In the periphery of The Power, a series of seemingly meaningless scenes shine an ultra-bright light on the core concerns of Naomi Alderman’s astonishing new novel. These blink-and-you-might-miss-’em moments lay bare the working relationship between a pair of daytime television presenters whose respective roles reflect the devastating developments depicted in greater detail in the rest of the text.
Tom and Kristen are ineffably familiar figures, at first—as is their dynamic as a duo. The former is a moderately handsome middle-aged man who wears expensive suits and steers the show’s serious segments; the latter is an improbably beautiful young woman dressed not to impress so much as to suggest whose most significant responsibility is to introduce the weather on the ones. In short, Tom is the host with the most, and Kristen is his sexy sidekick. But when man’s dominion over the wider world wanes, the parts our presenters have played to date are recast.