The story of a freed slave and a robot professor, trying to figure out what it means to be in love while they watch old anime from the 21st century.
Fox 2000 will adapt Children of Blood and Bone, Tomi Adeyemi’s West African-inspired YA fantasy debut, for the big screen, according to The Hollywood Reporter. Temple Hill, the production company behind Love, Simon and the Maze Runner movie adaptations, will produce a script adapted by David Magee (Life of Pi, Mary Poppins Returns) and directed by Rick Famuyiwa (Dope, The Mandalorian). Published in 2018 by Henry Holt & Co, Children of Blood and Bone follows young maji Zélie as she struggles to restore magic to the kingdom of Orïsha following its eradication.
Every so often, a book comes along that I fall in love with entirely. A book that hooks its fingers into my heart and soul and nests there. Last year the novel that did that to the most precise, complete point was Aliette de Bodard’s In the Vanishers’ Palace. Although they’re very different books, this year it looks like E.K. Johnston’s The Afterward is a strong contender.
Johnston is perhaps best known at this point in her career for her Star Wars work (Star Wars: Ahsoka, with Star Wars: Queen’s Shadow forthcoming), but her original fiction has included both the critically-acclaimed contemporary novel Exit, Pursued by a Bear, and the striking science fictional That Inevitable Victorian Thing (which, certain elements of its worldbuilding aside, presents a deeply compelling story of self-discovery and the intersection of romance with responsibility). With The Afterward, she ventures into the territory of sword-and-sorcery, and casts a nod towards the epic fantasy of the late 1980s. The Afterward is set in the aftermath of a successful quest to vanquish an ancient evil, when the fellowship has disbanded and returned to the lives that the quest interrupted, and the responsibilities that come with those lives.
In the fading light of a dying star, a soldier for hire searches for a missing refugee ship and uncovers a universe-shattering secret…
Orphan, refugee, and soldier-for-hire Asala Sikou doesn’t think too much about the end of civilization. Her system’s star is dying, and the only person she can afford to look out for is herself. When a ship called The Vela vanishes during what was supposed to be a flashy rescue mission, a reluctant Asala is hired to team up with Niko, the child of a wealthy inner planet’s president, to find it and the outer system refugees on board. But this is no ordinary rescue mission; The Vela holds a secret that places the fate of the universe in the balance, and forces Asala to decide—in a dying world where good and evil are far from black and white, who deserves to survive?
We’re excited to share an excerpt from the first season of The Vela, a new Serial Box series co-written by Yoon Ha Lee, Becky Chambers, Rivers Solomon, and SL Huang after a concept created by Lydia Shamah. Episode 1—SL Huang’s “A Leisurely Extinction”—will be released on March 6th.
Are you ready to question the nature of reality? Because we have a trailer for Jordan Peele’s reimagining of The Twilight Zone, and it is every bit as unsettling as we hoped, and when that theme music kicks in, we might have screamed a little bit?
The Goblin Emperor was first published in 2014, but I wrote it mostly much earlier than that. In my head, it’s a ten-year-old book, not a five-year-old book; it sometimes feels very far away. Working on another novel set in the same world is a good excuse to revisit The Goblin Emperor and to make a list of my five favorite things.
One of the most celebrated and beloved literary epics in China, Jin Yong’s Legend of the Condor Heroes has been the country’s premier wuxia—a blending of history, martial arts action, and fantasy—for more than half a century. Now, St. Martin’s Press is proud to publish the first English-language translation of the classic saga for U.S. readers, starting with A Hero Born.
In this new biweekly series, we’ll be exploring the evolution of both major and minor figures in Tolkien’s legendarium, tracing the transformations of these characters through drafts and early manuscripts through to the finished work. In this first installment, we’ll focus on Nerdanel, the Noldorin sculptor, wife of Fëanor, and mother of seven strapping sons.
In the published Silmarillion, Nerdanel exists as little more than a background figure. We’re told that she is “the daughter of a great smith named Mahtan,” and that she, like her husband Fëanor, is “firm of will.” For a while, Fëanor is content to seek her counsel, though he isolates himself in all other respects (58), but as she is “more patient than Fëanor, desiring to understand minds rather than to control them,” they soon become estranged. Fëanor’s “later deeds grieved her.” Though she gives him seven sons, and some of them apparently have her temperament, she is left out of any further mention of the family thereafter, except in one instance, when Fëanor is referred to as “the husband of Nerdanel” because the text is specifically interested in that moment with the relationship between Mahtan and Fëanor (61). Nerdanel herself is given no voice.
But who is this Nerdanel? What were her motivations and passions, and why (and how!) does she not fall under the spell of Fëanor’s compelling voice and charismatic spirit? Tolkien does not mention her in his letters, but he does give her quite a bit more attention than we’d originally suspect, if we relied only on the published Silmarillion.
SF writers frequently send their protagonists back in time. Quite often, they send their characters to a time when said characters might be stalked by a dinosaur. If sent to an even earlier time, characters might be menaced by a Gorgonopsid (though I am unaware of any such excursions; perhaps someone needs to write one). The earliest fauna that might endanger protagonists would have to be Cambrian. Perhaps a swarm of ferocious thirty-centimeter Peytoia nathorsti?
Ah, the Cambrian. 541 million years ago. Brings back memories. Not that I was there, mind you. Memories, rather, of the olden days when we believed that the Cambrian Explosion was the very fons et origo of complex life. Now we know that while the Cambrian Explosion was definitely a significant event, it doesn’t seem to have been the only time the planet dabbled with complex life vaguely analogous to modern forms.
I’m very pleased to announce that Tor.com Publishing has acquired Finna, a new science fiction novella from Nino Cipri. When an elderly customer at a big box furniture store slips through a portal to another dimension, it’s up to two minimum-wage employees to track her across the multiverse and protect their company’s bottom line. Multi-dimensional swashbuckling would be hard enough, but our two unfortunate souls broke up a week ago.
Can friendship blossom from the ashes of a relationship? In infinite dimensions, all things are possible.
Well, I hope you’re all prepared for Dalinar being an absolute twit, because in this chapter he’s putting his hat in the ring for the award of All Time Worst Husband Ever. He also gets highly equivocal ratings on the Dad front; at least there are some upvotes in that category to balance the downers.
Series: Oathbringer Reread
Welcome back to the Lovecraft reread, in which two modern Mythos writers get girl cooties all over old Howard’s sandbox, from those who inspired him to those who were inspired in turn.
This week, we’re reading Jennifer Brozek’s “Dreams of a Thousand Young,” first published in 2014 in Innsmouth Free Press’s Jazz Age Cthulhu collection. Spoilers ahead.
Series: The Lovecraft Reread
A novice assassin is on the hunt for someone killing their own in K. A. Doore’s The Perfect Assassin, a breakout high fantasy beginning the Chronicles of Ghadid series. The Perfect Assassin is available March 19th from Tor Books—and we want to send you a copy!
Divine justice is written in blood.
Or so Amastan has been taught. As a new assassin in the Basbowen family, he’s already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs.
Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, Basbowen’s finest start showing up dead, with their murderous jaan running wild in the dusty streets of Ghadid. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed.
Like a lot of young kids growing up reading epic fantasy, R.A. Salvatore was one of my absolute favourite authors. Less traditionally, my path to becoming a Salvatore fan wasn’t through his popular Drizzt books (though I’d read and enjoy those later), but rather through his other brilliant epic fantasy, the DemonWars Saga. Over its seven books—comprised of two main trilogies and a bridge novel—DemonWars tells the harrowing, heartbreaking story of Corona, a world gifted with magical stones, the complex socio-political makings of its church, and the legendary Jilseponie Ault, who climbs her way from humble beginnings to become the most powerful magic user in the world. Mortalis, the fourth book that bridges the two trilogies, remains to this day one of the most affecting and beautiful novels I’ve ever read—it helped show a 17 year old reader that epic fantasy could be at once vast and intensely personal.
It was bittersweet to leave Corona behind with the publication of the final book in the series, 2003’s Immortalis—however, over the years, Salvatore has returned to the world, most recently with Child of a Mad God, a new epic fantasy that focuses on a previously unexplored region. It’s an excellent opportunity for long-time fans to return, and also a good jumping on point for new readers. Included with the paperback edition of Child of a Mad God is a novella originally published by Salvatore in 2014 titled The Education of Brother Thaddius. Unlike Salvatore’s previous returns to Corona—which were either set centuries before the DemonWars series, or in parts of the world only touched-upon by the series’ events—this novella is set in the immediate aftermath of Immortalis’s world-changing climax, and, as such, is a delight for long-time fans.
In both my scholarship and my fiction, my mind has been on war of late.
I think that’s why I’ve decided to take a breather from my workloads by queuing up Ridley Scott’s Kingdom of Heaven: The Director’s Cut (2006).
First, I must tell you that I saw Kingdom of Heaven when it first came out in theaters in 2005. It was both disappointing and exhausting: the main arc of the protagonist made no sense, the pacing was odd, and the historical events were portrayed, well, super wrong. Also, and I must get this out of the way upfront, I’m not a fan of Orlando Bloom in this kind of role. I don’t know what Hollywood was thinking by casting him as a crusader knight. It’s especially odd when so much of the rest of the cast is perfection.
Anyway, I saw it in the theaters, was very much not impressed, and that was that.
But then you, my dear readers, in comments to previous Medieval Matters columns, asked me again and again to review Kingdom of Heaven: The Director’s Cut. It’s better, y’all insisted.
So fine. Let’s give this a shot. God wills it!
Series: Medieval Matters
The Science Fiction and Fantasy Writers of America (SFWA) is pleased to announce the finalists for the 2018 Nebula Awards, including the Ray Bradbury Award for Outstanding Dramatic Presentation, the Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book, and for the first time, the Nebula Award for Game Writing.
The winners will be announced at SFWA’s 54th annual Nebula Conference in Los Angeles, CA, which takes place from Thursday, May 16th through Sunday, May 19th at the Marriott Warner Center in Woodland Hills, CA.