Kameron Hurley’s nonfiction writing recently won awards in two separate categories at this year’s Hugo ceremony (Best Fan Writer and Best Related Work, to be exact). Her first science fiction novel, God’s War, was shortlisted for, among others, the Arthur C. Clarke Award and the BSFA Award. The Bel Dame Apocrypha trilogy (God’s War, Infidel, and Rapture) heralded the arrival of new, uncompromising voice in the SFF field. Hurley’s first outings proved her ability to innovate: to mix really weird elements of worldbuilding with visceral brutality and strong characterisation, in stories that have interesting arguments about social change, war, and survival at their core.
Stories with a deeply, angrily, feminist vein.
The Mirror Empire takes what Hurley’s already shown us she’s capable of with regard to science fiction, and applies it to the vast canvas of epic fantasy. This isn’t the epic fantasy we’re all used to, though, recognisably inspired by cultures from our own history—and that mostly northern European ones. No: this is epic fantasy that builds its world from the ground up, and that world is deeply, fascinatingly weird.
[Filled with bad shit on its way...]