May 15, 2013
The Button Man and the Murder Tree
An all-new Wild Cards story
May 14, 2013
Shall We Gather
When one world brushes another, asking the right question can be magic…
May 8, 2013
Fire Above, Fire Below
The dragon below our city has died. What is to be done?
May 7, 2013
We Have Always Lived On Mars
They've never seen the sky. Or the sun. Or the stars. Or the moons.
Who better to interview a living legend than another living legend? “Talking with Tom” is the third installment of a Tor.com series in which Tor publisher Tom Doherty chats with one of the many authors and industry icons whose careers he influenced. Previous installments covered conversations with L.E. Modesitt Jr.and Harriet McDougal.
Please enjoy this fascinating and wide-ranging conversation between Tom Doherty and award-winning science fiction author Gregory Benford.
Welcome back to A Read of Ice and Fire! Please join me as I read and react, for the very first time, to George R.R. Martin’s epic fantasy series A Song of Ice and Fire.
Today’s entry is Part 29 of A Storm of Swords, in which we cover Chapter 49 (“Catelyn”) and Chapter 50 (“Arya”).
Previous entries are located in the Index. The only spoilers in the post itself will be for the actual chapters covered and for the chapters previous to them. As for the comments, please note that the Powers That Be have provided you a lovely spoiler thread here on Tor.com. Any spoileriffic discussion should go there, where I won’t see it. Non-spoiler comments go below, in the comments to the post itself.
And now, the post!
Welcome to the Malazan Re-read of the Fallen! Every post will start off with a summary of events, followed by reaction and commentary by your hosts Bill and Amanda (with Amanda, new to the series, going first), and finally comments from Tor.com readers. In this article, we’ll cover Chapter Nine of Toll the Hounds (TtH).
A fair warning before we get started: We’ll be discussing both novel and whole-series themes, narrative arcs that run across the entire series, and foreshadowing. Note: The summary of events will be free of major spoilers and we’re going to try keeping the reader comments the same. A spoiler thread has been set up for outright Malazan spoiler discussion.
I don’t know about you, but I’m exhausted after last week’s half-chapter. Breaking into the mint, breaking out of the mint, carrying 160,000 kilogrammes of gold back and forth… makes me nostalgic for quieter days of plague and assassination.
This week—and this half-chapter—the Vesani get their revenge. For our intrepid bank robbers have made a terrible mistake. There are only three real blunders, you see. Never get involved involved in a land war in Asia. Never go against a Sicilian when death is on the line. And never, ever mess with Basso’s money.
Whenever a television show makes it beyond four of five seasons, viewers have cause to be impressed, but commonly worried as well; often a series has played out their greatest themes by then, most of the arcs have come full circle, and whatever the narrative was trying to say has been shouted at you, or possibly sung as a libretto. It’s done its thing, and now wants the three act play to become six or possibly twelve acts.
Supernatural is on its way to a ninth season. And besides finding new, improbable ways to keep their universe fresh and untested, the show also seems to have realized the key to infusing the story with new life—by allowing its main characters, who started the show at ages 22 and 26, to grow up. And what that has meant for the eldest Winchester brother, Dean, is a glorious transformation from posturing, macho alpha dog to… well, something that is no longer capable of being pared down into a caricature. It’s been an awesome ride.
There is some corner of England that will forever be a foreign field—creepily familiar but horrifyingly other. Welcome to Scarfolk; you might even survive the experience.
Scarfolk is the latest stop on a psychogeographical tour of the United Kingdom that probably starts on the Summerisle of the original Wicker Man movie and chugs off—watched by silent villagers in animal masks—towards the Royston Vasey of the League Of Gentlemen TV series.
Is Mark Hamill actually sleeping in this picture? Does Star Wars bore you sir? Do you have a problem with Star Wars? Fine, we’re going to cast someone else as Luke Skywalker! Good day, sir!
Your collection of daily offsite links imagines a universe where Luke wakes up and was dreaming of all of us. Highlights include: The Wrath of Gonzo, Brad Bird dishes and more!
Beneath the skin of the world you know, a terrible machine grinds and gnashes its gears. Its cogs range in size from the flap of a butterfly’s wings to the meteor that killed the dinosaurs. The God-Machine’s tools are timeclocks and angels, crushing banality and outrageous supernatural intervention; these contradictions are unified in the alien-clockwork of its inevitability. Azathoth is not a screaming, pulsating tumor of chaos at the center of reality; it is rust and cold and wire, soldered together. The factory assembly line for the banality of evil. Darkseid’s Anti-Life Equation, made from iron and clockwork and tesla coils. This is the premise behind The God-Machine Chronicle, the newest major World of Darkness offering (and its attendent short fiction anthology). Based on the piece of flavor text that began the core World of Darkness book, The God Machine Chronicle also introduces a number of major rules updates.
The third and final installment of Chris Moriarty’s Spin Trilogy, Ghost Spin, releases at the end of May—nearly seven years after the initial release of Spin Control, itself the brilliant follow-up to her debut novel, Spin State. In much the same way that the second book differed significantly from the first in tone, focus, and structure, Ghost Spin is an ambitious attempt to once again provide a fresh angle on this universe and its problems—this time with space pirates, fractured AIs, and a desperate two-pronged search for answers to questions that are at first personal, but are ultimately the force that will shift the direction of the future.
The story revolves primarily around Catherine Li and Cohen, with the addition of other narrators, including ex-Navy captain, now-pirate William Llewellyn. In the opening chapter, Cohen is trapped on a backwater planet recently taken over by the UN—and, as a security team closes in on him, he commits suicide. His component parts are auctioned off almost instantly, as is the usual procedure for decoherent AIs; however, he’s left a trail of clues for Li, and the only hope for what he was trying to do, to save, is that she’ll find and pursue them. Li herself, without Cohen’s protection, is also in plenty of danger—from Nguyen, from the Syndicates demanding her extradition, and elsewhere. The question of what Cohen was up to, as well as how she can finish the job and put him back together, drives Li to make a series of dangerous and significant decisions that might alter the course of humanity’s future.
Season 8, Episodes 20 and 21: “Essence”/“Existence”
Original Airdates: May 13 and May 20, 2001
If it seems like we keep ending eras, we do. We do keep ending eras. We’ve said goodbye to the Consortium, and we’ve said goodbye to regular appearances from Agent Mulder, and, well, you know. It’s been a lot of change, a lot of goodbyes, and honestly I think we’ve handled it pretty well! But you guys, I hate to break it to you, we’ve got to do it again. We’ve got to say goodbye to the show as we know it, to the show that’s about Mulder and Scully solving cases together. This is it. This is the end of that. Are you ready? Better yet: is the show ready?
So the story is that there’s an interdimensional portal under the sea and something—maybe us?—accidentally opened it and WE’RE SORRY. WE DIDN’T KNOW. And now monsters. To which the only logical solution is to build robots to punch them. We like this plan! We’re excited to be a part of it!
Watch the new trailer for Guillermo Del Toro’s thought-vacation Pacific Rim. Because it is awesome. See that guy in the picture up there? We have no idea who he is. And we don’t care. Do you care? The monster is staring at him. That is what we care about.
A few weeks ago, IGN took a stab at highlighting a few of the best vendettas in video game history. While a few inescapable classics will make almost any list largely based on tradition and recurrence (see: Nintendo and Sega’s brand-defining characters), we decided to highlight a few of our own favorites this week and volunteer them into the discussion.
Well everyone, we’ve completed our 12 book re-read of Charlaine Harris’ Sookie Stackhouse books. Thanks for sticking with me! But we can’t end this journey without discussing the long-awaited conclusion, book thirteen—Dead Ever After. Unfortunately, there were a number of spoilers released before the publication date, which I studiously avoided. After committing to thirteen books in this series, there was no way I would spoil the ending! But now that the book is out, permit me to spoil it now? I’ll give a short recap and then let’s discuss this potential HEA.
The most recent season of Doctor Who has been one hell of a rollercoaster, dramatic within and without. First it was split in two, then Clara showed up early, then Amy and Rory left, then news about the 50th anniversary started overshadowing the season, then the show’s producer abruptly quit, then the Tenth Doctor came back, then the Ninth Doctor didn’t, then the final episode leaked early....
The quality of the episodes themselves has been markedly variable, as reflected in our own reviews, and it’s getting harder and harder not to feel so down about the show. But Doctor Who is still the best damn sci-fi show on television, so before the season closes we thought we’d get back in the spirit and comment on our favorite Eleventh Doctor episodes from the Moffat era.
Welcome back to the Way of Kings reread! We’ve reached Chapter 11, and with it the end of Part One. As such, I’ll only be covering one chapter this week, but will also offer my impressions on the entirety of Part One. I’ll discuss the characters introduced, how they developed, how the Part functions as a whole, and more.
In addition to that, I have stories from Brandon Sanderson’s visit to Tor headquarters, a special (and incredibly limited) giveaway of The Rithmatist, and more, all below the cut.
I have a special emotional attachment to the comic book mini-series Shadows of the Empire. Issue #4 sports a beautifully painted Hugh Fleming cover featuring Leia and Chewie in their bounty hunter disguises but it ALSO contains, in the editorial section, a letter from a young fan complaining about stuff that happened in issue #1. This young fan felt like Rogue Squadron’s dialogue was “forced and unrealistic,” and his name was Ryan Britt. (The Dark Horse people were nice enough to publish my letter, and I’ve forever believed the improved dialogue in the X-Wing: Rogue Squadron series must have been a direct result of my complaining.)
But listen. The comic version of Shadows of the Empire was a town of space-crazy, populated by characters with insane names. What? You don’t remember Big Gizz? Let’s remember together.
Tor UK’s 20th anniversary edition of Jeff Noon’s Vurt was published last month. And, as Jeff won the Arthur C. Clarke Award for Vurt in 1994, last week’s Arthur C. Clarke Award ceremony was a great time to look back. But as they say you judge a book by its cover, we wanted to take a look at the huge amount of work that went into this new cover look for Vurt, Pollen and Jeff Noon’s entire backlist. Curtis McFee is one of Jeff’s oldest fans and supporters, and has championed his work for years—immersing himself in Jeff’s books, designing his website and even creating a Vurt-based role-playing game.
Curtis McFee also put together a really fabulous new Vurt trailer for us. But here, we want to take a look at the new covers—look at the inspiration behind them, the creative process and various early drafts, plus what messages Curtis was trying to convey. We also wanted to find out how this creative duo met and forged the links that would lead us to this body of work today.
Regardless of whether you’re a casual summer blockbuster moviegoer or a long-time Star Trek fan, you’ll find that Star Trek Into Darkness pitches straight down the middle. You can jump into it not knowing anything about Trek and still fully enjoy the characters, environments, and story, although there are elements within that story that will resonate deeply with Trek fans.
But just because the gang’s all here doesn’t necessarily mean that it’s Star Trek.
Artist Jenny Parks has done us all a solid and re-cast many super-popular characters as cats. Thank you, Jenny! We think our favorite was this Katniss Catniss painting. Also, would a cat version of Katniss hate her family’s pet kat? Also, “the Cat on Fire,” doesn’t sound good at all.
(We saw this on The Mary Sue, Jenny Park art here.)
Your daily collection of offsite links features a giant J. Michael Straczynski, fake Robert Downey Jrs., and Star Trek, Star Trek, Star Trek.
A common defense made by anyone who is called out for advancing a stereotype is, “Stereotypes exist for a reason,” the implied message being that they are most often true. But what if by simply saying that, you were putting someone at a disadvantage? What if insisting on the accuracy of a stereotype was one of the very factors that perpetuated it? Scientific American’s June issue has some intriguing information in the article “Armor against Prejudice” by Ed Yong, on the perils of “stereotype threat” and the fascinating ways we can combat it to give future generations a better chance of success.
