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H.P. Lovecraft Reread
The Lovecraft Reread
I’m Not Superstitious: Lisa Mannetti’s “Houdini: The Egyptian Paradigm”
The Lovecraft Reread
The Shadow Right on Time: Sonia Greene’s “Four O’clock”
The Lovecraft Reread
Is There Such a Thing as Too Goth? — Everil Worrell’s “The Canal”
The Lovecraft Reread
Turning the Cyclopean Up to 11: Fiona Maeve Geist’s “Red Stars / White Snow / Black Metal”
The Lovecraft Reread
The Stars Are Right but the Cultists Need Coffee II: Necronomicon 2019
The Lovecraft Reread
No Mask? No Mask! — Mira Grant’s In the Shadow of Spindrift House
The Lovecraft Reread
My Laugh is an Evil Laugh: Michael Chabon’s “The God of Dark Laughter”
The Lovecraft Reread
A Massage From Beyond the Veil of Night: T.E.D. Klein’s “Nadelman’s God”
The Lovecraft Reread
Bantha Milk and Durian: Ng Yi-Sheng’s “Xingzhou”
The Lovecraft Reread
Jobs From Hell Would Be An Improvement: David Liss’s “The Doors that Never Close and the Doors that Are Always Open”
The Lovecraft Reread
The Spirit of the Century: Fritz Leiber’s “Smoke Ghost”
The Lovecraft Reread
Old Gods and Older: Premee Mohamed’s “Us and Ours”
The Lovecraft Reread
Bad Ideas 101: David Barr Kirtley’s “The Disciple”
The Lovecraft Reread
New Words to Wordless Songs: Nibedita Sen’s “We Sang You As Ours”
New in Series
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