A dark, fast-moving novelette about a high-tech heist in future Spain, planned by a professional thief interested in revenge more than money. The object in question is in the hands of a dangerous crime lord.
Strange Exit is Parker Peevyhouse’s second novel. In her first novel, Echo Room, she explores the depths, twists, and turns of the human mind in a sci-fi escape room setting. In this story, she continues along that same vein against the backdrop of a virtual reality machine aboard a failing spaceship.
The story opens with a 17-year-old Lake walking the streets of a post- Nuclear Winter San Francisco in search of survivors to save. The roads are mostly empty. Her encounters with others are few and far between, but she doesn’t give up. No matter how things appear, she knows there are more survivors and that it’s up to her to rescue them. She tries her luck at what’s left of the San Francisco Zoo. There are no animals left, but she comes across a boy named Taren and his dog in the Tiger House.
News broke last Friday about the passing of Neil Peart, the drummer, lyricist, and philosophical heart of the Canadian band Rush. His departure from the circles of our world far, far too early (he was a mere 67) has left many of us grieving in ways that celebrity deaths normally do not. There’s a kind of shockwave effect running through the fandom. And here’s the thing: the guy was extremely private (in a band known for its privacy). It’s hard to miss the man himself—none of us knew him personally. Peart himself wrote, speaking of his adoring fans, “I can’t pretend the stranger is a long-awaited friend.” But losing that secluded presence of a man who produced what he produced—that we can grieve.
But wait, what business does this tribute to a rock legend—yea, even one counted among the greatest drummers of all time—have on a site devoted primarily to science fiction and fantasy? If you’re familiar with Rush, you already know why. And if you don’t, please indulge me.
The Mandalorian showrunner and director Jon Favreau recently caught this moment of Star Wars creator George Lucas cradling the wee Baby Yoda.
Intergenerational tenderness! You love to see it.
Batman’s debut in Detective Comics #27 in 1939 was a massive hit, so much so that National Periodical Publications gave him his own title in 1940, though he also continued to star in Detective Comics.
Batman’s villain in the debut issue of his eponymous comic was the Joker. The story of the character’s creation is a he said/he said mess among Bob Kane, Bill Finger, and Jerry Robinson, but they all at least agree that the Joker’s look was inspired by Conrad Veidt in the 1928 movie adaptation of Victor Hugo’s The Man Who Laughs and a joker playing card.
He quickly became Batman’s arch-villain, and has remained so for eighty years.
As we get ready to revisit the 24th-century future in Star Trek: Picard , and still eagerly await the USS Discovery’s jump to the 32nd-century in season 3 of Star Trek: Discovery, we can’t help but look further ahead in our current timeline to even more Star Trek television…
According to a statement made by Trek producer Alex Kurtzman at the Television Critics Association last week, “There are two more live-action shows that haven’t been announced yet” beyond Picard, Discovery, and the as yet untitled Section 31 series. So what are those two shows? With a dash of speculation, mixed with facts and topped off with a degree of intrepidity, here are five possible live-action Star Trek series that could materialize sometime in the next few years.
Does everyone else remember the summer of 2008? When the first Iron Man came out, and people were ecstatic about how great Robert Downy Jr., was as Tony Stark, and then like two months later he showed ridiculous range in Tropic Thunder (while also doing a cool riff on his dad’s classic indie film, Putney Swope) and then like a year later Guy Ritchie’s Sherlock Holmes adaptation came out, and RDJ was great in that, too?
It looked like the beginning of an incredible career resurgence for RDJ—and then the MCU happened, and it all worked even better than we’d hoped! But after a decade of Iron Man, we were excited to see what big project RDJ would tackle for his first big post-Stark role. Would he go prestige drama? Indie? Over-the-top comedy a la Tropic Thunder?
Or… would he cobble together a collection of his Holmes’ tics—with an accent that veers wildly between “the one he used in Restoration,” “almost-Jack-Sparrow,” and “not-quite-Mrs.-Doubtfire”—and valiantly attempt to portray a depressed, grief-stricken widower in a scene where a polar bear and an ostrich argue in voices provided by Kumail Nanjiani and John Cena?
Join me, on a perilous journey: an attempt at reviewing Dolittle.
City Under the Stars completes a journey undertaken by Gardner Dozois and Michael Swanwick 25 years ago, when they published the novella The City of God. Over two decades later, the two realized there was more to the story, and began the work of expanding it. Now, after Gardner Dozois’ tragic passing, the story can be told in full.
City Under the Stars publishes in August 2020 with Tor.com Publishing—we’re thrilled to share the cover below.
With Star Wars: The Rise of Skywalker now out in theaters, all eyes are on Disney to figure out what form Star Wars will take when it hits theaters next. The company has a number of irons in the fire, and is reportedly adding in another one: The Hollywood Reporter says that Lucasfilm has approached Taika Waititi to come up with a film for the franchise.
Please, please, please let this be an IG-11 origin story.
AMC announced today that its Walking Dead spinoff series World Beyond will debut on Sunday, April 12th.
Ever since Watchmen ended its nine-episode run on HBO in December, fans of the series have wondered if and when the series would come back for a second season. Speaking to USA Today earlier today, showrunner Damon Lindelof quashed those hopes, saying that he’s not interested in returning to the world for more.
It is 2017. A woman named Signe sails her beloved boat across the treacherous waters of the North Sea from her hometown in Norway to the idyllic city in France where her ex-lover lives. She has something to show him. Something about the life with her—and the survival of the world—that he has thrown away.
It is 2041. David and his young daughter Lou arrive at a refugee camp in Bordeaux. Their home in Southern France is in flames, besieged by years of drought that even the desalination factories can’t redress. David is sure his wife and baby son will find them there, is sure it will rain any day now. He just has to keep Lou distracted in the meantime.
It is 2020. The English translation of Norwegian author Maja Lunde’s sophomore novel, The End of the Ocean, is released as massive fires sweep Australia, destroying communities and ecosystems in their wake, and pumping 400 million tons of carbon into the atmosphere. Temperatures rise, precipitation patterns shift. Sea levels rise as ice sheets melt. Somehow, we are still calling this science fiction. Lunde’s novel attempts to provide a new way of seeing these horrors, one that recognizes the duality of a humanity that both forged and seeks to remedy their own destruction, sometimes simultaneously.