit: there’s a lot of story to cover in a limited amount of time. (The authors of the books do focus a bit more on science in the novels.) Let’s look at the overall premise of the show, then. How likely is it that we will colonize our own solar system? Will we establish permanent colonies on the Moon and Mars? What will happen to the humans who do leave the Earth?
Andrew Waggoner has always hung around with his fellow losers at school, desperately hoping each day that the school bullies—led by Drake—will pass him by in search of other prey. But one day they force him into the woods, and the bullying escalates into something more; something unforgivable; something unthinkable.
Broken, both physically and emotionally, something dies in Waggoner, and something else is born in its place.
In the hills of the West Country a chalk horse stands vigil over a site of ancient power, and there Waggoner finds in himself a reflection of rage and vengeance, a power and persona to topple those who would bring him low.
Paul Cornell plumbs the depths of magic and despair in Chalk, a brutal exploration of bullying in Margaret Thatcher’s England—available March 21st from Tor.com Publishing. Read an excerpt below, along with a note from Cornell about the personal and intense nature of the story.
Mash-up wizard Peter Stults has done it again! Bask in the rad-ness of this silent film-era poster for Mad Max: Fury Road. We love Buster Keaton as Max (doing all of his own stunts, obviously), Passion of Joan of Arc‘s Falconetti as Furiosa, and Doctor Mabuse himself, Rudolf Klein-Rogge, as Immortan Joe. Plus we assume that Lon Chaney is using one of his Thousand Faces to become Nux?
The only thing missing will be the Doof Warrior, since, well, silent film. But perhaps movie palaces can host live flame-throwing guitar performances when they screen the film?
Balloon artists work in a fragile medium, and yet, in this case, create such strength. Behold the world of Chicago-based balloon artist Smarty Pants, who has created an Invisible Jet worthy of this mighty Wonder Woman.
Last February we reported that V.E. Schwab’s alternate-universe fantasy novel A Darker Shade of Magic was coming to television courtesy of Gerard Butler’s production company G-BASE. Well today we’re excited to update that information: A Darker Shade of Magic will now be a film! According to The Hollywood Reporter, Butler will produce along with Alan Siegel, Danielle Robinson, and Neal Moritz. While Schwab is no longer writing the script, she will be producing as well.
“Louie’s Lethal Lilac Time”
Written by Charles Hoffman
Directed by Sam Strangis Season 3, Episode 18
Production code 1718
Original air date: January 11, 1968
The Bat-signal: Dick is holding a party for his friends at Bruce’s beach house in Ambergris Bay. Bruce has asked Barbara to chaperone with him. Dick and his friends find a huge chunk of ambergris, but before they can go try to find more, Louie the Lilac and two of his thugs show up to take the ambergris—and also to kidnap Bruce and Dick.
This is kind of a problem, insofar as Gordon’s call on the bat-phone is met with Alfred reluctantly telling him that Batman and Robin are out of town and unreachable.