Our Privacy Notice has been updated to explain how we use cookies, which you accept by continuing to use this website. To withdraw your consent, see Your Choices.
H.P. Lovecraft Reread
The Lovecraft Reread
Dealing with the King: John Connolly’s “Razorshins”
The Lovecraft Reread
The Things We Do For Course Credit: John Langan’s “Technicolor”
The Lovecraft Reread
Party Like It’s 1899: Edgar Allan Poe’s “The Masque of the Red Death”
The Lovecraft Reread
Not Nervous or Imaginative, We Swear: F. Marion Crawford’s “The Screaming Skull”
The Lovecraft Reread
Hope Is the Thing With… — Simon Strantzas’s “Antripuu”
The Lovecraft Reread
Lovecraft’s Faintest Fingerprints: C.M. Eddy Jr.’s and H.P. Lovecraft’s “Ashes”
The Lovecraft Reread
I’m Not Superstitious: Lisa Mannetti’s “Houdini: The Egyptian Paradigm”
The Lovecraft Reread
The Shadow Right on Time: Sonia Greene’s “Four O’clock”
The Lovecraft Reread
Is There Such a Thing as Too Goth? — Everil Worrell’s “The Canal”
The Lovecraft Reread
Turning the Cyclopean Up to 11: Fiona Maeve Geist’s “Red Stars / White Snow / Black Metal”
The Lovecraft Reread
The Stars Are Right but the Cultists Need Coffee II: Necronomicon 2019
The Lovecraft Reread
No Mask? No Mask! — Mira Grant’s In the Shadow of Spindrift House
The Lovecraft Reread
My Laugh is an Evil Laugh: Michael Chabon’s “The God of Dark Laughter”
The Lovecraft Reread
A Massage From Beyond the Veil of Night: T.E.D. Klein’s “Nadelman’s God”
New in Series
-
-
-
-
-
-
-