The Wild Cards universe has been thrilling readers for over 25 years. In Alan Brennert’s “Skin Deep,” we see for the first time the events of September 15, 1946 from the viewpoint of someone living on the West Coast of the United States. Trina Nelson is a pretty, popular sixteen-year-old high school student whose idyllic life took a turn for the tragic because of the Wild Cards virus. Now, she wants nothing more than to live out her days in the shadowy anonymity of the Jokertown on the Santa Monica Pier. But life, it turns out, has still another wild card to deal Trina…
There’s long been an overlap between crime fiction and science fiction. And much as the two genres can themselves contain multitudes, so too can those works that situate themselves in their overlap. The corporate espionage of Nicola Griffith’s Ammonite is worlds apart from Isaac Asimov’s R. Daneel Olivaw novels, and the climate fiction noir of Paolo Bacigalupi’s The Water Knife takes a very different tone than the surreal dystopia at the heart of Ricardo Piglia’s The Artificial City.
It’s not hard to see why these two genres have converged so neatly, though. Many writers use crime fiction to reveal hidden elements of society or expose the abuses of those in power—both concepts that play a not insubstantial role in plenty of science fiction as well. And that sense of powerful people concealing crucial secrets from the general public is very much on display in Chris McKinney’s Midnight, Water City—a novel which makes the most of its slow-burning narrative of detection.
Despite all appearances to the contrary, that title is not clickbait, I promise you! Where She-Ra and the Princesses of Power reinvented the series as a super queer tale of found family and self-actualization, Masters of the Universe: Revelation is a sequel, and reveals itself to be a somewhat queer-coded tale of found family, consequences, and DEATH.
Also, there’s a holy war?
I was just as surprised as you!
Sony has debuted a new trailer for its upcoming continuation of the Ghostbusters franchise, Ghostbusters: Afterlife, taking its supernatural action from the streets of New York City to Summerville, Oklahoma.
Set to hit theaters in November, this new trailer puts its teenage cast front and center as they contend with some apocalyptic, supernatural phenomena that threaten their southwestern home.
Today in Reading The Wheel of Time, it’s the first two chapters of New Spring! As expected, starting the prequel novel has been an absolute delight.
I adore Lan and Moiraine, and seeing them like this feels like discovering that an actor you love was in some movie years before the one that made them famous. I just keep squealing to myself that “they’re babies” like some fanboy on tumblr. But they are babies, is the thing, and it’s fascinating seeing them in this context. More grown up and experienced than the Emond’s Fielders were when we first met them, of course. But struggling with some of the same things. Moiraine with her temper, for example. Or Lan with encountering people and customs that don’t meet his personal standards. We already know some of the story we’re about to read, and we already know the kind of people they are, but there is still something very exciting about seeing them in this state. As Doctor Who once put it, they aren’t done yet.
Series: Reading The Wheel of Time
In 2010, Nnedi Okorafo’s Who Fears Death was released and introduced readers to a future Sudan. Who Fears Death follows Onyesonwu as she goes on a journey of discovery, loss, and renewal. She was more than powerful; she was thoughtful, flawed, strong, and remarkable. Five years later, we returned to the themes brought up in Who Fears Death through its prequel, The Book of Phoenix, about a new character, Phoenix, who like Onyesonwu, has been born into a brutal world with powers beyond her understanding. On Okorafor’s blog in 2015 she said, “Who is Phoenix to Onyesonwu and Onyesonwu to Phoenix? You’ll have to read them to find out. Don’t bother going in with expectations; you’ll probably be wrong.”
Reading more than one of Okorafor’s books cues readers into the fact that they are reading something larger than what they see on the page. There’s more being said, referenced, and examined across all of her texts, which is why The Book of Phoenix, though a prequel, felt more like another piece in a puzzle. Following the release of those two books and several others, Okorafor released the Binti series in 2015, 2017, and 2018 all charting the experiences and history of yet another woman. This time she wasn’t being forced into her circumstances; instead, Binti seizes her future before someone else has a chance to crush it. Now, four years later, Okorafor’s recent release Remote Control bridges our current world with her universe.
To live in Britain is to live in eternal existential anxiety. The tiny island nation lives on the knife-edge of global warming-driven sea level rise (which would submerge much of what is now dry land) and global cooling, which, while not on the books in the immediate future, has in the past repeatedly scoured hominin life from the region. It’s not surprising that many authors have offered visions of an ephemeral United Kingdom that is no longer united…
I’ve talked before about how Anne McCaffrey modeled her famous dragons on horses, and specifically the Lipizzan horses of the Spanish Riding School of Vienna. What I hadn’t done at that time was sit down and do a reread of a bunch of dragon books.
Recently I got the urge. There happened to be an eBook sale, one of those short-term grab ’em with the first volume deals, and I was looking for some high-quality work avoidance. Bonus chance to find out if I remembered the horseness of dragons correctly? Bring it on. [Dragons vs. Horses…]
We are the Wild Ones, and we will not be silenced.
From author Nafiza Azad comes a thrilling, feminist fantasy about a group of teenage girls endowed with special powers who must band together to save the life of the boy whose magic saved them all. Read an excerpt below from The Wild Ones, available August 3rd from Margaret K. McElderry Books.
Syfy’s upcoming Day of the Dead series is described as “the ultimate love letter to the godfather of zombies, George A. Romero,” but it’s not really clear where the love is in this trailer. A mix of jokes that don’t quite land and generic zombie gore, the two-minute peek at the 10-episode series is less than inspiring.
Star Trek: Voyager Sixth Season
Original air dates: September 1999 – May 2000
Executive Producers: Rick Berman, Brannon Braga
Captain’s log. By the sixth season, Voyager had settled into its role as the spiritual successor to The Next Generation. While the general backstory of trying to get back to Earth was always there, the actual day-to-day adventures that they had were mostly unrelated to that, instead focusing on two catch-phrases that have been associated with Trek for ages: “to seek out new life and new civilizations” and “the human adventure is just beginning.”
Series: Star Trek: Voyager Rewatch
Someone recently asked me a fun question: Do hippos count as dragons?
When I was a kid, I mean a real little kid, I had this toy, it was a long white board with five white pegs sticking up off it, and there were shapes with holes in the middle of them—stars, triangles, squares, circles, and hearts—and each shape came in five colors—red green yellow blue purple—and I would sit there for hours sorting them onto the pegs. All the same colors together, or all the same shapes together, or all different colors and shapes in a very particular order. I treated the game like a puzzle I was intended to solve, only of course, there was no way to solve it. One of my earliest memories is of the realization that this was not a thing that would reveal an answer to me, and that was the last day I played with it.
I’ve always loved fairy tales. Like many people my age, I grew up on the Disney fluff and stayed on the fairy tale train for the darker, Into the Woods style takes. Then, I fell into anime and started learning about fairy tales, folk tales, and mythologies from other cultures. Fairy tale retellings and reimaginings are nothing new in the young adult world, but that doesn’t stop me from getting my hands on every single one that I can. Sometimes, they’re fairly predictable but still fun to read. Other times, they completely blow you away.
I loved Elizabeth Lim’s Blood of Stars duology, and Six Crimson Cranes immediately rocketed up to the top of my most anticipated reads list. I am so thrilled to say that it exceeded all hype and expectations.