A grieving mother wakes up to find all traces of her lost son have been erased as if he had never existed. Only in the hallway mirror is she able to see a glimpse of the reality she remembers having lived—the reality she wants back.
The Counterworld
A grieving mother wakes up to find all traces of her lost son have been erased as if he had never existed. Only in the hallway mirror is she able to see a glimpse of the reality she remembers having lived—the reality she wants back.
A two-person crew embark on a mind-bending deep space mission inside a living wormship capable of burrowing through space. What lies on the other end is unknown—as is what they will do once they get there.
A man is offered the opportunity to partake in an exclusive, subscription-based eating club for those who wish to dine on human flesh. But he may have bitten off a little more than he can chew.
Graff isn’t quite human. His people move through the galaxy collecting memories and experiences, recording their lives and passing them on. Then, one day, he breaks: he discovers a chunk of his memory is missing. This should be impossible—he’s never forgotten a moment in his life. Now, he has to learn to forget, and to remember, and this has consequences for all his people, his culture, and his whole world.
A talented bookbinder is tasked with creating a copy of a text so inflammatory it threatens to alter the very existence of Truth itself.
Judge Dee must himself stand trial before his fellow vampires for the loss of a valuable manuscript, even as those vampires are murdered, one by one, by an unknown hand.
Our scene opens in a New York Diner—the kind that would have been bustling at 3:00am only a few years ago, but in our rent-hiked, COVID-ravaged city only a few people are sitting. They’re engaged in a heated discussion—or at any rate, two of them are, while a third seems to shrink into a corner of their shared booth. One man is short, boisterous, flinging his hands with each word. When he laughs his whole body shakes as if he’s being electrocuted. The person he’s yelling at is taller and broader, leans back laconically against the naugahyde, his mouth in a permanent smirk. Their companion is lean, soft-spoken. For some reason, his face is nearly always obscured. Sometimes he appears to be listening to another conversation entirely.
[The following totally real conversation contains spoilers for Ant-Man and the Wasp: Quantumania]
I’ve officially become An Audiobook Person. It wasn’t a sudden conversion—I’ve been listening to podcasts for years, but there was a time I couldn’t imagine listening to fiction in the same way. Then I started adding non-fiction audiobooks into the mix in my library queue, and I loved it. It was a whole new world; then at some point, I finally tried listening to a few fiction audiobooks, and… it took some getting used to, honestly. I bounced off of a few attempts, and at first I didn’t like surrendering so much control to the narrator, letting their phrasing and their interpretations of the characters’ voices influence my impressions. It felt a bit like getting the story secondhand, filtered through someone else’s mind, like the mental equivalent of reading somebody’s aggressively highlighted copy with notes scribbled in the margins.
But I did like being able to catch up on reading while I was packed into an overcrowded, standing-only subway car, or making dinner, or going for long walks. The more I listened, the more I got used to it—but also, I learned what works for me and some things that don’t (more on that in a bit), and I started to appreciate what a talented narrator can bring to the experience. I think I started really listening to fiction in earnest in 2015 or so, and now I have favorite series and favorite audiobook narrators, people whose names I’m always happy to see when I’m searching for something to read/listen to.
Most Canadians, presented with an untouched forest, would be filled with quite reasonable questions:
Truly, it is said that to see old-growth trees is to reach for one’s chainsaw. Science fiction and fantasy authors, being of the curious bent that they are, suggest there may be other uses for forests. Of course, they’re wrong, but it sure is interesting to read about such odd opinions. Here are five different takes on forests.
Dora has a secret desire—to find where her brother went after he died…
We’re thrilled to share an excerpt from The Curator by Owen King, out from Scribner on March 7th.
Head below for the full list of fantasy titles heading your way in March!
“The Shipment”
Written by Chris Black & Brent V. Friedman
Directed by David Straiton
Season 3, Episode 7
Production episode 059
Original air date: October 29, 2003
Date: unknown
Captain’s star log. Enterprise makes for the coordinates provided by Tarquin in the previous episode. A scan of the planet reveals that it’s a sparsely populated colony, which has no planetary defenses, but there are energy readings concentrated in one area.
[You could learn something from them—patience, for example…]
There’s “dark academia” and then there’s Mona Awad’s Bunny, a novel about an MFA program whose students have some decidedly atypical ideas about how to approach the writing workshop. Published in 2019, Bunny is having another moment in the sun thanks to BookTok, where videos about the novel have been viewed more than four million times.
In a “competitive situation,” according to Deadline, Bad Robot snapped up the rights to transform Bunny into a feature film.
February brought a host of new short science fiction, fantasy, and horror from big names I’ve followed for a long time. But there’s always room for new discoveries, and a handful of emerging and new-to-me writers also cracked my ten favorite short stories. The theme this month: finding hope in the face of disaster.
It will come as no surprise to most SFF fans to find that living in an underground silo after some sort of apocalypse isn’t exactly a cakewalk. Silo, the latest series to explore this miserable existence, is based on the books by Hugh Howey (the show was formerly known as Wool, after the first book in the series).
When I started lining up readings for this chapter on Shapeshifters Who Are Not Werewolves, the first book series I thought of was Jennifer Roberson’s chronicles of the Cheysuli. It began with Shapechangers in 1984 and ended in 1992 with the eighth volume, A Tapestry of Lions. It’s a classic of its genre, and I welcomed the chance to reread it.
When I first read these books, when they were new, I read them for the pleasure of living in a new fantasy world. Now that we’re both a fair bit older, I’m delighted to report that the books hold up. There are things about them that are of their time, as we’ve been known to say, but I don’t have to talk about that here in the Bestiary. I get to focus on the best part: the shapechangers.
There are things each generation has to learn for itself, and it’s time for the next generation to learn about the great artists Donatello, Michelangelo, Leonardo and Raphael. Yes, friends: The Teenage Mutant Ninja Turtles have returned (or been reborn? re-hatched?) in Teenage Mutant Ninja Turtles: Mutant Mayhem. This time, we have “permanent teenager” Seth Rogen to thank; he produced this nifty-looking new turtle tale, which boasts a laundry list of excellent voice actors and what seems to be a pretty endearing young cast of turtles.
Photo: Sergey Zolkin [via Unsplash]
There’s so much negativity in the world in which we live, and the internet only seems to exacerbate our unfortunate tendency to spotlight faults and shortcomings rather than looking on the brighter side of life. In the name of the optimism and positivity for which I am famous, I’d like to redress the balance. Consider the infamous H. H. Holmes.
These days, discussion of Holmes tends to focus on his more regrettable and extremely murderous proclivities, but in his way, Holmes was also an architectural visionary (depending on which accounts you believe—at the very least, Holmes’ “Castle” contained some hidden rooms, though it’s thought that they were mostly used to hide bits of furniture he hadn’t bothered to pay for). So, in the spirit of recognizing Holmes’ dubious achievements in building design and construction, here are five SFF works featuring bizarre and daring architecture!
When storytellers want to see just how far they can push the resolve of their characters, there’s only one place to send them—space. Creed, oaths, and religions come face to face with the inky darkness of the void, and the myriad of friends, foes, and otherwise that they’ll find on each new planet’s surface. Our protagonists’ resolves and bodies are tested in the heat of laser sword based combat and the cold of an ice clad moon—and sometimes while being chased by popcorn aliens while working jobs to pay their impossibly large debts to a multi-solar conglomerate. It’s all par for the course with these renegades, rogues, scoundrels, and space detectives.
Fortunately, this particular sliver of science fiction has been well explored in audio fiction podcasts, and there are days worth of stories available to be delivered right to your ears. Here are four space podcasts that will make you want to venture off into the stars.
The upcoming season of Star Trek: Discovery will be the final one for the series.
Time’s stopped. Guess we should ponder the effects of existence on mortal form.
Most Canadians, presented with an untouched forest, would be filled with quite reasonable questions:
Truly, it is said that to see old-growth trees is to reach for one’s chainsaw. Science fiction and fantasy authors, being of the curious bent that they are, suggest there may be other uses for forests. Of course, they’re wrong, but it sure is interesting to read about such odd opinions. Here are five different takes on forests.
It opens with a departure. From the opening pages of her novel Our Share of Night, Mariana Enriquez brings the reader into the visceral lives of her characters, zeroing in initially on a man named Juan who’s pondering the heat outside and taking preventative steps for “the headache he wasn’t feeling yet.” He wakes his young son Gaspar and they set out on a long journey—one that Juan is convinced that they must make. That journey begins in Buenos Aires. The year is 1981.
Depending on your knowledge of Argentine history, that combination of time and place might set off a few alarms.
Natalie Haynes is a comedian, writer, and broadcaster, and along with Professor Dame Mary Beard, is probably at the moment the UK’s most well-known female classicist. Stone Blind is her third novel to draw directly from the well of classical mythology, after A Thousand Ships and Jocasta’s Children, and in Stone Blind Haynes turns her gaze on Medusa, the mortal Gorgon, daughter of Phorcys and Ceto.