Until recently, I’ve been known more as an illustrator than as a writer (although I’ve always done both). But I rarely do both together.
Although writing and art draw from the same storytelling aquifer, they come up through different wells. Ideas sometimes shift fluidly between the two in the early stages of a project, but usually one—art or words—will quickly take over. In fact, it becomes a challenge to strip an idea entirely of words, or to create a painterly impression using only text, and a challenge for my editors to bring me back to the purpose of a comic.
I’ve been trying to bring writing and images together more often (for example, in short stories for some patrons on Patreon). And when I began a practice-led MPhil at the University of Queensland, researching “The Visual Evocation of the Beautiful Sublime in Australian Gothic Literature”, it was with the grand plan of doing just this with the creative component, which became Flyaway.