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H.P. Lovecraft Reread
The Lovecraft Reread
Party Like It’s 1899: Edgar Allan Poe’s “The Masque of the Red Death”
The Lovecraft Reread
Not Nervous or Imaginative, We Swear: F. Marion Crawford’s “The Screaming Skull”
The Lovecraft Reread
Hope Is the Thing With… — Simon Strantzas’s “Antripuu”
The Lovecraft Reread
Lovecraft’s Faintest Fingerprints: C.M. Eddy Jr.’s and H.P. Lovecraft’s “Ashes”
The Lovecraft Reread
I’m Not Superstitious: Lisa Mannetti’s “Houdini: The Egyptian Paradigm”
The Lovecraft Reread
The Shadow Right on Time: Sonia Greene’s “Four O’clock”
The Lovecraft Reread
Is There Such a Thing as Too Goth? — Everil Worrell’s “The Canal”
The Lovecraft Reread
Turning the Cyclopean Up to 11: Fiona Maeve Geist’s “Red Stars / White Snow / Black Metal”
The Lovecraft Reread
The Stars Are Right but the Cultists Need Coffee II: Necronomicon 2019
The Lovecraft Reread
No Mask? No Mask! — Mira Grant’s In the Shadow of Spindrift House
The Lovecraft Reread
My Laugh is an Evil Laugh: Michael Chabon’s “The God of Dark Laughter”
The Lovecraft Reread
A Massage From Beyond the Veil of Night: T.E.D. Klein’s “Nadelman’s God”
The Lovecraft Reread
Bantha Milk and Durian: Ng Yi-Sheng’s “Xingzhou”
The Lovecraft Reread
Jobs From Hell Would Be An Improvement: David Liss’s “The Doors that Never Close and the Doors that Are Always Open”
New in Series
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