Last week, Orthallen arranged for Talia and Kris to visit Valdemar’s neighboring state of Hardorn to continue discussing the marriage King Alessander has proposed between Elspeth and his son, Ancar.
Before we go any further with this week’s reread, we need to discuss the elephant in the room—which, in this case, is the cover art. The usual visual code for dire peril on the cover of a normal Valdemar novel is dramatic depiction of torn sleeves. This cover works to a different standard—Arrow’s Fall has the most ominous cover art in the 31-volume Valdemar series. Rolan is panicking, Talia has taken an arrow to the shoulder. The purples and blacks of the background suggest a dark and dangerous time. This cover promises tragedy, and chapters 6 and 7 deliver.
Valdemarans don’t leave the kingdom much—the prologue to Arrow’s Fall explains that Valdemar is on the edge of civilization and what lies beyond is unpredictable, dangerous, and frighteningly likely to follow you home and destroy your village. This section of Arrow’s Fall marks the first time Lackey sent her characters outside the country. They are going east, which is the more civilized direction.
[Unfortunately, civilized is not the same as safe. ]