Wed
Jul 22 2009 12:26pm
Here We Go: Kings, “The New King, Pt. 1”

Well, after the last few weeks, Kings must have realized it only had one episode left, because it made up for the lethargy by hurling everything it had at the screen. (I had to work to find a non-spoilery image. It was that kind of week.)

As Silas prepares to hand over Port Prosperity to Gath, Uncle Whiny prepares to put Jack on the throne, Michelle prepares a life without David, and David prepares to die. And that’s the first five minutes. Double bonus: characters end this episode in a different emotional situation than the one in which they began it! (Mostly.)

We open in Wine Cellar Penitentiary, where Silas gets advice from the crazy ex-king: “Kill everyone! People love that.” On his way out, Silas stops by David’s cell next door for good news/bad news: Peace tomorrow! Also, your execution!

After Silas leaves, the crazy ex-king giggles to himself for six hours. Good sign!

Queen Rose, meanwhile, plays Silas like a fiddle: “Peace is set. Have some leg! Also, pardon Jack or you’ll never get under this suit again.” Checkmate!

David of Monte Cristo chats with the crazy ex-king, who eats David’s last meal for him and blithely mentions he’s the reason David’s a goner. David’s like, “…bless you, too, I guess.”

Then, in a series of awesome intercuts, Silas makes a barely-penitent Jack kiss the floor, Uncle Cross takes his place in a totally unguarded balcony, the royal family emerges, Gath takes the stage, and David is marched out for execution. Moments later, Cross’s assassin fires, Jack takes a bullet for Silas, Silas catches two in the chest and goes down, and David’s firing squad is shot by a group of commandos. (It’s a busy three minutes.)

Queen Rose goes to pieces in front of the Reverend, hysterically swearing Silas isn’t dead right up until King Jack makes his entrance, looking like a Shakespeare hero in Act Four who still thinks he’s going to live to the end of the play. Jack’s first act as King is to hug David a lot. (I’ll bet.) King Jack brings David into the royal audience chamber (surprising Michelle to the point of apoplexy), and starts a speech about forging peace.

Uncle Cross snaps at him to stuff the speeches and declares martial law. For some reason, no one is more surprised than Jack. (Oh, honey.) then in the most priceless moment of the entire series so far, Cross launches into a speech about how things will change, then stops, horrified, and snaps, “Now you’ve got me doing it.” HA!

It will come as a surprise to no one that David escapes and finds Silas recovering from his wounds at his mistress’s place. David begs Silas to come back; Silas declines until he hears about Uncle Cross. Then he McShanes, “I am the King.”

This episode was head and shoulders above the last few. A lot of this is because there was actually some forward narrative momentum. A lot of this is because the characters actually made choices that reflected on their characters and not just on the plot. Specifically, I was impressed that Jack took a bullet for the father who had recently humiliated him, becoming a hero in the crunch. He also arranged for David to be rescued from death, which genuinely surprised me. We’ll see how long THAT friendship lasts.

David finally got a personality this week! He was frustrated, afraid, and finally resigned, all emotions that visibly passed over his face. (No one’s more surprised than I am.) And his loyalty to Silas finally manifests in a noble way, when he seeks to aid the King who had ordered his death only hours before.

As always, there are frustrating holes (a longstanding and prickly relationship between Queen Rose and the Reverend only comes up now? Is Thomasina back to being badass after last week and the kissing?), but overall, outstanding. Especially stylistically, the show felt right; from the camera work to the gorgeous score (I want a sountrack, NBC!), Kings was meant to be an epic drama, and this week it delivered.

My wish list for the finale: someone besides Silas on the throne for good, a major character death, Queen Rose seeing Silas again, and WHATEVER THE HELL MACAULAY DID. (I will settle for just that last thing.)


Then said Saul, I have sinned: return, my son David: for I will no more do thee harm, because my soul was precious in thine eyes this day: behold, I have played the fool, and have erred exceedingly.

— 1 Samuel 26:9

9 comments
Mitchell Downs
1. Beamish
The fourth wall threatening comment by Cross is, by far, my favorite moment of the series.

You are dead on that this episode was so much better than the past because the actually move forward. Never has it been more true to say that all that has passed is prologue. With all the events of substance happening in the episode it really is like we just watched 11 episodes of exposition and now we finally have story. I wish this had been episode 5 or 6 - not episode 12.

I did feel, however, that the overt puppet master performance by Cross was a bit too arch. I was half expecting him to twiddle his mustache and laugh. Perhaps it was supposed to be his losing the cool control he had shown for 11 episodes but to me it seemed a bit manic. Maybe I was just so annoyed that Jack dared to look shocked.

Why do I get the feeling that Mac is going to be the nexus of change? Whatever creepy steps he takes after seeing David sneak out will result in his dad, Silas and likely Jack dead and David on the throne. And it may even be intentional.

It is too bad the writers of this show forgot that renewals are based on the first 3 epsiodes and not the last three episodes. The compelling story and quality performances were all saved until the end.
rick gregory
2. rickg
Mother of god, wasn't this series canceled months ago? Someone please drive a stake through its heart.
Kabada Kabada
3. Kabada
Blasphemy! I say, blasphemy! Let rickg hang!

Amazing summary you did for this one, precise and yet chuckle-inducing.

Now that the drama has been upped the only thing missing is a wee bit of humor. Every King worth his crown used to have a fool. And I mean the funny kind, not the other - they've got enough of those, good boy Dave foremost among them, alas.

Some light scenes, to set off all the killing and plotting and pouting (Dave's and Jack's favorite facial expression).
Some sort of Kruppe character (the Erikson/Malazan one) perhaps. The two guards could've been just that, in the vein of Rosenkrantz and Guildenstern, but were terribly underused of course.
Sarah Hale
4. shale
You forgot to mention that David actually found a backbone down there in the basement and told Michelle to go away.
C.D. Thomas
5. cdthomas
The fourth-wall-crossing moment woulda been fab... if the writers hadn't given Cross that flowery "There is a language of power, and I was reading that Braille before my eyes opened" speech, when he was standing by his son on the balcony. Tends to undercut the point that the royal syntax is a choice, just like every other lie they propagate to preserve power. Thought flowery language was in the water, myself; glad to be proved wrong.

It only pointed out that there is this heightened language freefloating like cocaine dust on NYC bills, but Cross thinks it's good enough only for rubes and his son, surprisingly.

I was amazed David could get angry. He was being all Riker lifesize disposable action figure (remember the days, kids, when *Riker* was to be the man of action, and Picard the supervisor? ha-ha....) when all of a sudden the fact that the royals have killed or imprisoned everyone else in his family but his mom finally registered with him. That the loss of his squeeze finally got to him. Like the peace he sacrificed for was dribbled away, finally got to him.

But I'm sure he'll be that nice young boy we all yawn about, next week. If Silas stays king, and Jack is alive after betraying him, well, then, nothing has changed, has it?
C.D. Thomas
6. cdthomas
And, oh, yes, thank you Ms. Valentine for enabling the most futile TV watching habit of my life, second to the last season of LA FEMME NIKITA when the fascist braintrust of 24 got practice being sadistic bastids by tearing apart every relationship fans loved, just because they were pissed at being renewed....
thegourmez
7. thegourmez
With only one episode to go, I have finally found a good reviewer of Kings! Somehow, that seems fitting. My wishes are 2 for the end of the series: the 1st I share with thee, that Cross's son's devilry be made known. The 2nd is to see young Jack make it through a scene without falling back on the face that both pouts and sneers.
thegourmez
8. mmoore
Well, "Kings" is no more. I have to say with all the complaints, this show was still more thoughtful than anything from SyFy. Maybe it should be exported to Israel and re-imported like "In Treatment". Certainly, Israel knows that David was more of a politician than these writers did. Americans are too reverent at times.
C.D. Thomas
9. cdthomas
It was extremely unfortunate that I was surfing between TCM's exploration of the black characters in GONE WITH THE WIND... and Thomasina's last speech to Jack.

Considering how we never really saw her interior life, and how all her other scenes were with royals or their servants, mostly white.... let's just say the Mammy vibe won't go away for a long time. And the "Thomasina" name, looking back? Not the wisest choice, writers' room.

Yes, she showed a bitterness that was long in coming, but her condoning a sexual assault (let's face it, when you pair a girl to a gay man and confine them both until she produces an heir, that's what it is, for them both) was a demeaning thing to act and to watch.

Does she love Silas that much? The kingdom (which we now know was so recent an imposition on "this day and age", even though King Vesper Abbadon is an old fart, and most likely gave up the throne when Benjamin was young -- does someone have an official kingdom timeline *please*)?

I'm holding back my thoughts on Macaulay (WTF was his character's name?) for Ms. V's last episode post.

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