Long seen though they’ve been as the preserve of the precocious, or the last hope of the lonely, imaginary friends are ten-a-penny in Defender.
G. X. Todd’s remarkably readable dystopian debut posits a planet Earth ravaged by unfathomable cataclysm. On the one hand, survivors are scant; on the other, theories about how it happened aren’t. “To get it over and done with, he quickly ticked off the points on his fingers as he listed them. ‘Biological attack, poisoning, after-effects of dementia vaccines, aliens, subliminal and/or psychological warfare, chemical agents in the water supply, the mystical forces of sea tides and the moon. And, my personal favourite, some kind of Rapture-type event.'”
But the cause of this apocalypse isn’t the point of Todd’s text—the first of four in a series starting here. Instead, she’s interested in the effect: namely the voices people started hearing in their heads. Defender‘s protagonist Pilgrim has one; he calls it, of all things, Voice. That said, he’s a rarity these days, because most of the folks who ended up with imaginary friends are dead.