Photo: Marshall Stax (CC BY-SA 3.0)
Howard: So, I recently pointed Todd to a nifty-looking Kickstarter for a deep space exploration expansion for Traveller, and it got the two of us talking about what is arguably the best-known science fiction role-playing game, and one of the first.
Todd: “Arguably” is right. We were arguing, because of how wrong you are.
Howard: Future generations will decide that, my friend.
Todd: Welcome back, readers. Big shout-out to all those who took the time to leave a comment or suggestion on our last articles, Five Forgotten Swordsmen and Swordswomen of Fantasy and Five Classic Sword-and-Planet Sagas.
Howard: We do everything by fives.
Todd: At least we have a system! Today, in honor of my friend Howard’s brand-new fantasy novel Upon the Flight of the Queen, which arrives in hardcover on November 19, we’re going to try something a little different. Since I have a real live fantasy author up here at the podium with me—and one whose influences are well known—we’re going to take the opportunity to look at some of the greatest fantasists of all time, and the different ways each of them teach us to write fantasy.
Here’s a funny thing about “action reads:” a lot of people would equate that to mean a whole lot of running and chasing and swordplay. They wouldn’t be wrong, of course, but all the physical action in the world can’t liven up a bland tale, or make boring characters interesting, and there’s actually plenty of forward momentum and tension to be had in some fantasy adventure stories without the more obvious blood-letting. And then of course there’s lyrical prose. Me, I prefer to see my action with great characters and some lovely writing, and today I’m going to share a few favorites that deliver all those things.
Todd: And we’re back! Thanks to everyone who commented on our previous post, Five Forgotten Swordsmen and Swordswomen of Fantasy! In our constant quest to improve ourselves through shorter titles, this one is called Five Classic Sword-and-Planet Sagas.
Howard: Sword-and-planet is one of my favorite genres. It is a field of unfettered imagination, and the men and women who wrote it were concerned chiefly with story and giving free rein to their imaginations. I think that makes it a unique form of fantasy, even in a body of literature that generally prides itself on imagination.
Howard: I suppose the first thing we should do is lay the groundwork. This is about FORGOTTEN fantasy swords, people—that doesn’t necessarily mean so obscure that no one’s ever heard of them, and it also doesn’t mean every sword-wielding character ever created. I’m thinking we should focus on neglected characters that ought to get discussed, celebrated, or read more often. Especially read more.
Todd: S’right.
Howard: I also think we ought to avoid characters who aren’t forgotten. Conan, say.
Todd: Dammit, there’s too many rules already. Let’s just get started.
Their peace was a fragile thing, but it had endured for seven years, mostly because the people of Darassus and the king of the Naor hordes believed his doom was foretold upon the edge of the great sword hung in the hall of champions. Unruly Naor clans might raid across the border, but the king himself would never lead his people to war so long as the blade remained in the hands of his enemies.
But when squire Elenai’s aging mentor uncovers evidence that the sword in their hall is a forgery she’s forced to flee Darassus for her life, her only ally the reckless, disillusioned Kyrkenall the archer. Framed for murder and treason, pursued by the greatest heroes of the realm, they race to recover the real sword, only to stumble into a conspiracy that leads all the way back to the Darassan queen and her secretive advisors. They must find a way to clear their names and set things right, all while dodging friends determined to kill them – and the Naor hordes, invading at last with a new and deadly weapon.
Howard Andrew Jones’ powerful world-building brings this epic fantasy to life in For The Killing of Kings, the first book of his new adventure-filled trilogy—available February 19th from St. Martin’s Press.
Take a look at this excerpt from The Bones of the Old Ones by Howard Andrew Jones, sequel to The Desert of Souls, coming out from Thomas Dunne Books on December 11, 2012:
As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.
To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years…
