Jonathan Carroll’s first full-length work of fiction in six years is as rooted in the real as it is the surreal its synopsis suggests. Bathing the Lion is about a quintet of cosmic mechanics who can read minds and remake the mundane recovering their talents in advance of the arrival of a fearsome force called Chaos—which seems, I’m sure, like a properly science fictional plot. But it’s not.
To wit, the World Fantasy Award-winning author evidences precious little interest in the ultimate result of this clash between... not good and evil, exactly, but order and its opposite. Rather, Carroll restrains his tale to the strictly small scale, in the process pointedly refusing the reader’s needs.