There are worse things than a local gangster’s cronies lurking in New Jersey’s wetlands…
There are worse things than a local gangster’s cronies lurking in New Jersey’s wetlands…
A banished warrior teaches her treacherous uncle that once made, some oaths cannot be broken…and some monsters cannot be chained.
Commander Niaja vrau Erezeng is up against an enemy that doesn’t just destroy all the beings, ships, and planets in its path, but also consumes their greatest arts, somehow scratching them from existence everywhere…
While all her friends’ fish are changing into mermaids, is 12-year-old Anissa’s fish becoming something else?
When the waters rose, the people who stayed on the River learned they weathered the storms best together, but what happens when one of their own becomes curious about the Land?
A photographer’s obsession with an unsettled subject exposes two friends to a darkness that won’t be contained by frames…
We’re excited to reprint “The Woman Carrying a Corpse” by Chi Hui, translated from Chinese by Judith Huang, from the groundbreaking anthology The Way Spring Arrives and Other Stories, edited by Yu Chen and Regina Kanyu Wang, out now in paperback!
“The Woman Carrying a Corpse” was originally published as 背尸体的女人 in December 2019 by Flower City (花城).
For me, reading is meditation—a flow-inducing escape from whatever woes the workday brings me, and a welcome reprieve from any worries that might be flitting around my mind.
More than 90 percent of the time, I find that escape in the form of a many-volume epic sci-fi or fantasy story. Once in a while, though, I need something more subtle and nuanced—a book or a story that speaks to my need for calm and comfort and allows—even encourages—my mind to take a break from my anxieties and find a new perspective.
It takes a special kind of book by a special kind of author to ease my mind in exactly the right way, and today I’m happy to share five of my favorites with you. These books and stories are all at the top of my list whenever I need to take a break, reflect, and focus on what’s important in life…
A few months back, The New York Times asked Leigh Bardugo what books got her into fantasy as a genre. She named a handful of books, adding,”I think any time you can remember where you were when you read a book for the first time (Dune—tiny motel room on a miserable family trip, A Swiftly Tilting Planet on the white shag carpet in my grandparents’ back room) that means something.”
And it does, doesn’t it? Over the months I’ve been writing this column, I’ve mentioned more than one book about which I remember the specifics of my first reading experience: trying not to audibly cry on a Greyhound bus as I finished Where the Red Fern Grows; reading Lavinia on a train, the sound of wheels on tracks locking in with Le Guin’s prose; wading through Wanderers on a (pre-pandemic) plane, increasingly creeped out by the people too close to me.
Would I remember these books the same way if I had read them elsewhere? What alchemy makes these memories so clear? What is it that makes some stories coalesce so clearly in our minds, like postcards you can flip back through?
As my readers may have deduced, I read a lot of science fiction. It happens that I also seek out and enjoy material I tend to think of as SFF-adjacent, books that share some important theme or element with science fiction and fantasy. Perhaps examples will make what I am talking about clearer…
Live-action remakes of classic animated films are in vogue right now, and not only at Disney. We’ve known for a few months that Universal was getting in on that live-action, um, action with a flesh-and-blood reimagining of 2010’s How To Train Your Dragon. That project is steadily moving forward, and today we found out what human actors will take on the leading human roles in the movie.
Delhi, the near future: Bibi, a low-ranking employee of a global consulting firm, is tasked with finding a man long thought to be dead but who now appears to be the source of a vast collection of documents.
We’re thrilled to share an excerpt from The Light at the End of the World by Siddhartha Deb, a kaleidoscopic, genre-bending novel connecting India’s tumultuous 19th and 20th centuries to its distant past and its potentially apocalyptic future—out today from Soho Press.
The horror movie Barbarian caused waves when it came out last year and secured writer-director Zach Cregger an eight-figure deal for his next film. Cregger is also producing other projects, and one of them is Companion, a film written by Drew Hancock, who will also make his debut directing the feature.
“Damage”
Written by Phyllis Strong
Directed by James L. Conway
Season 3, Episode 19
Production episode 071
Original air date: April 21, 2004
Date: unknown
Captain’s star log. Enterprise is picking up where they left off last time, getting the shit kicked out of them by Reptilian ships, but suddenly the attack ceases. This is only a minor reprieve, as they have no propulsion or weapons, systems failures all over the ship, tons of hull breaches, and many casualties.
We find out that the Xindi Council ordered the Reptilian ships to back off, to Dolim’s annoyance. The Aquatics will transport Archer to the council chambers so he can be interrogated by the council. Dolim is even more pissed about that.
Cassandra Khaw’s new novella, The Salt Grows Heavy, begins with death and consummation. On its very first page, a mermaid’s daughters clean gore from their fingertips after devouring the face, eyes, and brain of a thing that used to be human. They are, their mother muses as she watches them, “the best of their parents.” We as readers are thrown into the deep-end, as unmoored and unsteady as a sea creature on land.
In its brief and horrible 100 pages, The Salt Grows Heavy continues its assault: murder and dismemberment are commonplace, children are awash in blood, and, most importantly, love (familial, romantic, and otherwise) is present in abundance. With gorgeous prose and tender, meaty detail, Khaw guides us through an unreal fable of love and body horror. They introduce us to a mermaid and her plague doctor companion as they traverse a bleak landscape to find humanity and monstrosity irrevocably intertwined. And never once does Khaw explain the abominations we’re witnessing—our unknowing, after all, is part of its allure.
In this bi-weekly series reviewing classic science fiction and fantasy books, Alan Brown looks at the front lines and frontiers of the field; books about soldiers and spacers, scientists and engineers, explorers and adventurers. Stories full of what Shakespeare used to refer to as “alarums and excursions”: battles, chases, clashes, and the stuff of excitement.
In the latter part of the 20th century, the science fiction community began to move past its lurid pulp origins and become part of respectable culture. The genre began to leave behind covers featuring bug-eyed monsters and scantily clad maidens and turned toward plots that depended thoughtful scientific extrapolation rather than simply generating thrills. Of course, as Alan E. Nourse shows in the collection Tiger by the Tail, those stories can still be fun and compelling.
Shifter romances are a thing. A big, exuberant, all the fun and hot sexy shifter guys (and gals and even nonbinaries) you can eat thing. They’re usually written by pseudonymous authors—and some of those pseudonyms may actually be a consortium of writers writing in the same universe with interconnected characters.
Like shifter cozy mysteries, shifter romances feature one or more shifters per novel and per universe. Romances, unlike cozies which can stretch out the attraction through a whole series, traditionally wrap up the love story within a single volume. The point of the story is the relationship, and it must end in “HEA”—Happy Ever After.
That doesn’t mean there can’t be series set within the same universe. Think Bridgerton. Each member of a family gets their own story and their own romance. The rest of the family will move in and out and even play major roles in the overall plot, but again, the relationship is the focus.
Shifter romances can feature any human-to-animal transformation you can imagine, and maybe a few you can’t. Real-world or mythical, anything goes. As witness Elva Birch’s six-book series (with book 6 coming out this summer), Royal Dragons of Alaska.
This Week in Reading The Wheel of Time, we are covering Chapters One and Two of The Path of Daggers. These are from Aviendha’s perspective, which is nice because we get fewer chapters from her than we do from Nynaeve or Elayne. Min and Aviendha are central characters in the story, but slightly less main characters than Elayne and the Two Rivers folks. Aviendha is so interesting as a character, too, and she is undergoing a lot of changes in short order, rather like the Two Rivers crew did in the first few books.
First: Did you watch Boots Riley’s Sorry to Bother You? Because if you didn’t, you should. It might—might—give you some idea what you’re in for with I’m a Virgo, the writer-director’s new series about a 13-foot-tall Black man from Oakland who, after spending much of his life hidden, ventures out into the world for the first time.
Also Walton Goggins plays a superhero who seems like a real pain in the ass? If this combination of details isn’t enough to pique your interest, I’m not sure what to say.
As my readers may have deduced, I read a lot of science fiction. It happens that I also seek out and enjoy material I tend to think of as SFF-adjacent, books that share some important theme or element with science fiction and fantasy. Perhaps examples will make what I am talking about clearer…
Marvel is no stranger to putting out behind-the-scenes featurettes about the making of their films. Those videos, however, are polished affairs, while the twenty-five minutes of footage Karen Gillan released about her time working on Guardians of the Galaxy Vol. 3 are decidedly, wonderfully, not.
Paramount+, fresh on the heels of a new trailer for the second season of Strange New Worlds, has put out an extended clip from the show’s second episode of the second season.
To my mind, a road trip is not an exodus or a flight from danger. It can start with one of those things but only transcends to “road trip” status when the danger is over, and the participants are looking for the next thing. Road trips are exploratory and often recreational, more ‘let’s see what’s around the next bend’ and less ‘if we don’t keep moving, we’ll have to eat grandpa.’
Happy one-day-belated Glorious 25th of May! Let’s all sit out on the steps with cups of cocoa in remembrance. (I may have done this already.)
Hans Christian Andersen’s earliest years were marked by extreme poverty. His parents did not live together until nine months after his birth, leading Andersen and others to wonder if his father of record—also named Hans Andersen, a shoemaker—was indeed his father. Highly dubious legends later insisted that Andersen was the illegitimate scion of noble, even royal blood, but if so, noble and royal money was distinctly absent in those early years. His maternal grandmother died in a poorhouse, as did his mother. His (probable) paternal grandfather became mentally ill later in life, and also landed in a poorhouse, leaving his wife and children in desperate financial straits. A cousin landed in jail for begging.
What saved Andersen’s soul, then and later, were fairy tales about magical things like little mermaids.