Mon
Jan 10 2011 2:37pm

Your Questions for Brandon Sanderson—Answered!

Brandon SandersonYou asked and now Brandon Sanderson answers. Below the cut, you’ll find answers to the many, many questions you posted here on Tor.com back in December, touching subjects ranging from the Wheel of Time to The Stormlight Archives to Dragonsteel and more.

A few hundred questions ended up being sent, so a big thank you goes out to Brandon for taking time out of his busy schedule to sit down and answer as many as possible. (If you don’t see your question, most likely it’s still in the queue.) An equally big thanks goes out to Peter Ahlstrom for his organizational help!

Regarding the Wheel of Time

Carlinya Sedai died in ToM. So what did Min’s vision of her from TFoH mean?

RAFO.


Who is the First Selector of the Blue Ajah? (and if that gets RAFO’d) Have we seen her on screen or her name mentioned?


The glossary in the back of Towers of Midnight says, “The First Selector is currently unknown, although it is suspected that Lelaine Akashi fills this position.” That suspicion is correct.


The second time Perrin needed to be there for Rand, did that occur on Dragonmount in T’A’R?

RAFO.


Can Moiraine’s loss of Power be Healed?


RAFO.


Can a person be reborn more than once in the same Age?

RAFO.

I know it’s premature to discuss this, but I am entertaining fond hopes that after you finish A Memory of Light, you will publish a WoT companion, which will include things like:



  • All the notes and details and backstory which never got put into the novels.

  • Deleted chapters, or longer draft versions of scenes which had to be edited down.
  • 
An account of the writing process as you experienced it, with perhaps an outline of the books showing how much of each part was yours and how much RJs, and the difficult decisions you had to make at each point.

  • Alternative chapters or scenes which were discarded.

  • Answers to any issues which are still disputed by fandom after the last book.

I know this is premature, but I was hoping you could at least tell us if
 1) Is this something you, personally, would be willing to do?
 2) Is there any chance of it actually happening?

Excellent question. I’ve spoken on this a little bit before. It is something I’d be willing to do; in fact, it’s something I want to do.

I don’t want to say that the chances of it happening are poor, but one thing you have to understand is that Harriet is very careful and cautious with Robert Jordan’s legacy, and rightly so. You may have heard, for instance, that at the first JordanCon she allowed us to play the tape of him dictating a scene from the prologue of The Gathering Storm, but she asked for it not to be recorded, and she doesn’t really want it to be played again. It was just that one time for that special event. People asked her why, and her response was that she didn’t want people to remember Robert Jordan in his weakest hours. I think that is a very valid point.

So the decision will be Harriet’s. I haven’t even approached her about this yet, because I don’t think it’s the appropriate time. But once the series is done and we’ve had some time away from it, I will ask her if it’s all right if I do something like this.

It would include a lot of the things you mention. Specifically what I want to do is talk about the writing process and the difficult decisions that you mention, some of the scenes that didn’t end up in the books, some of the things that Robert Jordan had written as potential scenes. I’ve mentioned before that in his notes he would often have comments where he says, “I will either do this, or this,” and sometimes the options are very contradictory. He had not yet decided between them, and I ended up being the one who decided which one we were going to do. So I would include those and some of the actual notes.

The reason Harriet may not want this to happen is that if his final publication is unfinished notes, that might make her uncomfortable. I certainly intend to make a plea for the importance of this from a scholarly standpoint, that people might be able to have access to this, and also so that the notes are there for people who don’t like my interpretation of things, so they can see exactly what Robert Jordan had to say. I’m really hoping we can do it, but let’s wait until the series is done and then I’ll approach Harriet about it.



About the swirling colors/ta’veren experience: 

Would Perrin be able to see what Mat is doing in the Tower of Ghenjei? If I was Perrin I’d be following every move Mat makes.
 And hypothetically if Rand thinks about Mat at some moment during and after his journey in the Finn World Rand should be able to see Mat and Moraine or if before they rescue her Mat and co. in the Finn World. Is that right? I find this connection between the ta’veren so fascinating.

How about this. Swirling colors don’t work in Tel’aran’rhiod. Granted that within the Tower of Ghenjei is somewhat different from Tel’aran’rhiod, but there are some similarities.



And how much time has past since Mat met Verin and the trio left for the Tower of Ghenjei? 30 days?

Mat set aside the letter and didn’t open it for the required number of days. The next day he left for the Tower of Ghenjei.


And how many days before Rand’s epiphany on Dragonmount did Mat and Verin met?


I will send you to the fan-curated chronologies. I have a chronology on my computer, but let’s let the fans work it out.

In ToM’s glossary, it is noted that Mesaana is destroyed (as opposed to Asmodean and Aran’gar who are noted to have been killed). If the Aes Sedai were to execute Mesaana, would the Dark One be able to put Mesaana’s soul in another body? Or since her mind was destroyed, is Mesaana’s soul permanently damaged?


Nobody’s soul gets permanently damaged in that way in the Wheel of Time. Whether the Dark One can recover her and transmigrate her soul or not is a RAFO.

More seriously, I have an older question that I’ve been meaning to ask for a while. 

When the books say that the Blue Ajah throw themselves into Causes, does this mean the Ajah as a whole picks a Cause, or the individual members pick their own causes?

Individual members pick their own causes.

Are you aware of and are there any plans in the future to adapt WoT to film or television? Would you be involved in this process at all? And is this something you would be open to doing with your own work sometime in the future?

Red Eagle Entertainment currently has the rights to produce a Wheel of Time film, and I have met with them from time to time. But I’m not directly involved in the process; I’ll leave movie making up to the experts.

I talked a little about Wheel of Time movies here.

I sold an Alcatraz movie option to DreamWorks Animation; they’ve finally passed on it, but a producer is shopping it around to other studios. I also sold a Mistborn movie option to Paloppa Pictures.

Any chance of a hint at the red veiled Aiel? Even the tiniest of reference anywhere else?


Harriet has told me I have to RAFO all questions about this. Sorry.

 

Regarding The Stormlight Archive

Is the fact that The Way of Kings and rest of the books in the series are going to focus each one on a different character connected in any way to the fact that both TGS and ToM focused each one on a pair of characters?

No, not really. Most of my plans for the Stormlight Archive go back years and years to before I was working on the Wheel of Time. I would say that the The Gathering Storm/Towers of Midnight character split happened because of the book split, less than any real planning on my part. I had the character arcs and decided which ones would fit well together if I was only going to be releasing one batch of them at a time.

So the answer is no, but with the caveat that with the way my mind works, it may have been working in the same way in both cases.


Was the symbol of the Ghostbloods the same symbol that you used to move between different scenes in TWoK’s chapters (the 3 diamonds in a triangle pattern)?

The Ghostbloods’ symbol has interconnected diamonds. I didn’t ask Tor for a specific scene break character; that was a design decision on their part.


In The Way of Kings, the epigrams indicate that the year is 1174 (or thereabouts). In the Prelude, the date is indicated as 3000 years ago. What mechanism is used to delineate the epochs? Obviously in the Prelude they wouldn’t refer to their date as -2174. In other words, what are the B.C./A.D./BCE equivalents for that series?


I’m going to have to RAFO that.


In plotting an epic like WoK, to what extent do you outline the whole story? How does that compare with the outline and notes provided by Robert Jordan for the remaining volumes of WoT?


Robert Jordan and I plot differently. In the notes he tends to talk about scenes that he’s working on at the time, whereas I tend to plot out everything, kind of in reverse order. His outlines do end up looking like my outlines in some ways, in that he talks about important moments and I tend to plot backwards, starting from those important moments and moving backward from them. He seemed to be much more of a “I work on this scene because I’m passionate about it” writer, where I am a “I build a framework for the entire book and then start writing” writer.


Which of the 10 Knights was supposed to be in book 1? I couldn’t tell. Is this by design? or did I miss the point?

I’m not sure what the question means. Do you mean the Heralds? Or the ten orders of the Knights Radiant? The symbol stamped into the front of the first hardcover represents the Windrunners because of Kaladin’s awakening as a Windrunner. Also because of Szeth, but mostly because of Kaladin.


What’s the general time line on Stormlight Archive releases? Do you plan any major gaps in the series, or will books 2-10 likely be your main projects for the next few years?

I wrote a blog post on this back in October.

After I finish A Memory of Light, my major novel publishing schedule will be Stormlight Archive books two years in a row, followed by something else the next year. This pattern should continue until the series is finished. That doesn’t count shorter exploratory side projects like Alcatraz or The Rithmatist (formerly called Scribbler), which comes out in 2012. I’ll do one or two of those every year when I take a break after finishing a major novel, and not all of them will get polished to publication standards. Those deviations are largely to keep me from burning out.


Are any secondary WoK characters likely to become more major in the next book?

Jasnah, Navani, and Taln all have expanded parts in the series to come. I won’t say specifically in which books, but all three of those characters will have larger roles. Several of the members of Bridge Four have larger roles; they will basically remain secondary characters, but may have expanded viewpoints.

 

Regarding Mistborn

What does aluminum do in Feruchemy? What does malatium do in Hemalurgy?

RAFO. We’ll be releasing a chart eventually that includes all of the powers. I don’t want to speak until I have everything nailed down exactly the way I want.


What would an atium-electrum alloy do in Allomancy?

The alloys of atium have various temporal effects.


What happens when you burn a Hemalurgic spike?

Burning a Hemalurgic spike would have the effect of splicing your spiritual DNA to that of the person’s that is in the spike, which would have some very strange consequences.


Can you both Feruchemically charge and Hemalurgically invest in the same piece of metal?

Yes.

What would happen if you burned the Feruchemically charge and Hemalurgically invested metal?

RAFO.

What happens when you break a Hemalurgic spike or metalmind? What happens to that power?

Hemalurgic power can be split among multiple spikes and reforged, but remember that the longer a spike is outside of a person, the more the power is going to decay. Things like splitting it will decay it even further. Metalminds can also be broken and still be accessed.

 

Regarding Alcatraz

In the Alcatraz series, Alcatraz is very worried about letting down so many people. Is this semi-autobiographical and perhaps speak to your fears of letting down the WoT fans? (maybe it’s subconscious!)

If it is, it’s subconscious. Remember, I wrote the first Alcatraz book in 2005, before even Mistborn was published. The only one that I wrote after the Wheel of Time decision was made was book four. The previous ones had been written already. So there probably is a subconscious fear of letting down my readers, but it wouldn’t be specifically related to the Wheel of Time in those books.

Why does Bastille say they’re speaking Melerandian in book 1 and Nalhallan from book 2 on?

When I originally wrote Alcatraz Versus The Evil Librarians, I put that in there partially as a throwaway joke. Melerand is one of the main kingdoms in Dragonsteel, and I thought it would be amusing for them to be speaking that language somehow filtered into this world. By the end of the book I decided that Alcatraz could not be anywhere in the same continuity as Dragonsteel and that I was probably wrong for including that. Though there are other jokes in there relating to my other books—it’s much like the scene where Quentin speaks in Spook’s dialect. Those were just jokes, inside references to my other books.

Remember that Alcatraz was written as a writing experiment, not as something that I was intending to publish. As the series grew more serious to me, meaning that I developed what I actually wanted to happen—which with me usually happens as I write book two of a series, when I sit down and build an arc for the entire series—I “realified” Alcatraz’s world a little bit, if that makes sense, made it its own substantial thing. So at that point it wasn’t appropriate for them to be speaking Melerandian anymore.


Also, when is Book 5 coming out?? I want to know how Bastille comes back to life.

Book 5, I’m going to wait and see what happens with the movie deal. By the way, DreamWorks did not renew their option, so it’s back on the market. We’ll see what happens. I also want to see what happens with Scholastic. They so far have not asked for a fifth book. If there is no activity by about this time next year, I will look into writing the fifth book and either just releasing an ebook or selling it to Tor or something like that. The fifth book will come.

And by the way, this is from me, Brandon, and not from Alcatraz: The fifth book is the one that includes the altar scene. I’m more trustworthy than Alcatraz is. That scene is in the fifth book.

If we ever get it, will we see the dinosaurs (or at least the peteruhdacctil) again?

Heh heh heh. RAFO.


Would it be effective/efficient to make Awakened machines? That is to say, could one make a crossbow or catapult that fires itself, or a wooden cog that perpetually turns?

There is a country that does that.


We are all fans of all of Brandon’s stuff in our house, but we are particularly taken with Alcatraz. And I’m very alarmed by the publisher descripton that Shattered Lens is the “fourth and final book.” Because the story isn’t over yet! End of comas? Altar of encyclopedias? Attica?? Please, PLEASE reassure us that there is indeed another book coming out. Because otherwise we might have to picket Scholastic’s offices or something!


I’d be happy if you would picket—though I say that mostly jokingly. I didn’t want them to put that on the book. It’s not the last book. But those who know what’s happened behind the scenes know that Scholastic and I have not seen eye to eye on how the Alcatraz books have been packaged and distributed.

 

Regarding Warbreaker and future books in that world

How unique are individual Breaths? Would collecting 100 Breaths from criminals and scumbags affect your personality in any way? Or collecting 100 Breaths from generous, charitable people?


I intended them to not be terribly individual. Breaths do bring some things along with them, but for the most part I wanted them to be a step removed from that.


In Vahr’s case, did collecting Breath from other rebel-minded people strengthen his determination and resolve?

It would have had an influence on him, but you would need the numbers of Breaths that he had for any effect to manifest. It’s basically a non-issue in the current book, but it could be an issue in some of the things that will happen in the next book.

In Warbreaker, is Clod the Lifeless body of Arsteel? I like this idea because Arsteel would have had some breaths within him when he died, as this is how Vashir defeated him and Denth, and this could help explain why he seems to be a little more self-aware than most Lifeless. Could you respond to this idea?

I confirmed in the Warbreaker annotations that Clod is Arsteel.

Clod is more self-aware than most Lifeless. There is something left of Arsteel within Clod. The Breaths that Vasher gave him when he killed him do have an effect on this.

Does the sand storytelling Hoid use in Warbreaker have anything to do with your future possible trilogy “Whitesand” written about in a recent blog?

No, it does not. This is a storytelling method that Hoid developed on his own. It does have a relationship to The Liar of Partinel.

Can Returned have children? If so, who was the first Returned to do so?


I’m going to have to RAFO that one because it’s a big RAFO question for the world. In-world, it is believed both that they cannot and that they can. Mythology speaks of it happening, yet many Returned by their own experiment have not been able to have children.

 

Regarding Elantris

How long ago (before Elantris 1) was Elantris built?

Hundreds of years if not over a thousand years.


When Dilaf is instructing the monks in how to kill the Elantrians, he mentions purification rites that need to be spoken. Do the rites have to do with the Dor? Or are they purely religious/ritualistic?

They are mostly ritualistic, but a lot of what the Dakhor do is strongly influenced by the Skaze. Read into that what you will.


Was Wyrn’s drive to topple Elantris purely a typical, conquest-related motivation? Or did it arise after Fjordell gained access to the Dor?

The Skaze have a large amount of influence on most politics and most working in Fjordell.


I know it’s a RAFO, but how the eff did Wyrn see into the future? That seems above even a Shardholder’s abilities! I bet that sucker’s tapping into the Shadesmar. But I digress...

Ha, wow, that is indeed a RAFO. Note that we have seen temporal abilities in the Cosmere before. Most of the time these are related directly to the pure essence of a Shard or to a Splinter.

 

Regarding the Dragonsteel series/mythology

You’ve mentioned before that all your books so far are in chronological order (Elantris, the Mistborn trilogy, Warbreaker, Stormlight Archive). 1). Alloy of Law takes place about 200 years after The Hero of Ages. (Right?) Does this put it chronologically before or after Warbreaker?

The Alloy of Law takes place around 300 years after The Hero of Ages and several hundred years before the events in The Way of Kings. That does put it around the same time as Warbreaker.

When did you develop your idea to have multiple series playing out on different planets? How many separate stories do you plan to tell in said universe, and will your Dragonsteel books be the last?

I started doing this early in my career before I got published, when I felt that writing sequels was not a good use of my time. Just look at the hypothetical; if I’m trying to get published and I write three books in the same, if an editor rejects book one, he or she is not going to want to see book two. But if an editor rejects book one but is optimistic about my writing, I can send them a book from another series and they can look at that.

During my unpublished days I wrote thirteen books, only one of which was a sequel. So I had twelve new worlds, or at least twelve new books—some of them were reexaminations of worlds. But I wanted to be writing big epics. This is what I always wanted to do; something like the Wheel of Time. So I began plotting a large, massive series where all these books were connected, so I could kind of “stealth” have a large series without the editors knowing I was sending them books from the same series. It was mostly just a thing for me, to help me do the writing I wanted to be doing. And then when publication came I continued to do that, and told the story behind the story.

I originally plotted an arc of around 36 books. The total has varied between 32 and 36; 32 would work better for the nature of the universe, but the question is whether I can fit everything into 32 books. I won’t say whether Dragonsteel will be the last or not.

You’ve said you lifted the Shattered Plains from Dragonsteel, what would Kaladin have been doing if not running bridges and what will happen to Dragonsteel without the Plains?

Both good questions. I’ve spoken before of the big changes that happened when I wrote The Way of Kings 2.0. One of them was bringing in the Shattered Plains. The problem was that there was a big hole in Kaladin’s storyline, because in the original manuscript of The Way of Kings (major spoiler), he accepted the Shardblade. That was the prologue of the book; Kaladin—then known as Merin—saved Elhokar’s life. They tried to take the Shardblade away from him, and Dalinar insisted that he be given it. So Merin was made a Shardbearer in the very first scenes of the book. And from that point, his character never worked. So in doing the second version of the book, I decided that no, we’ve got to build more into this, we’ve got to dig deeper, and he has to make the opposite decision, which is where the entire framework of him turning down the Shardblade and then being betrayed all came from. The problem was then what was he going to do? I knew I wanted him to have therefore ended up sold into slavery and have terrible things happen to him, but I couldn’t figure out what Kaladin was going to do and was unable to write the book until I mashed in the Shattered Plains and said, “Ah, that was what he needed to be doing all along.”

I really don’t know what I’ll do in Dragonsteel without that now. The problem is that it was the part of Dragonsteel that worked, but it was the part that was most at odds with the story in Dragonsteel. The story that I wanted to tell was the first half of the book, which is the more boring part. Hopefully as a better writer now I can make that part more interesting, but that was the core of what Dragonsteel was. The Shattered Plains was always just going to be a small diversion, but when I wrote it it was fascinating, and I ended up pouring tons of effort and time into it. In many ways it was a distraction, a deviation, a beautiful darling. So for a long time I’ve been thinking, “I can’t kill my darling, because that’s the most exciting part of the book.” Yet it was at odds with what the story of the book was originally intended to be. I wasn’t as good at controlling my stories back then, making them come out to have the tone I wanted. Anyway, we’ll have to approach that when I actually write Dragonsteel.

Can anyone take a Shard’s power, or does it require a special makeup in a person?

RAFO.

Here’s a quote. “Why, the Astalsi were rather advanced—they mixed religion with science quite profoundly. They thought that different colors were indications of different kinds of fortune, and they were quite detailed in their descriptions of light and color. Why, it’s from them that we get some of our best ideas as to what things might have looked like before the Ascension. They had a scale of colors, and use it to describe the sky of the deepest blue and various plants in their shades of green.” Do the pre-Ascension religions correspond to religions from other Shardworlds, as this one seems somewhat like Nalthis?

I mention this in one of the Well of Ascension annotations.

After I came up with the idea and had Sazed mention it, my desire to explore it more was one of the initial motivations for Warbreaker’s setting.

The answer to your question is yes and no. There are shadows.

 

Regarding writing, life, and everything else

On your Writing Excuses podcast you mentioned a love of maps, especially maps that thematically work with the world of the book (such as the maps in your Way of Kings.) Given that. what is your all-time favorite fantasy novel map?

Wow, that’s putting me on the spot. There are many different aspects I like about a lot of different maps. I love how the map in The Hobbit is the map the characters carry around. That struck me when I read that book. I really liked how David Eddings’ books had a big map and then a zoom-in for every section when the characters would go there. But I wouldn’t call either of those my favorite fantasy map.

The main Wheel of Time map is certainly one of the prettiest. But the best I’ve probably seen is the one from Leviathan. That one kind of blew me away.


With your penchant for developing very different types of world and types of magic as you go from series to series are you ever tempted to allow other writers to expand your universes in the way George R. R. Martin does with the Wild Cards series? Open but controlled?


I have never been tempted by this, basically because I have so many things balanced in the Cosmere to not interfere with one another, to make the story come out the way I want. I would be worried about things breaking continuity. And if there are stories in these worlds worth telling, they’re stories I want to tell. That doesn’t mean I won’t eventually do something like that; I would consider it someday, but I haven’t considered it yet.

What is your process for pre-writing work? (Worldbuilding etc). When you write something and “get stuck” or it doesn’t turn out quite as you envisioned, how do you know whether to take it and add something different to make it better, or just move to another project and let the “stuck” project be? (I was thinking of how Mistborn was a combination of two projects that didn’t turn out quite as you thought, but combined they increased in awesomeness).


Trial and error. Though for me, setting aside a project is almost always a bad thing for that project. That doesn’t mean I don’t have to do that sometimes, but if I set aside a project rather than continue to work on it until I’ve fixed the problem, I’ve found that my personal makeup means that restarting that project is very difficult. It happens, and I’ve made it work, and there are great books that I have released where I did it, but usually it can take weeks of effort to get back into that project. Because I’m a linear writer—I start at the beginning and write to the end—if I haven’t been writing from the beginning when I pick something up, it can be extremely difficult.


How do you feel about the lack of prominent gay characters within the epic fantasy as a genre and do you ever include (or will ever include) gay or lesbian characters in your own work?

That’s an issue that I feel I should speak about delicately, because it’s one of those charged issues that can create a lot of division. But my basic feeling is that a character should not be any more or less sympathetic, or more or less evil, or anything like that, because of sexual orientation or because of basic beliefs or philosophy on things like religion. So there are gay characters in my books, though so far they have been side characters. I don’t make a big deal of it, because I tend not to make a big deal of the sexuality of side characters in general. For instance, in The Way of Kings, Drehy, a member of Bridge Four, is gay. He’s based on a good friend of mine who is gay. There is a lesbian character in The Allow of Law; again I don’t make a big deal of it though it’s a little more obvious.

Basically, I just try to write characters and try to have different makeups of characters. I feel gay characters should be included, and I’m annoyed that sometimes there seems to be an association between including gay characters and using that as a means of making them seem like a reprehensible character. You may know what I’m talking about; I’ve seen it in books before and it bugs me. Just like it bugs me if an author makes a character religious and the tone of the book implies, “Well, obviously, religious people are all idiots, so I’m not going to make this character actively an idiot, I’m just going to represent them as being religious,” which by the tone of the book indicates that they’re an idiot. That’s not to say that there can’t be social structures like religions that will push people toward doing things that are questionable or morally reprehensible—there can, of course, and it will happen—but I’m talking about the individuals. I don’t know that I have strong feelings on the subject other than that I think people should be represented as people.

I wrote a bit more about the subject in my essay on Dumbledore.

What’s the next non-sequel book you’re wanting to write or rewrite?


I really would like to get Steelheart done. That would probably be the next one I’d want to do; that or Dark One. But I don’t know when I will have time for them.

37 comments
Zayne Forehand
1. ShiningArmor
Wow, so I'm still catching up on WoT (currently almost done with KoD and I figured that surely there would be a spoiler warning so I assumed he would be answering broad questions. Then, the first question you guys post is about a character's death in ToM. Really disappointing.
Sim Tambem
2. Daedos
Awesome stuff. I was surprised at how few were RAFO'd, but I guess that speaks to the thought put into the questions.

That sucks about the Spoiler...but at least it didn't mention
Kamarile Maradim Nindar. That really might have messed with you...
Kerwin Miller
3. tamyrlink
ahhhh fragnaggle! my questions were RAFO'd! lol grrr..
Joe H
4. JoeH42
Woohoo! He answered both of my questions! *runs around firing six-shooters into the air* If it makes you feel better Tamyrlink my question about Clod was largely already answered in the Warbreaker annotations so I feel a little foolish for not having read them and found that out myself (on the other hand I'd never read any Sanderson before WoKs came out so I'm catching up fast).
But that is very interesting that someone dying while having breaths does/can affect how they act if they are turned into a lifeless. It makes you wonder what would happen if someone killed the God King and then made him into a lifeless. With that many breaths would he be almost the same person but enslaved to security commands? (That could be an interesting short story all by itself) If someone then issued the command to him "Act like yourself and with your own free will" would you have a lifeless whose intelligence would be almost that of a normal person? Maybe having that many breaths might make your immortal in more than one way.....
zas678
5. zas678
JoeH42- You should go to 17thshard.com or timewatersguide.com and go to the forums there. The people there love to talk and debate.
F Shelley
6. FSS
he answered mine too,. but it leads to more questions:

if the blue ajah members persue their own causes, why would the blue ajah have the biggest and most effective ajah eyes and ears. and why would anyone need to run it (i.e. Suian in New Spring and since Salidar...

that makes no sense.
Rob S
7. RobSS
wow Brandon...
What do you do in you spare time? :}
zas678
8. Maru Nui
SHWEET! He answered my first post's worth of questions! In fact, all of the Mistborn questions are mine! AWESOME
zas678
9. Allchaos
On another note, does anyone know if the forthcoming TofM eBook will have a new cover like the rest?
Kurt Anderson
10. Locke219
Thanks so much Brandon! Keep 'em coming!
zas678
11. RoseGreen
Awesome, thanks for the answers! And uh yeah, I have to echo RobSS about all that "spare time" you have!
Drew
12. dcravens725
I would love to read his unpublished books. I wonder if Mr. Sanderson would consider selling the books to fans who want to read more books from his worlds.
zas678
13. Generik
Great interview although I skipped over the TofM section as I haven't read it yet. Sounds like a good thing I did.

dcravens725 - I was privileged to be emailed a copy of Mistborn Prime and really enjoyed it. Tried to get a copy of Final Empire Prime but never got a response. Of course between WoK and TofM releasing so close to each other, I'm not surprised. I wish Brandon's website had some of those early works available for download. Mistborn Prime, while not nearly as good as the finalized Mistborn Trilogy, was still a fun read. I can see why it may not have worked on it's own, but lots of really good stuff in there regardless.
zas678
14. hither
He probably wont do that because he seems to cannibalize his unpublished
works for published material all the time. I wish he would though ...



I've been trying to get dragonsteel prime through ILL for a long time
(about a year). Each time it comes back with unavailable/checked out.
Reading his forums on timewasters somebody said its been destroyed or
stolen. Just adding to the people who would be interested in reading
the unpublished works (especially dragonsteel, the preview liar of
paternal chapters made me even more interested in that world).
zas678
15. John Factorial
I barely missed the questions-asking post and I think I have a good one:

In reading the latest two Wheel of Time books, I'm often convinced I can tell where Jordan's writing/storytelling has been used versus your own, but of course I just don't know! I'm sure many readers feel the same curiosity about just how much of WoT is pure Sanderson or pure Jordan. Can you give an example of:

1. A scene or plot point from one of the new WoT books that was purely your contribution (but we might think was Mr. Jordan's) and,
2. A scene, section, or plot point that was written by Mr. Jordan that a reader might mistake as yours?

Thank you so very much for all you've done with the epic tale that is The Wheel of Time!

John
zas678
16. john factorial
FSS : it makes sense to me. If the Blue ajah members are all after their own purposes, yet they organize according to their ajah, then the difference in individual causes allows for many more and varied eyes and ears than an ajah with a singular goal would have (e.g. the eyes and ears of Reds' only goals will be related to finding men who can channel). And naturally, since this combination of information would be invaluable to so many ajah members, someone must be responsible for aggregating it.
zas678
17. yocxl
John Factorial: Brandon's been pretty closed-mouthed about what is who at this point. I think he may have said that we might find out more eventually, but for now all we know is this: In TGS Rand was more Sanderson and Egwene was more Jordan, while in ToM Perrin was more Sanderson and Mat was more Jordan.
zas678
18. wolri
I'm new to this and I am confused. What does RAFO mean? HELP.
zas678
20. wolri
Thank you, bawambi. I thought that might be it but didn't want to seem stupid. x
Justin Levitt
22. TyranAmiros
My first RAFO! :D

Thank you again, Brandon, for answering my questions!
zas678
23. m1ndt1d3
The blue ajah eyes and ears makes plenty of sense. They spread out into various regions and social situations because of their individual causes. They build a lot of personal contacts, but they're still members of the same core group. Because of their freedom to "champion" their own causes the ajah has a tremendous amount of diversity. You need someone to have a hand over the whole thing, though, to be able to fit together the pieces of the puzzle.
zas678
24. Angelique Sedai
Wow great work Brandon. I'm really glad not too many questions were RAFO'd. Especially loved the answers for ToM and WoK.
zas678
25. John Factorial
@yocxl Thanks for the info!
Paul Howard
26. DrakBibliophile
Is the next Wheel of Time book after _Towers Of Midnight_ really going to be the last book?

After finishing ToM, I can't see how the next book can finish the series.
zas678
27. andygal
^ As far as I know, that's still the plan.
Paul Weimer
28. PrinceJvstin
Thanks for answering my question, Brandon. Very cool.
zas678
29. AlexAdam
uh, wow. His stance on gay characters - or his stance on being gay in general - does not fly well with me me. At all.

Incorporating Queers in fantasy worlds is not only possible by either making them the bad guys or paragons of virtue. But if you claim that it just doesn't matter much in Randland (I believe to remember reading a Robert Jordan quote of similar wording) it should be encountered enough to be believable (cause if it is not an issue it is implied that it is rather common and accepted, if it is uncommon, there would probably be someone mentioning the rareness of encountering a queer character).

If it does matter, one would expect to find negative repercussions. People are prejudiced against Aes Sedai, and most of the main characters find Aiel or Seafolk behavior strange enough to mentally comment on it on a pretty regular basis. Aiel marriage rituals set wetlander brains in motion (as do exposed breasts on ships) but any other shade of queer does not? Curious.

Identifying as someone from the conservative right obviously influences his writing, to the extent that it seems to limit the ways in which he can think of the portrayal of queer characters.

I know that this is an odd blogpost to come up with this topic, but I didn't just want to state something without explaining why I feel that way.
Cause what I ultimately wanted to say, is how much his political stance on the issue irks me and makes me reconsider buying any of his other books. I just don't feel comfortable supporting someone financially - even though his writing might be superb - whose views fundamentally clash with what I believe in.

bwrah, rant over.
zas678
30. NewAlias
AlexAdam,

I don't want to turn this great Q&A into a gay debate but I figure that I'll point out to you that a whole heaping bunch of the Aes Sedai are bi, lesbian, or develop that sexual preferance after being cloistered with women for a long time. For instance, it's not explicit but still quite obvious in "New Spring" that Moraine and Siuan were romantically involved when they were accepted.

Also, I seem to recall some examples of other characters that are recognized as gay and that there are several instances of characters questioning other characters sexual preference (e.g. Berelain muses in a matter of fact manner on whether or not Rand is gay after he turns her away)

Being gay or bi just seems to be something that is not discriminated against in that world while simultaneously being somewhat more rare than in our world. Which in effect makes differences in sexual preferance insignificant. As in characters will sometimes think or say "that's odd, maybe they're gay, I think I've heard of that." But other than those rare occasions it really doesn't represent a pertinent world-building aspect of Randland outside of its prevelance among Aes Sedai.
Theodor Engström
31. Theodor
Whatever happened to the answers to the rest of the questions? Brandon or Tor.com forgot about them?
zas678
32. Andy DiMartino
And the BIG QUESTION! Date of publication for the final WoT book. I was expecting it for November '11 and now I hear maybe March'12. Anything definite yet?
zas678
33. Haley
I am not an idiot. No matter what you hear from Attica, I’m just well not an idiot. Why, do you want to know what I am you will just have to wait I am cruel and twisted that way now something you should know there is a lot of a certain someone being chased by a certain protector named Attica and that certain someone is me, but more on that later.
Chapter One My name is Wait I can’t tell you yet because first you need to read about my dear friend Alcatraz he I know is very awesome more awesome than anything but don’t be tempted by his awesomeness keep reading yet at most times a liar and not a very nice person he lit his foster mothers-shut it boy hissed Attica. You can’t tell them that don’t give them happiness they need to read it so they aren’t so lazy.-to the ground he finished. But anyway I am … Aaron related to some Smedrey I am not quite sure which one. And the annoyed one is my protector she is -1Iam a knight not protector and just get on with the story. - really very paranoid as you can see I mean hear I mean read. But unlike Alcatraz the awesome I was born in Nallhalla and very fascinated by Hushland things hush hush-what was the hushing all about Aaron she asked grumpily you see she is friends with Bastille. I reacted the same way no way Bastille has friends but there is more that meets the eye and if I tell you we will both die I know horrible.
zas678
34. Haley
Alcatraz you are amazingly awesom and if you don't write a fifth book i will go crazy litterly i read all your books millions of times from the sorry library but your right they act very suspicious please i beg you your lord awesomeness write book five don't let your dad give everyone talents

-happily and sincerly youre 11 year old NO.1 fan p.s. i hope you like my story you inspire me greatly and your word you put in you book about fish sticks spot on my favorite animal is a panda its my nickname how the shattering glass did you know also youre amazing im glad i read your books ; )
zas678
35. Marietta boekweg
As you, Brandon Sanderson, going to write the fifth book of Alcatraz?
zas678
36. Marietta boekweg
Are you,brandon Sanderson, going to write the fifth book of alcatraz? When are you going to write it?
zas678
37. Marietta
Brandon Sanderson, You are SO AMAZING!!!!!! No dout bout it!!! I love your books. They are SO COOL!!! And So funny!!! You have to write the fifth book of Alcatraz or I will die of boredom. I need that book. I need to read something supper amazingly awesome. Please, PLEASE write the fifth book. PLEASE!!!!!!!!! I am dieing over here.

Subscribe to this thread

Receive notification by email when a new comment is added. You must be a registered user to subscribe to threads.
Post a comment