It has been 20 years since the debut of Luc Besson’s The Fifth Element. That windup rainbow world of artifice and hodgepodge captured many viewers and left the world wondering why Besson refused to make more space opera movies when he clearly had am incredible knack for the genre. Valerian and the City of a Thousand Planets was to be an answer to that silence, and a pointed one too; the decades-running comics series that the movie sprang from is one that Besson drew heavily from in creating Fifth Element.
Safe to say, when Besson said in interviews that he rewrote the entire script after seeing Avatar, we should have known what we were in for. (Avatar, for all its visual innovation didn’t exactly deliver on expert dialogue or intricate story subtleties.) As a result, despite the gorgeous settings and architectural hodgepodge that Besson excels at, Valerian fails utterly where it needs most to fly. How the story fails still manages to be an interesting exercise, particularly looking back at Fifth Element, which Valerian is so inextricably tied to.
[Spoilers for Valerian and the City of a Thousand Planets]