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When one looks in the box, whatever remains, however improbable, must be the cat.

Reactor

The King in Yellow

No Mask: E. Catherine Tobler’s “She Will Be Raised a Queen”

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Lions Drinking With Jackals: Molly Tanzer’s “Grave-Worms”

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An Inexhaustible Research Subject: Elizabeth Bear’s “On Safari in R’lyeh and Carcosa With Gun and Camera”

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Journalism More Yellow Than Most: Silvia Moreno-Garcia’s “Flash Frame”

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Turning the Cyclopean Up to 11: Fiona Maeve Geist’s “Red Stars / White Snow / Black Metal”

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Still the Worst Color: Anya Martin’s “Old Tsah-Hov”

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No Bargains at the Used Tome Store: Karl Edward Wagner’s “I’ve Come to Talk With You Again”

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Old Powers Rising: Nadia Bulkin’s “Pro Patria”

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I Was Into Sanity-Destroying Texts Before They Were Cool: Robin Laws’s “Full Bleed”

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Bilious and Beautiful: Damien Angelica Walters’s “Black Stars on Canvas, a Reproduction in Acrylic”

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Borrowing From Pickman’s Library: Robert W. Chambers’s “The Yellow Sign”

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A Totally Unproblematic Utopia: “The Repairer of Reputations” by Robert W. Chambers

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