Our Privacy Notice has been updated to explain how we use cookies, which you accept by continuing to use this website. To withdraw your consent, see Your Choices.
H.P. Lovecraft Reread
The Lovecraft Reread
Cribbage and Elder Gods: Manly Wade Wellman’s “The Terrible Parchment”
The Lovecraft Reread
Beware the Crib: Ray Bradbury’s “The Small Assassin”
The Lovecraft Reread
Don’t Talk to Strangers After All: Shirley Jackson’s “The Witch”
The Lovecraft Reread
One Channel and Literally Nothing On: Jerome Bixby’s “It’s a Good Life”
The Lovecraft Reread
Henry James is Not Amused: Gertrude Atherton’s “The Bell in the Fog”
The Lovecraft Reread
National Disturbing Poetry Month: H.P. Lovecraft’s “Nemesis” and Gemma Files’s “Haruspicy”
The Lovecraft Reread
Two Households, Not Exactly Alike in Dignity: Caitlín Kiernan’s “Love is Forbidden, We Croak and Howl”
The Lovecraft Reread
Rules for Healthy Relationships (with Deep Ones): Shibata Yoshiki’s “Love for Who Speaks”
The Lovecraft Reread
Fear Not! Or Maybe Fear After All: Christopher Golden and James A. Moore’s “In Their Presence”
The Lovecraft Reread
Finding God (Possibly the Wrong One): Robert M. Price’s “The Shining Trapezohedron”
The Lovecraft Reread
When You Stare Into the Abyss, the Abyss Gets Judgy: Wendy Nikel’s “Leaves of Dust”
The Lovecraft Reread
Not the Magna Mater They Had in Mind: Stephen King’s “Graveyard Shift”
The Lovecraft Reread
ROUSes? I Don’t Think They Work With Mummies: Henry Kuttner’s “The Graveyard Rats”
The Lovecraft Reread
It’s Very Wrong to Do Cannibalism: Alex Blechman’s “You Are the Rats in the Walls” Video Game
New in Series
-
-
-
-
-
-
-