The Zero Theorem is the first screenplay from UCF writing professor Pat Rushin. It was in the running for Project Greenlight, and spent a decade shuffling around a production company and being rewritten, and each of the main roles has been cast multiple times—all of which removes it a bit from the more personal, auteurist Gilliam ventures. Having said all that, this is still a Terry Gilliam film, and we should all cherish it as we would a starving, bedraggled unicorn that stumbled up onto our porch one morning, looking for ambrosia.
If you like Gilliam even a little bit you should run out to see this movie if it’s playing anywhere near you—there are astonishing visuals, actors gleefully doing things they’d never get to do with any other director, giant thinky-thoughts, and lots of conversations about the meaning of life, or lack thereof, or irrelevance of the question. If you want more details click through, and if you wants some spoilery discussion of the meaning of the film—or lack thereof, or irrelevance of the question—there will be that below a spoiler line.
[And anyway, shouldn’t it be The Zero Conjecture?]