A horror tale about the Witch Bride, second wife of a King, and the discord between her and her young stepson.
This evening, at a special ceremony held at Foyles’ flagship bookshop on Charing Cross Road in lovely London, the winner of the 31st annual Arthur C. Clarke Award was announced. A suitably celebratory spread of genre readers, writers and industry figures were in attendance as the UK’s most prestigious prize for science fiction literature was awarded to Colson Whitehead for his “intensely moving” novel The Underground Railroad.
Andrew M. Butler, chair of a panel of judges that included representatives of the British Science Fiction Association, the Science Fiction Foundation and the SCI-FI LONDON Film Festival, expressed delight at the decision, describing Whitehead’s sixth novel—which concerns a pair of slaves fighting for their freedom along the length of a subterranean railway—as “a gripping account both of humanity’s inhumanity and the potential for resistance, underpinned by science fiction’s ability to make metaphor literal.”
Series: British Fiction Focus
Ladies and gentlemen and beings of indeterminate provenance! I present to you the MRGN post of a thousand and one follies, jollies and lick ‘em lollies: 1997’s The Fifth Element! Supergreen!
Previous entries can be found here. Please note that as with all films covered on the Nostalgia Rewatch, this post will be rife with spoilers for the film.
And now, the post!
Series: Movie Rewatch of Great Nostalgia
First in a duet from Leena Likitalo, The Five Daughters of the Moon is a second-world fantasy inspired by the Russian Revolution. The narrative follows the five sisters of the royal family as their empire collapses around them, driven in part by youthful idealism and in part by cruel magic and manipulation. Each chapter is told from the point of view of a different sister, from the youngest Alina who sees the world of shadows to the oldest Celestia who has become involved with the scientist-sorcerer Gagargi Prataslav.
Representing the revolution from the interior of the royal family, Likitalo is able to explore a range of reactions and levels of awareness; Elise and Celestia are aware of the suffering in their empire and wish to support a revolution that will address it, while the younger three are more aware of the horrible magic and undercurrents of betrayal surrounding Prataslav, but no one will listen to their concerns. This mismatch leads to the beginning of the collapse of the empire itself.
Iraq + 100 poses a question to contemporary Iraqi writers: what might your home city look like in the year 2103—exactly 100 years after the disastrous American and British-led invasion of Iraq? How might that war reach across a century of repair and rebirth, and affect the state of the country—its politics, its religion, its language, its culture—and how might Iraq have finally escaped its chaos, and found its own peace, a hundred years down the line?
As well as being an exercise in escaping the politics of the present, this anthology is also an opportunity for a hotbed of contemporary Arabic writers to offer its own spin on science fiction and fantasy.
Iraq + 100 publishes September 12th with Tor Books. We’re pleased to share editor Hassan Blasim’s introduction to the anthology, translated by Jonathan Wright.
As surely as the sun rises in the east, every few years Stephen King will mention retiring, the press will jump on it with both feet, the world will spread far and wide that “The King is Dead”, and minutes later King will have another book on the market that his publishers call “his return to true horror.” In 2002, King told the LA Times he was retiring while promoting From a Buick 8. After about 15 minutes, Stephen King was back, and this time it was with a zombie novel dedicated to George Romero and Richard Matheson, and Scribner was thrilled that their multi-million investment in King was paying off with a new horror novel.
They printed 1.1 million copies and, to promote it, they got Nextones to send texts asking people to join the Stephen King VIP Club where they could buy $1.99 Cell wallpapers for their mobile phones and two ringtones of King himself intoning, “It’s okay, it’s a normie calling.” and “Beware. The next call you take may be your last.” King wanted it to say, “Don’t answer it. Don’t answer it,” but Marketing nixed that idea. The result? Parent company Simon & Schuster got sued for unsolicited telephone advertising in Satterfield v. Simon & Schuster to the tune of $175/plaintiff, or $10 million total. With a price tag like that, good thing Cell is one hell of a 9/11 novel.
Series: The Great Stephen King Reread
Fans of Hot Pie (aka Ben Hawkey) from Games of Thrones will be happy to know that he is currently living his best life after opening a bakery that opened the same weekend as the season 7 premiere.
Guess what it’s called? “You Know Nothing Jon Dough.” And puns are not the only thing that Hawkey has been perfecting in his new business….
As the Blood Moon rises high upon the mountain of the Usgar a demon hunts.
But this is not the demon’s story.
Child of a Mad God is the story of a young woman, the daughter of a witch, born under the Blood Moon, how she finds herself alone in a tribe of vicious barbarians, and how she came to know the world. The novel, out from Tor Books on February 6, 2018, kicks off a new fantasy series from R.A. Salvatore, the same author beloved for his Legend of Drizzt series.
Check out Larry Rostant’s full cover below.
In some ways, the upcoming sci-fi indie Marjorie Prime brings to mind Spike Jonze’s Her: Jon Hamm is a computer program whose personality and engagement is fine-tuned for one particular recipient, the titular Marjorie (Lois Smith). But the drama, adapted from Jordan Harrison’s Pulitzer Prize-winning play, also invokes Charlie Brooker’s Black Mirror, specifically the episode “Be Right Back”: Hamm’s character is not just any artificial intelligence, but Walter, Marjorie’s late husband, helping her recover memories from their past together.
You know those polished wooden egg puzzles that people buy for you, the kind that are beautiful when they’re an egg but that fall apart into shards that seem impossible for mortals to reassemble? Then maybe after a lot of trying suddenly all these impossible three dimensional jigsaw pieces suddenly slot together and you have a lovely fragile egg again?
Douglas Adams’s Dirk Gently’s Holistic Detective Agency always reminds me of one of those.
Disney executives watched the success of the Pixar films with mingled joy and alarm. On the one hand, the Pixar films—particularly Finding Nemo and the two Toy Story films—were bringing quite a bit of money into their coffers, both in box office receipts and ancillary merchandise revenue. On the other hand—well, after the late 1990s, most of the Disney produced animated films were losing money, and only Lilo & Stitch was bringing in anything close to the ancillary revenue generated through sales of little Woodys, Buzz Lightyears, Monsters and Nemos.
Pixar arguably was overtaking Disney on what had been their exclusive, lucrative domain. (Arguably, since other studios had also produced financially successful full length animated movies, and the Disney issues had more to do with the quality of their films than with their rivals.) And, far more alarmingly, relationships between the two companies were slowly but surely disintegrating, even as Pixar animators showed Disney executives concept art of talking cars.
The nominees for the 2017 World Fantasy Awards have been announced, including Lifetime Achievement recipients Terry Brooks and Marina Warner. The winners of the 2017 World Fantasy Awards will be announced at the World Fantasy Convention, November 2-5, 2017 in San Antonio, TX. This year’s theme is “Secret Histories.”
Finally, a use for all those weird little cocktail swords!
YouTube crafters Natural Nerd have a new video up showing viewers how to make their own custom Iron Throne phone charger. It’s marvelously simple, and could make for a good starter project if you’re interested in exploring nerd crafts. Basically, make a throne out of blocks of wood, glue on a ton of cocktail swords, coat in metallic paint, and thread in the charger cord, and you’re there!
Vivian Shaw has written an astoundingly accomplished debut novel. Let’s get one thing out of the way first: Strange Practice is really good, a compelling, well-characterised novel with tight pacing and a great sense of humour. You should run, not walk, to get your copy now.
(Seriously. I’m not joking. It’s so good.)
Dr. Greta Helsing inherited a highly specialised medical practice. From her consulting rooms on Harley St., where she operates on a shoestring budget, she runs a clinic for the monsters that hardly anyone knows about. (She sees, for example, cases of vocal strain in banshees, flu in ghouls, bone rot in mummies, and depression in vampires.) Greta’s just barely making ends meet, but she’s living the life she’s always wanted. She’s making people’s lives—people who can’t easily access medical care anywhere else—better.
Welcome back to the Lovecraft reread, in which two modern Mythos writers get girl cooties all over old Howard’s sandbox, from those who inspired him to those who were inspired in turn.
Today we’re looking at Lovecraft and C.M. Eddy, Jr.’s “The Loved Dead,” first published in the May-June-July 1924 issue of Weird Tales. Spoilers ahead.
Series: The Lovecraft Reread
There are lots of rules about writing, but few worth paying any heed. But one concept I would argue for is that character is everything—without character you have no story, you have no plot, you have no consequences, no changes, no desires, no obstacles, no goals. Everything—and I mean everything—in a great novel comes from great character.
And character doesn’t need to be limited to those who walk and talk and have their adventures between the pages of your favourite novel. Some of the best books use setting as character—the place in which the action unfolds can be just as important as the people (or robots or aliens or super-intelligent shades of the colour blue) whose trials and tribulation we follow.
Here are five books where the setting—in this case, strange cities—is key.