Tor.com content by

Jonathan Alexandratos

Tue Apr 18, 2023 12:00pm 8 comments 15 Favorites [+]

Screenshot: YouTube

(Glitch 1: My grandmother died last year, and, as I visit her grave, I imagine a large, robotic pterodactyl screaming through the overcast above, vibrating the hallowed ground on which I stand. This is weird, right? I stand, supposedly solemn, while my mind wanders further and looks to the skyline of Manhattan, just visible from St. Raymond’s Cemetery in the Bronx. A large, sentient lipstick or leaf or lizard lays waste to the skyscrapers.

psychological horror

M3GAN Disrupts What Kids Need Toys to Do

Jonathan Alexandratos

Tue Mar 28, 2023 10:00am 5 comments 16 Favorites [+]

Credit: Universal Pictures

In 1990, Jason was a helicopter. His teacher, Vivian Gussin Paley, wrote about it in her book The Boy Who Would Be a Helicopter. Each day, Jason would come into nursery school and build an airport around him—tall walls made out of large blocks. He’d hide behind the walls, and, at frequent intervals, emerge making loud Brrrrroooooom-ing engine noises. He was the helicopter, but would also have toys of flying machines accompany him as if to bold the story he was telling. It didn’t matter, notes Paley, what stories Jason’s classmates were trying to tell, or what games they were engaged in. His existence as a helicopter was unstoppable and solitary. Paley, being an experienced teacher, tried to integrate Jason into the rest of the class, knowing that pro-social behavior is a valuable skill to teach toddlers. Her success came not just from her students, but her classroom toys. By connecting the stories students told using their toys and their selves, Paley managed to craft a learning environment that needed not just a helicopter, but Jason’s helicopter. Over time, Jason slowly found himself more and more a key part of his group, on his own terms.

Because ultimately it wasn’t that Jason wanted to be a helicopter. It was that he didn’t want to be lonely.

Star Trek

Ben Sisko’s Non-Linear, Non-Binary Arc in Deep Space Nine’s “Emissary” Saved All My Lives

Jonathan Alexandratos

Tue Feb 28, 2023 10:00am 8 comments 51 Favorites [+]

Screenshot: CBS

Decompression. Not a dangerous one. More like old air leaving a vault that’s just been opened. An asteroid. A meteor? No, a comet! Hurtling through space. Empty space? An empty patch. But the kind of empty patch that makes the rest of it feel just as empty. Empty, except for this one thing. A ship. Where’d it come from?

Oh! Another thing! A space station.

Sheepishly entering the screen as if it’s the first day of class. It dares to be there. Under the brass and the strings emboldening its existence. A space station, the titular one, as you’re soon informed by text. The last holdout of something in nothing. It’s a pebble, and not a particularly smooth one, that wants to skim across an ocean but, aware of its breccia-like composition, says not “I’m doing this!” but, “I’m doing this?,” and only when it can eke out the affirmative does it earn the jump cut that proves, in its details, it is not an “I” but a “we,” tirelessly working to make sure the pebble can make, if not all its skips, then at least the next one.

Since it first aired, I have regularly taken a strange comfort in the first thirty seconds of Star Trek: Deep Space Nine’s opening credits.

Star Wars

What Toys Tell Us About the Star Wars Universe

Jonathan Alexandratos

Tue Dec 24, 2019 9:00am 4 comments 2 Favorites [+]

Screenshot: Lucasfilm

As the great philosophers Aqua once said in their song “Barbie Girl,” “Imagination, life is your creation.” In other words: toys, by being actors on the stage of imagination, can help birth a new reality. While this “creation,” and the life within it, may never leave the realm of the mind, movies offer one arena in which toys can interact, literally and metaphorically, with a greater mythology and have actual, in-universe consequences. Furthermore, because toys can exist both in-narrative and in the hands of viewers, these objects provide a unique opportunity for a story to transcend the screen and extend into the audience’s reality—perhaps even taking with them a bit of the source material’s mythos. And there’s no clearer example of this than one of the single most popular sources of both film and toys in popular culture: the Star Wars franchise.

Star Wars has had a ubiquitous presence in toy aisles for years, and much has been said about the cultural impact of wave after wave of Star Wars action figures, vehicles, and role play toys. But what about the significant presence of the toys we see in the Star Wars universe itself? Let’s consider a sampling of the toys present in the Star Wars films so far—in doing so, I think we’ll find that Star Wars toys mean as much to Star Wars characters as they do to us here in the real world.

Star Trek

Fathers and Sons and Star Trek Action Figures

Jonathan Alexandratos

Thu Oct 3, 2019 10:00am 1 comment 8 Favorites [+]

Credit: CBS

The day after Aron Eisenberg died, I found myself looking at his action figure. Well, his character’s action figure, to be precise.

robots

What Manga, Anime, and Japanese History Teaches Us About Loving Robots

Jonathan Alexandratos

Fri Feb 15, 2019 11:00am 19 comments 12 Favorites [+]

Screenshot: Fuji TV (2003)

After losing to Angelique Kerber in the Australian Open a couple of years ago, tennis star Serena Williams said, “As much as I would like to be a robot, I am not. I try to. But, you know, I do the best that I can.”

The implication is that if Williams were a robot, she would be a perfect, match-winning machine. A consequence of being human is our inherent fallibility. How many Western narratives are built on this very premise of robotic perfection and efficiency? The Terminator can, well, “terminate” with such precision because the T-800 is a cyborg from the future. Marvel’s Ultron is a superpowered threat because of the cutting-edge technology that goes into creating the villain. Ava’s advanced programming in Ex Machina makes us recognize that, of course, the A.I.’s cunning can outwit a human. And let’s not even talk about the menacing efficiency of the security robots in Chopping Mall! Point is: if we’re looking for reference material to support the thesis that “technology is scary,” there’s plenty at our fingertips.

gender issues

How Geek Culture Made Me Realize I Am Non-Binary

Jonathan Alexandratos

Tue Jun 19, 2018 1:30pm 6 comments 8 Favorites [+]

I am about to type a sentence I have never before been able to type. I am non-binary. I am non-binary, and my fandom provided me with so much of what I needed to experiment with my gender and arrive at that conclusion. So I’m writing this article as a way to not only explain the link between geek cosplay and culture and gender non-conformity, but also as a way of reaching out with my story, in hopes others might identify, even in some small way.

Okay, this needs a little context. When I was a kid, I had no idea what the term “non-binary” meant. But that’s not saying much. I was a kid! I barely knew what “deodorant” meant. I did know that I was expected to be, or become, a “man,” and that term seemed quite rigidly defined. A lot of it would come to feel very performative, and also quite narrow: you wore sportsball stuff and played a sport, you had access to these aisles in a clothing or toy store, but don’t be caught dead outside of those; you walked, talked, and sat a certain way. I failed at pretty much all of that, and still do, happily.

Star Wars

Here’s What Characters’ Favorite Toys Tell Us About the Star Wars Universe

Jonathan Alexandratos

Tue May 15, 2018 12:00pm 13 comments 6 Favorites [+]

Screenshot: Lucasfilm

nostalgia

What Made Us Toys “R” Us Kids? Romanticism, Consumerism, and Nostalgia

Jonathan Alexandratos

Thu Mar 22, 2018 12:00pm 14 comments 6 Favorites [+]

Canadian literary critic Northrop Frye argued that where you are is as important as who you are. Just as one affects their environment, people are, in turn, affected by those same surroundings. The Romantic poets located this exchange in nature, turning their work toward subjects ruminating on not only their own individuality, but the natural world in which that rumination occurred. It is therefore only logical, in the highly commercial, Capitalist late 20th and early 21st Century United States, that this symbiosis of person and place can be housed, at least for some, in the malls and chain stores freckled across the American landscape.

For me, this was Toys “R” Us. It has been a permanent fixture throughout my 32 years, just as it’s been for the lives of many of my Millennial peers. In light of last week’s announcement that the chain will be going out of business, much is being reported about the people who made, and ultimately eroded, this place—but there’s much more to be said about the place that made the people. The Toys “R” Us Kids. Those for whom the place precedes the person.

Star Trek

Mycelium Running: The Book That May Reveal Where Star Trek: Discovery Goes Next Season

Jonathan Alexandratos

Wed Feb 21, 2018 11:00am 50 comments 6 Favorites [+]

In Episode 9 of After Trek, the roundtable talk show that airs after Star Trek: Discovery, Executive Producer Aaron Harberts said, “Everything we do on Star Trek comes out of character, and also as much as we can ground in science, so, shameless plug: get [the real-life mycelium expert and scientist] Paul Stamets’ book Mycelium Running. Give it a read…[it] will give you very, very good hints as to what’s going to happen.” So I did.

I bought the book, which is essentially a textbook for growing and interacting with mycelium and mushrooms, and I read it. I’d say I read it so you don’t have to, but the truth is: it’s a brilliant work of science, and everyone should give it a shot, especially if you’re a layperson like me. In addition to learning how to grow mushrooms from my one-bedroom New York City apartment (which I am enthusiastically now doing, by the way), I also learned a ton about Star Trek: Discovery’s past, present, and possible future.

toys

“Women, Along With Different Aliens”: What the Upcoming Jurassic Park Funko Pop!s Tell Us About How Toys Translate Pop Culture

Jonathan Alexandratos

Tue Jan 30, 2018 10:00am 30 comments 12 Favorites [+]

You know the drill: a blockbuster sci-fi movie is about to drop. Anticipation mounts. Then, suddenly, stores are hit with a flurry of promotional “stuff.” A significant chunk of said “stuff” are toys. Those toys then lease a spot on a shelf next to other toys promoting a range of media, from that hit film from 25 years ago, now fertile ground for nostalgia, to that re-released comic book from the 1980s, to that TV show you glimpsed this morning.

Observing these rows of little plastic bodies, it is easy to think of them as purely representational. The toys’ sole job is to give buyers a tangible duplicate of an otherwise intangible character. This take-home hero then can become many things to its beholder: avatar, memento, plaything, gift, declaration of love. You fully accept, without even giving it a second thought, that the role of the company that made the toy you just purchased acted simply as a go-between. All the toymaker did was mold your favorite character into plastic. However, this idea of the toy company’s passive role in the process of pop culture consumption is deeply flawed. Toy companies do not just represent meaningful pop culture texts, but fundamentally change them by creating a new text unto itself—the toy—which translates, evaluates, and omits moments and characters from the property it claims to be promoting.

Funko’s recently-announced Jurassic Park line of Funko Pop!s provides an excellent case study that illustrates this.

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Science fiction. Fantasy. The universe. And related subjects.

Jonathan Alexandratos

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