China Miéville has been incredibly productive this past year.
His latest short novel, The Last Days of New Paris, is his third new release since August 2015’s fat story collection Three Moments of an Explosion and January’s mysterious sorta-Bas-Lag novella, This Census-Taker. (This in addition to his work with Salvage magazine and a children’s picture book forthcoming in the fall.) Of the three, The Last Days of New Paris is likely the most approachable and the easiest to follow along with, which is a bit rich as the action centers around Surrealist art coming to life and overtaking Nazi-occupied Paris in WWII.
And if that summary gets your interest, then so, too, will The Last Days of New Paris. Alternate history via Miéville’s exemplary imagination creates an ideal forum to consider fascism and art, or fascism versus art, as the case may be. A look back at this moment of never-was time feels particularly timely now.