genre
Space Opera Week
Is Space Opera Merely Fantasy Set in Space? (Hint: No, Of Course Not)
The Depths of Paul La Farge’s The Night Ocean
Charlie Jane Anders, Alyssa Cole, and Rumaan Alam on Avoiding Blind Spots When Writing Outside Your Experience
Infinitely Weird: All Your Genre Are Belong to BioShock
Sleeps With Monsters
Sleeps With Monsters: Urban Fantasy is Licentiously Liberal?
Sleeps With Monsters
Sleeps With Monsters: Epic Fantasy is Crushingly Conservative?
A Rumination on Criticism via Richard Powers’s Galatea 2.2
The Center for Fiction’s First Novel Prize Includes Two Genre-Bending Books
Some Thoughts on Anthropological Science Fiction as a Sub-Genre
On David Cronenberg, The Dark Knight Rises, and Genre Film
Nobody Gets Mad About Hamlet Remakes: Why Superheroes Are the New Cultural Mythology
Mad Men Begins Highlighting Science Fiction as a Tool of Expression
Genre in the Mainstream
The Case for Genre
Genre in the Mainstream
Kingsley Amis’s The Green Man is Like Fawlty Towers Plus Sex and Ghosts
New in Series
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