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The Joys of History and Academia in Susanna Clarke’s Jonathan Strange & Mr Norrell

That Was Awesome! Writers on Writing

Surprise, Fear, and an Almost Fanatical Dedication to the Womack

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Andrew Vachss and Blue Belle: The Great Opening Line

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Giving a Story Room to Breathe: Joe Hill’s NOS4A2

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That Was Awesome! What the Bad Guy in Daniel Polansky’s She Who Waits Really Wants

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Footnotes Done Right: Susanna Clarke’s Jonathan Strange & Mr Norrell

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A Breathtaking Duel in Dorothy Dunnett’s The Game of Kings

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The Delicate Balance of World-Building: Scott Lynch’s Red Seas Under Red Skies

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That Was Awesome: Tony Ballantyne’s Dream Logic

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The Contradictions of Diane Duane

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Balancing on a Precipice: The Gothic Reach

Entanglement: Angélica Gorodischer’s Kalpa Imperial

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It Wasn’t Aliens, and They Weren’t Dead All Along: The Big Reveal in Blake Crouch’s Pines

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Forbidden Spheres and Cosmic Gulfs: The Weird Fiction of H.P. Lovecraft

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The Clockwork Dagger Beth Cato

Defining Character: The Opening Scene of The Clockwork Dagger

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Humorous Exposition: Roger Zelazny’s A Night in the Lonesome October

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Lloyd Alexander’s Tales of War and Youth

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That Was Awesome: Starfish by Peter Watts

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Thirty Years On: Margaret Weis and Tracy Hickman and the Legacy of Mortality

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Neither Hero nor Anti-hero: Misha’s Red Spider White Web

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Great Opening Lines: God’s War by Kameron Hurley

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