“Personally, I don’t see them that way; I think it’s a collection of stories about consequences,” Kiernan said in an interview. “That is, how the world and human society might be reshaped by the consequences of the present, and the past.”
The book also revisits some of the themes that have dominated much of Kiernan’s work. “One is morphological and psychological transformation, whether by choice or as an unforeseen consequence following from some profound event in the life of a character,” she said. “The other recurring theme is the problem of humanity’s significance relative to the cosmos at large. Or, more accurately, humanity’s relative insignificance.”
Kiernan said that her favorite story in the book is probably “A Season of Broken Dolls.” “I’ve become fascinated with epistolary first-person narratives, because they permit such an intimate view of a character’s psyche, and such a subjective, unreliable account of external events,” she said. “I think this is an example where I come very close to getting it exactly right.”
Some of the stories are very personal, and rather claustrophobic, occurring a very small stage. “‘In View of Nothing,’ for instance. Two women in a motel room, and though the story might, through flashbacks, take you out of that room, it is, in the end, a story about two women in a room,” Kiernan said.
That story was inspired by a recurring nightmare Kiernan had. “The story is essentially me trying to present as faithful a transcript of the dream as possible, and the nonlinear narrative is an attempt to mirror the dream’s constantly shifting nature,” she said. “Usually, my dreams, which are often very vivid, only serve as inspiration for stories. I don’t generally try to write them out in this literal, blow-by-blow fashion. The dreams were a profoundly unnerving experience, and making a story of them seemed to help.”
But not all of the stories in the book are in that vein. “In contrast, there are pieces like the Martian odyssey ‘Bradbury Weather,’ which begins at the base of Tharsis Tholus and ends up at Lowell Crater, far to the south,” Kiernan said. “Either way, though, it’s the psychological distances that the characters travel that is most important here.”