content by

Emily Asher-Perrin

So. Let’s Talk About The Killing Joke.

DC’s animated feature based on Alan Moore and Brian Bolland’s classic story has hit both theaters and digital video. When it premiered at San Diego Comic Con this past week, fan reaction was… tense to say the least, and apparently culminated with screenwriter Brian Azzarello using a decidedly gendered slur to insult a reporter who expressed his issues with the film vocally in a room full of people.

Talking about this film, this story, is rough. It’s rough because it commands a lot of questions on multiple levels of the creative process. It’s rough because it deals with sexual violence and brutality, and what it means to make money off of stories that heavily feature those themes. It’s rough because this project involved many beloved creators and talent, and it’s hard to speak ill of people whose work you love and respect.

But we have to talk about The Killing Joke. Because we have to work through the shockwaves that this film has already prompted, and question the wisdom of this particular enterprise at a point in time when its legacy has never been more highly contested.

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Sherlock‘s Inspector Lestrade Wore A Cute Apron, Still Didn’t Get Sent to Comic Con

An adorable treat for Sherlock fans, showrunners Mark Gatiss and Steven Moffat screened a short video at San Diego Comic Con to explain their thought process behind which actors they brought along to the mega-event. The result gives us a rare glimpse into the fraught decision-making processes that television producers go through every–

–who am I kidding? It was just an excuse to put Rupert Graves in a pretty apron.

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