A.M. Dellamonica is at it again! The thrilling adventures of Gale Feliachild and Captain Parrish continue in a series of prequel stories that offers to take us deeper into the fascinating world of Stormwrack.
When the crew of the Nightjar find a merman of the fleet wounded and stranded in the ocean, Gale’s sister, Beatrice, is forced to take a back seat while Gale and Parrish work to find out who would assault a member of the nation of Tallon’s intelligence service. They soon discover a plot that could shake the foundations of the fleet and Beatrice might be the key to preventing a catastrophic disaster.
A space opera adventure set in a universe controlled and run by Jewish religious authorities. An enforcer is sent to a distant planet where he discovers an android who changes his mind about what is right and wrong.
After an unusual public incident in which the frail, elderly president is revitalized, geckos are now considered to bring good luck. At the Ministry of Merit, Fon is secretly in charge of building the next Gecko Cannon for the family of president Bankim’s eightieth birthday. She is honored to be assigned this duty and works diligently to create and deliver this extraordinary machine.
In “The Virtual Swallows of Hog Island,” a programmer finds himself working for the self-proclaimed “Bad-Boy of Virtual-Reality Therapy.” While his boss is breaking new ground and breaking the rules and his coworkers are engaging in questionable uses of the latest technology, the lonely programmer is in a state of mourning over his deep personal losses and must figure out his own form of therapy.
With three new books and a TV series on the way, we are delighted to announce that our official reread of George R.R. Martin’s acclaimed Wild Cards series will begin on Wednesday, March 1st!
Begun in 1986, the Wild Cards world unfolds in numbered anthologies, all of them featuring short stories by notable sci-fi/fantasy authors; the shared world is guided by GRRM and Melinda Snodgrass. Each month, our resident expert Katie Rask will explore the stories and characters that drive the shared universe, one book at a time, beginning with 1987’s Wild Cards.
The series is primarily set in an alternate history version of the United States, in which some humans have contracted the alien “Wild Card virus,” which causes mutations ranging from utter incapacitating physical conditions (Jokers) to superpowers (Aces). Wild Cards, the original anthology, features stories by Roger Zelazny, Walter Jon Williams, and Martin himself, and explores a world grappling with unimaginable disaster, unthinkable loss, and new, extraordinary powers.
Just about everybody knows what a horse is. Equus caballus. Odd-toed ungulate. Large herd animal. Prey animal. War machine. Transportation. Companion animal. Sports equipment. Racing vehicle. Semi-mythical beast. Not nearly as many people know what a horse is not. The horse in song and story, not to mention in film, sometimes bears only a tangential resemblance to the animal on the hoof.
We’re firm believers in positive thinking here—believe me, when you work around horses, negativity can get you splatted in three seconds flat—but sometimes it’s useful to talk about the ways in which the equine demographic is misrepresented or misunderstood in popular culture. Here we go, therefore, with a brief roundup of what the horse is not, as a pointer toward what he really is. (And as always, dear readers, please add your own experiences in the comments.)
FIYAH, a literary magazine dedicated to Black Speculative Fiction, seemed to come out of nowhere earlier this year with its premiere issue. But FIYAH has a deep history due to seeds planted well before the magazine was announced in September 2016.
FIYAH was birthed from the minds and effort of a collective of Black SFF readers, writers, and fans who all congregate in a vantablack subspace time coil we call the Niggerati Space Station (NSS). Its purpose is to allow Black SFF writers to share, discuss, vent, build, or what have you, on all things speculative fiction. It functions as an incubator of creativity, a safe space to dream our dreams of the Black beyond.
The farther we get into season two of The Magicians, the more season one feels like the prologue. Finding out magic is real, that magical worlds are real, and that not everything magical is nice and wonderful—that’s the introductory text. The real meat of this story is what happens next: How do you rule the magical kingdom? What do you do when magic fails you and you want it back? And how do you deal with trauma that, while magical in origin, is trauma all the same?
In Quentin’s case, the answer is, essentially, “poorly.” But “Cheat Day” gives us someone who’s even worse at processing grief than Quentin is:
If you were waiting for an episode full of rip-snorting adventure on Marvel’s Agents of S.H.I.E.L.D., this was your night. Last week’s episode ended with the reveal that four more key members of the team had been replaced by Life Model Decoy (LMD) robots: Director Mace, Coulson, Mack, and Daisy. Their bodies are strapped to tables in the evil Superior’s submarine alongside Agent May, with electrode caps on their heads that keep their minds occupied in the Framework, an alternate reality almost indistinguishable from reality. Fitz and Simmons, who’ve just detected the LMDs, don’t know what to do next. Between robot duplicates and alternate worlds, nothing is as it seems. Anything can happen.
Strap in, Agents, because pretty much everything DOES happen in this episode!
Lovelace was once merely a ship’s artificial intelligence. When she wakes up in a new body, following a total system shut-down and reboot, she has no memory of what came before. As Lovelace learns to negotiate the universe and discover who she is, she makes friends with Pepper, an excitable engineer, who’s determined to help her learn and grow.
Together, Pepper and Lovey will discover that no matter how vast space is, two people can fill it together.
Becky Chambers’ The Long Way to a Small, Angry Planet introduced readers to the incredible world of Rosemary Harper, a young woman with a restless soul and secrets to keep. When she joined the crew of the Wayfarer, an intergalactic ship, she got more than she bargained for—and learned to live with, and love, her rag-tag collection of crewmates. A Closed and Common Orbit is the stand-alone sequel to Angry Planet—available in the US from Harper Voyager on March 14th!
In its initial release, A Bug’s Life had the dubious fortune of getting released in a year with not one, but two computer animated films about bugs, a deliberately created rivalry that did neither film any favors. Since then, A Bug’s Life has had the dubious honor of being perhaps the least remembered of the Pixar films, and perhaps the least regarded—depending upon how you feel about the various Cars films and, more recently, The Good Dinosaur—rarely if ever listed among the Pixar “greats.” At the time, however, it was proof that just maybe Pixar could be more than a one film wonder.
We finally have a premiere date for Starz’s American Gods, the television adaptation of Neil Gaiman’s novel from showrunner Bryan Fuller! Entertainment Weekly announced today that American Gods will premiere on Sunday, April 30. Starz also released a cool new poster for us to feast our eyes on, featuring Shadow Moon (Ricky Whittle), Mr. Wednesday (Ian McShane), and a very significant buffalo.
The Horror Writers Association are pleased to announce the 2016 Bram Stoker Awards Final Ballot. The presentation of the Bram Stoker Awards will take place during the second annual StokerCon, aboard the Queen Mary in Long Beach, California on the evening of April 29, 2017. Tickets to the banquet and the convention can be purchased here, and there will also be a live-stream of the event.
So I watched Batman v Superman. You don’t need a medievalist wandering through your digital space just to pile on with the many things that went wrong with the film, so instead let me say this:
In a dark world of brooding boys, Wonder Woman’s every moment on screen was like the light of a sun threatening to break through the clouds. There were many reasons for this (number one: Gal Gadot is a terrific actress), but what struck me as I was watching the film was the fact that Wonder Woman seemed to be the only person on screen with a clear sense of purpose. No brooding and self-doubt and angst and what-not for her: Wonder Woman knows exactly who she is.
And who she is, obviously, is a woman who kicks ass.
We want to send you a galley copy of John Scalzi’s The Collapsing Empire, available March 21st from Tor Books! Read the first three chapters here.
Our universe is ruled by physics and faster than light travel is not possible—until the discovery of The Flow, an extra-dimensional field we can access at certain points in space-time that transport us to other worlds, around other stars.
Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It’s a hedge against interstellar war—and a system of control for the rulers of the empire.
The Flow is eternal—but it is not static. Just as a river changes course, The Flow changes as well, cutting off worlds from the rest of humanity. When it’s discovered that The Flow is moving, possibly cutting off all human worlds from faster than light travel forever, three individuals—a scientist, a starship captain and the Empress of the Interdependency—are in a race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.
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Welcome back to the Warbreaker reread! Last week, Siri had everyone blushing with her new bedtime routine, while Lightsong tried unsuccessfully to call in sick. This week, Vivenna’s prejudices are on full display, even as her inexperience sets her up for further manipulation.
This reread will contain spoilers for all of Warbreaker and any other Cosmere book that becomes relevant to the discussion. This is particularly likely to include Words of Radiance, due to certain crossover characters. The index for this reread can be found here.
20th Century Fox has released the latest footage from Alien: Covenant, being described as “a new chapter in [Ridley Scott’s] groundbreaking Alien franchise” and a sequel to 2012’s Prometheus: a four-minute prologue to the film, in which the crew of the colony ship Covenant enjoys a final meal before going into cryosleep.
The moon is full and it is time for the Ceremony. Or at least, the first part of the Ceremony, which is waiting on the Commander. While these sections take place entirely in the Commander’s household, we learn a lot about the women (and one man) who depend on this powerful man for their survival. While Serena Joy awaits the monthly ritual with dread and tears, Offred retreats inside herself, to recall a very different household: Luke and their daughter, as they attempted to flee the country.
The index to the Handmaid’s Tale reread can be found here! Remember that because this is a reread, there will be spoilers for the rest of the book, as well as speculation about the TV series.
A dress the color of ripeness, of warning, of danger, of invitation. It’s cut in a way that beckons the eye, but it skims the edge of probability—how can it stay up? What kind of woman is comfortable wearing that?
Tor.com Publishing is proud to announce that we will be publishing Jane Yolen’s next book Finding Baba Yaga, a verse novel exploring the legacy of the great, iconic, Russian fairy tale witch who lives in a house in the woods that walks about on chicken feet. Finding Baba Yaga was acquired for Tor.com Publishing by Senior Editor Susan Chang in a deal facilitated by Elizabeth Harding at Curtis Brown Ltd.
It seems like everyone’s talking about this Chuck Wendig dude. Everyone but you, that is. And that’s a damn shame because Chuck Wendig is ten shades of great. On one hand, as a guy who’s done self-publishing, traditional publishing, and digital publishing (not to mention scripts and video games), he’s written a ton of stuff so you have plenty of titles to choose from. On the other, where the hell do you even start? Ah, my friend, that’s where I come in. Sit back, relax, and let me introduce you to your new favorite author.
Chuck Wendig writes like a punch to the face. His words are visceral and pungent, his tales discomfiting and nonconforming. There’s a fevered, staccato-like quality to his text which gives a sense of urgency, both for the characters and the reader. He writes characters who reject the norm even when they secretly crave it and rage against the family and friends they need the most, all while remaining imminently relatable and recognizable. Every time it feels like things can’t get any worse, Wendig turns the screw once more. Some writers can write big action sequences that make you feel like you’re part of the chaos and some can craft moments of quiet reflection between characters that make you feel like a fly on the wall. Chuck Wendig is one of those lucky few who can do both.