There’s a lot of pressure on the (hopefully) first season of The Sandman. The show had to cover the first two major arcs of an iconic comics series, introduce dozens of new characters, and multiple fantasy realms, all while finding a consistent tone in a story that starts as a series of episodic chapters before turning epic, and starts as horror before turning into fantasy. (They also had to ditch a bunch of DC Comics continuity.) And, just as the comics had to do back in the ‘80s, the show needed to find a way to keep people invested after the bloody meatgrinder of John Dee’s visit to the 24-hour diner.
In the comics run, Issue #8, “The Sound of Her Wings”, is when The Sandman becomes The Sandman. It reestablishes the story’s theme, gives us new empathy for Dream, and introduces Dream’s sister, Death. It’s also a nigh-perfect issue, a compact jewel of a story that feels enormous. So in the midst of the pressure to get The Sandman as a whole right, the episode that adapted “The Sound of Her Wings” needed to capture a certain spirit to lead viewers onto solid ground, and send them off into the second half of the season.
I think Episode Six does this beautifully well, and it does it through tiny choices in adaptation.