Children have always disappeared under the right conditions—slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere . . . else. Adventures are always interesting, but they’re not always happy.
From the worlds of Wayward Children comes a story of love, of devotion, of bones wrapped in flesh.
Jack Walcott was only twelve years old when she and her twin sister Jill, descended the impossible staircase and found herself in the Moors, a world of drowned gods and repugnant royals.
After abandoning her sister to a vampire lord, and under the tutelage of a mad scientist who can do impossible things with flesh and living lightning, Jack quickly learns that in the Moors, death is merely a suggestion.
When Suzy was born, her parents filled her mouth with sand. But this is normal and natural and the way things are always done.
And if she finds it uncomfortable to keep it there, to eat with it there, to talk with it there, she’s just going to have to learn to live with it.
“Sand” is a heart-wrenching tale about generational trauma and healing.
In the course of every great adventure there are multiple side-quests. All too often these go unreported—perhaps because the adventurers in question fail to return to the main narrative due to death or other distractions, and sometimes because the chronicler of the events decide to edit out that part of that particular history for reasons of their own (historians are never infallible)—but occasionally we get another window into our heroes' world.
In Juice Like Wounds we once again get to meet Lundy, and some of her companions. Lundy's main adventure is detailed in In an Absent Dream (which is nominated for a Hugo Award, this year!) and you should definitely read that. Before or after this tale is up to you.
Remember: side quests are fun.
For the reader, at least...
