Evie Nagy’s PW article “What a Girl Wants is Often a Comic” presents a great overview of comics and the girls who love them. Dark Horse, Slave Labor Graphics, and Oni Press are doing a bang up job of creating stories that range in appeal to everyone from the Hannah Montana mall crowd to the cerebral Persepolis coterie (not an easy thing to do).
But what about the Big Two, DC and Marvel? Sure, there are a few if you look, but apparently the crash and burn of DC’s Minx young adult graphic novel line indicates “…that a market for alternative young adult comics does not exist in the capacity to support an initiative of this kind, if at all.”
Oh, really? Just because the distributor in this case, Random House, was unable to get its coveted shelf placement for these graphic novels, there’s barely a market? R u nuts?
Here’s the deal: Most girls love to read and would adore reading great comics—it’s just that sometimes they don’t even know it yet.
Take a stroll through your resident bookstore, and you’re likely to see girls ages 10-16 flocking around the manga section. Shojo manga (i.e., Japanese comics aimed at girls) reels ’em in by the busload. And sales are booming, even in these economically ailing times.
Manga currently dominates graphic novel sales, according to Nielsan BookScan. As recently as November, 2008, twelve manga titles appeared in the top 20, with the shojo title Fruits Basket bounding in at number two.
Clearly, girls aren’t averse to the comics medium itself. So why aren’t they devouring American comics? Upon close inspection, it doesn’t all boil down to a lack of attraction to the wall-to-wall caped machismo. There are myriad reasons.
Historically, we’ve conditioned girls—and ourselves—to believe that Superman, Spider-Man et al are just for boys and boys alone. Nowadays, the mentality is closer to prevailing that they’re for both boys and adults. Uh…yippee? With that kind of brainwashing attitude prevailing, publishers can’t expect girls to flock to the medium just because shazam!...an imprint appears with titles on store shelves (or not, in the case of Minx).
Nagy’s article points out a few key factors that make comics appealing for girls, such as character-driven stories, stories that speak to their experiences (taking into account developmental ages/needs/milestones is a plus), and validating their experiences through relatable characters and situations. But even if the product is available, getting comics into the hands of eager girls across the globe can be a daunting prospect, and it’s no wonder few have tackled the problem successfully.
Girl readers are out there. They’re waiting. They’re willing to experiment with a variety of stories and mediums. You, my dear publishers, just have to know where to find them—and more importantly, how to nurture them. Planting seeds today in full anticipation of greeting trees filled with fully ripened apples (and sales) tomorrow is drinking a bit too much from the Kool-Aid Panglossianism well. Oh, noOOoo!
So what can we do? Here are a few ideas I’d like to throw out there.
1) Strongly consider a line of e-comics for girls: Think of the potential for online discussion groups, texting, forums, etc. Social networking is important.
2) Small presses may be the new kings of this niche market: Parents, here’s a job for you: help your daughters navigate the Web to find them.
3) Lose the old-school comic shop mentality: With their oft musty smelling carpets and dark, dusty corners—eww!—it’s not an appealing hangout for young female readers. And store owners, ask your staff not to treat girls/women who patronize your store as if they’re lost/ignorant/alien. If they feel uncomfortable, their dollars will go elsewhere. While you’re at it, stock a few cosplay accessories. Instead of plain plastic sleeves and—yawn—boring white boxes for storage, create jazzy comic book jackets/folders/portfolio style storage options. Finally, if we’re venturing into (Amazing) Fantasy land, why not a comic store just for girls? Stuff it with comfy, oversized chairs splashed with funky colors and smart designs. Decorate the walls with comic covers and/or related art/posters.
4) Start a mailing list: Send girls an electronic greeting and/or offer a free in-store comic on their birthday. If you’re a publisher backed by a big corporation, you know how well loss leaders can work.
5) Keep the prices affordable: Many teens have disposable income, but $3.99 a pop ain’t gonna cut it.
6) Go straight to the source and conduct focus groups: Chat with tweens and teens to find out what kinds of stories they already like, what they’d like to see more of, and what obstacles they face in finding comics. You may discover an opportunity to offer similar titles related to what they are already reading instead of trying to manufacture something you think they want. Ask about their purchasing habits—can they even get their parents to drive them to the nearest comic store/bookstore?
But the onus for encouraging girls to read comics shouldn't entirely rest on the LCS/publishers’ shoulders. Here are a few ideas for the rest of us:
• Be a mentor. Or create a comics mentor program. Not only can you be instrumental in building a girl’s reading habits, but you can also tap into your vast experience of graphic novels to show her a really cool place in which her imagination can soar. Have an esoteric repository of comic book knowledge? Now it’s not just for conventions anymore!
• Comic shop owners, partner with libraries who foster a supportive attitude about comics. Work with librarians to develop a reading program centered around comics. Invite local teens to run comic clubs/discussion groups. Libraries or comic book stores could also host swap meets aimed at girls where they could trade with other readers for new reads (a bonus for the environment, too!)
• Parents and teachers could help students organize after school comics clubs (boys invited, of course).
• Take advantage of programs for disadvantaged youth. Engage the therapists, teachers, and program administrators associated with such programs and ask about donating comics (with age appropriate content, naturally). Even better, if your daughter is tired of her Emily Strange collection, have her accompany you to donate it in person. Encourage her to write a letter describing why she thinks it will appeal to the program’s teens. Positive peer influence powers, activate!
The above list is a starting point, with emphasis on starting, since this wouldn’t (and couldn’t) be an overnight process. But again, publishers need to think long term, not short term. Comics and girls are potentially a great match.
Those are my initial thoughts. So what are some other ideas for attracting more girls to comics? Let’s hear some more from you!
VIEW ALL BY · Monday February 09, 2009 06:04pm EST
Teenagers, more than adults, are very keenly aware of when they're being "sold" something, and inherently distrust that. Why would they want it if it has to be pitched to them? Lord knows I feel the same way.
My biggest peeve though is this idea that girls are fundamentally different readers. They're more attracted to stories with lots of character development, but who isn't? I think boys would be, too, if those books were marketed for them. Let's face it, books with depth are better books.
So I don't think the solution is in focus groups. I think community involvement is good, but what really needs to happen is a cultural and literary shift away from these absurdly gendered books (BOYS SMASH! GIRLS LOVE!) and towards a more gender-neutral kind of story with strong characters, lots of action, and satisfying worlds.
What books do both boys and girls love? Think Philip Pullman, or David Eddings, or Lemony Snickett: books with duos or ensembles, where the girls aren't stereotypes obsessed with relationships but just people, on a journey, with the same goals and motivations. (Full disclosure: I have big issues with women in the Dark Materials books, but I'm going to let it slide for the purpose of this argument.)
VIEW ALL BY · Monday February 09, 2009 08:01pm EST
It's only normal that we guided them to works we enjoyed at their age or works we currently enjoy and think they'll enjoy too.
We watched Card Captor Sakura and she got the first two tankobons for Christmas. Recently she plowed through about twenty issues of Bone in one day. She also really likes Polly and the Pirates. Les Schtroumphs (aka the original Smurfs by Peyo) is another favourite.
She's only eight, but I feel that as long as I continue to guide her towards comics and manga and BD that she can enjoy, she'll keep reading them.
Undoubtedly, one day she'll pick up a superhero comic (or I may recommend one to her) but she won't associate graphic storytelling with caped crusaders because by then she will have read so many other things in the medium.
VIEW ALL BY · Monday February 09, 2009 08:04pm EST
I think a lot of ideas in marketing are almost silly now. For one there are a lot of people over the age of 14 who read YA novels. I mean look at the amount of (albeit totally insane) women in their 40's and 50's reading Twilight.
However the whole comic store/publisher/library combo is actually a pretty solid idea. Even trying to break down the stigma of comics in schools and their respective libraries.
Mentors are good as well, I used to work for America Reads and I think comics could/would engage some of the children who didn't exactly enjoy some of the blander reading material we had to work with. Especially the girls.
Monday February 09, 2009 09:21pm EST
Fine. if it's good business for the companies to make female targeted comic books then all the power to them. But i don't think that they need to make comic's targeted to women to get women who will actually enjoy comics into them. They just need to find their niche.
VIEW ALL BY · Monday February 09, 2009 11:24pm EST
I think what she appreciates in comics is mostly the same as I do, simply quality - literacy, art, imagination.
VIEW ALL BY · Tuesday February 10, 2009 09:36am EST
Torie's comment about absurdly gendered "BOYS SMASH! GIRLS LOVE!" comics was right on the money. Is Sandman somehow "not for boys" because girls like it?
VIEW ALL BY · Tuesday February 10, 2009 11:24am EST
You are clearly my comic twin. My parents spent a lot of their youth in Europe and returned with all the Asterix and Tintin comics. Those are the stories I grew up with. Tintin has virtually zero women, but the line drawings, the colorful cast of characters, and the fun mysteries sucked me in regardless. Same goes for Asterix.
X-men was my only superhero comic for the same reasons you state. As I got older I became turned off to the chicks-as-male-fantasies, but just seeing women who weren't helpless or unmotivated was great.
My real love of graphic novels/ comics/ whatever was definitely Sandman. That opened to door to so many others.
Were they romances? Hell no. Did they have fully developed, interesting character arcs? In the case of Sandman, for sure, but Tintin was a pretty blank slate. Lots and lots of different comics are appealing to girls, just as (surprise!) lots and lots of different comics are appealing to boys. It's just crazy that we have to go sort through the slog of offensive, one-note, and generally crappy boy-marketed or girl-marketed comics to find them.
VIEW ALL BY · Tuesday February 10, 2009 12:53pm EST
This, to me, is why manga has taken off as much as anything. You can pay $10 for a manga that will take you about 1/2-1 hour to read, depending on how good the art and dialogue are. For that same amount of time, you'd have to buy about three floppies, and that is easily $12 or more, depending on the floppy. And I may be being generous about the average time it takes to read a floppy.
I happen to love superhero comics, for all that women in them are underrepresented and overly chesty on top of sixteen-inch waists. I like stories about people with superpowers, and I even like that art a little because I'm used to such hyperbolic statements about body types from following fashion. I write it off as fantasy and try to enjoy the stories. The unfortunate piece to my mind is that those stories often don't represent women that well. I loathe the tokenism of characters that are supposed to be strong, independent women but remain female stereotypes. It's worse than ones that are just admittedly fantasy eye-candy because it feels like I am being told to be grateful for what little I get out of such character. "We made this one kick ass, so be happy and stop giving us a hard time about our constantly victimizing her!"
One that comes to mind is The Witchblade. Awesome mythology, Sara Pezzini is a cop, so she's making a name for herself in a pretty hyper-masculine environment. Should be great, right? Well, it's hard to say this about someone who makes no bones about punching out the badguys, but her (w)angsting over having what amounts to being such a powerful force for law and order, who has an AWESOME and VIRTUALLY INDESTRUCTIBLE weapon, blows. So does the fact that most of her plot arcs involve her constantly being tricked into loving shitheels who are just trying to use her or steal the Witchblade. Somebody call the waaaaaaaahmbulance. And if you compare her to what is essentially her male counterpart in The Darkness, you see she has very little to complain about. (I sympathize with Jackie Estacado's angst because the man can't have sex. I would be pretty fucking cranky no matter what superpowers I had if I were him, too.)
What appeals to girls? The same thing that appeals to human beings. That's the part that kills me about these female-centric initiatives: we're just people. No one so far in this commentary has had exactly similar tastes to mine. I like zombie stuff, but "The Walking Dead" never captured my attention. I like Sandman okay, but I like Watchmen way better. It turns out that we all have different tastes for pretty much no reason anyone can chart because, surprise, we're people. By the logic of the companies that cater to "women," we're supposed to be the same. I'm supposed to like pink shit, but I don't. So maybe instead of telling me what I like, you could try writing and illustrating something that's good and just trust that if it's good enough, women will read it.
And make it cheap, damn it.
Tuesday February 10, 2009 08:37pm EST
Also, I wrote this as a girl who started reading primarily superhero comics as an adult, so the idea that there's some kind of formula for success was nowhere in my mind :).
Wednesday February 11, 2009 04:06am EST
[SPOILERS AHEAD]
...the first few volumes of ‘Runaways’ are entertaining enough to hook just about anybody, but I stopped reading the series when they killed off sarcastic, bespectacled Gert—who was perhaps the only chubby girl in the entire Marvel Universe!—in favor of more screen time for the other female characters: 11-year-old Molly, Nico (a hot Asian witch with a fondness for Gothic Lolita outfits), and Karolina, a gorgeous blonde California girl who secretly happens to be a lesbian from outer space. I found myself wondering, only half-jokingly—did they kill off Gert because it was physically painful for their artists to draw a teenage girl who wasn’t either an adorable moppet or supermodel material?
If the comic-producing Powers That Be want to attract more girl readers, they might want to take a look what’s selling on the standard YA bookshelves. Authors like Meg Cabot and Stephenie Meyer have made zillions of dollars from books featuring ordinary girls in extraordinary situations, which leads me to believe that teen girls would like read about characters they can identify with. I don’t think female readers really need have a special line of comics all their own (or even extra-clean comic shops with nice carpeting and non-patronizing owners, although those would be awesome), but it would be really nice to see more female characters in the comic 'verse that look and act in a plausible way!
Thursday February 12, 2009 09:58am EST
VIEW ALL BY · Thursday February 12, 2009 03:13pm EST
When I was in highschool I struck up a friendship with a girl who was a manga fan. We had an exchange thing going on, where I would loan her my Sandman tps and she'd loan me her Ranma tankobans. It was all in all probably pretty good for the both of us, as we were both more exposed to a world of comics neither of us would have been normally.
And now I do the same thing (admittedly on a lesser scale) with my girlfriend: her ridiculously girly manga for my Watchmen
VIEW ALL BY · Thursday February 12, 2009 03:25pm EST
When I was in highschool I struck up a friendship with a girl who was a manga fan. We had an exchange thing going on, where I would loan her my Sandman tps and she'd loan me her Ranma tankobans. It was all in all probably pretty good for the both of us, as we were both more exposed to a world of comics neither of us would have been normally.
And now I do the same thing (admittedly on a lesser scale) with my girlfriend: her ridiculously girly manga for my Watchmen
Saturday February 14, 2009 12:46am EST
VIEW ALL BY · Wednesday February 18, 2009 09:07pm EST
So glad to see the issue stirred such passionate responses. While I agree that over-thought marketing campaigns can be phony & backfire, I still believe that *some* marketing is needed, if only to get the word out that there are comics of all kinds of variety that will appeal to tweens and teens. I may not have clarified it as well as I thought I had, but that was my intention.
Perhaps this is a case of word-of-mouth trumping even the most clever ad campaign, and publishers should strive for the best quality stories that will nurture that process.