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H.P. Lovecraft Reread
The Lovecraft Reread
Learning to Be Reptilian: Jamaica Kincaid’s “My Mother”
The Lovecraft Reread
The Elder Things of Kilimanjaro: Maurice Broaddus’ “The Iron Hut”
The Lovecraft Reread
An Ecstasy of Arrows: Craig Laurance Gidney’s “Sea, Swallow Me”
The Lovecraft Reread
Journalism More Yellow Than Most: Silvia Moreno-Garcia’s “Flash Frame”
The Lovecraft Reread
Potluck Devils: Stephen Graham Jones’s “The Spindly Man”
The Lovecraft Reread
Love in the Time of Parasitic Breeding Strategies: Octavia Butler’s “Bloodchild”
The Lovecraft Reread
Maybe I Wouldn’t Have These Scars From the Octopus Deity: Autumn Christian’s “Shadow Machine”
The Lovecraft Reread
Lovecraft’s Model? Robert Barbour Johnson’s “Far Below”
The Lovecraft Reread
Safer Meat: Amanda Downum’s “The Tenderness of Jackals”
The Lovecraft Reread
Cribbage and Elder Gods: Manly Wade Wellman’s “The Terrible Parchment”
The Lovecraft Reread
Beware the Crib: Ray Bradbury’s “The Small Assassin”
The Lovecraft Reread
Don’t Talk to Strangers After All: Shirley Jackson’s “The Witch”
The Lovecraft Reread
One Channel and Literally Nothing On: Jerome Bixby’s “It’s a Good Life”
The Lovecraft Reread
Henry James is Not Amused: Gertrude Atherton’s “The Bell in the Fog”
New in Series
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