When an illicit trade deal goes wrong and Quandary is blamed for it, she goes on the run to avoid the crosshairs of a bioengineered killer that only lives for 24 hours. If Q can evade it for that long, she just might survive.
The Dune: The Sisterhood series is moving forward at HBO Max! The show that centers around the origin of the Bene Gesserit already had writer and co-showrunner Diane Ademu-John attached (with Alison Schapker as the other showrunner), and now also has two actors lined up for leading roles.
If you’ve seen Matt Reeves’ The Batman (pictured above), you know that Barry Keoghan makes an appearance as an inmate in Arkham who will clearly become the Joker. Keoghan, however, originally wanted to play another character in Reeves’ Batverse, and sent the director an unsolicited audition tape reflecting that.
It’s a classic romantic trope: a marriage is arranged for political reasons, and despite initial feelings or inclinations, the two strangers begin a slow spiral into each other’s hearts. In A Strange and Stubborn Endurance, author Foz Meadows imbues this familiar story with enough twists and turns and thoughtful examinations to render it almost entirely new—a queer romance for the ages. A secondary world fantasy of intricate politics, hierarchies of power and culture and magic, plus two exquisite leads that brim with life, this slow-burn novel may have the flame low, but that doesn’t mean that it doesn’t burn hot.
For the first time ever, the 2002 feature Godzilla Against Mechagodzilla will grace theater screens in the United States for one day.
Everyone currently freaking out about the new Interview With the Vampire TV show, have I got a novel for you. While Alexis Henderson’s latest dark fantasy novel House of Hunger is only vampire adjacent, it’s sexy and queer and monstrous and very bloody.
In the final paragraphs of the 1977 short story “The Screwfly Solution” by Raccoona Sheldon (aka James Tiptree Jr, aka Alice Bradley Sheldon), the world has succumbed to an apparent plague of violent misogyny, leaving the story’s protagonist, Anne, the last woman alive. Scuttled away into hiding by one of the few men immune to the “femicidal” wave sweeping humanity, Anne cuts her hair, dirties her face, and disguises herself as a boy. She only ventures into society when she absolutely must, often gambling on whether she passes well enough to slink by the detection of a store clerk when she purchases supplies. The threat of discovery hangs heavy—Anne’s safety, her life, balancing on the gendered expectations of a man she doesn’t know.
As a trans woman, I know this threat. It’s a feeling I’ve felt in gas stations in rural Oregon on the mornings when I forgot to shave. It’s a feeling I’ve felt whenever I enter the women’s room in a rest stop off I-94. It’s a feeling I’ve felt when my girlfriend reminds me to let her do the talking when we check into a hotel in Wyoming.
Marvel just keeps bringing Michael Waldron back. The writer came into the MCU with Loki, stuck around for the turgid Doctor Strange in the Multiverse of Madness, and now will continue his turn in the multiverse with Avengers: Secret Wars, which will close out Marvel’s Phase Six.
Yes, sure, it’s very tidy that the man who brought Kang (Jonathan Majors, above) into the Marvel world will presumably see him out again. But this is not, shall we say, an inspired choice.
Welcome back to Reading The Wheel of Time and the last week of Lord of Chaos! It’s just the epilogue this week, which is remarkably short by Robert Jordan standards. Still, we get some tasty little teasers of what’s to come in the next book. I must confess, I did not expect Moghedien’s escape!
Series: Reading The Wheel of Time
At the end of 2020, Marvel announced that Don Cheadle would return to the role of James Rhodes/War Machine in Armor Wars, a Disney+ series. Two years later, the battlefield looks a little different: We’ll see Rhodey next in Secret Invasion, which comes to Disney+ next year. And Armor Wars is on the way to the theater instead of your living room.
The nominees for the 2021 Shirley Jackson Awards have been announced! The awards recognize “outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic.”
This year, the winners will be announced October 29th at an in-person ceremony at the Boston Book Festival that is presented in partnership with Readercon. Elizabeth Hand and Paul Tremblay will host the ceremony.
Congratulations to all the nominees!
I recently reached a long-awaited milestone: my child became old enough to watch ‘90s witch classic The Craft with me. Remember that scene where unstable-goth-icon Nancy explains the nature of their deity, Manon? If God and the Devil played football, she explains, eyes alight with teenage mania, Manon would be the field they played on.
And because I’m always teaching and thinking about narrative—and because even if I show my tween “edgy” movies, I’m a nerd—I thought: that’s exactly how place functions in stories. Character and plot are here tossing the ball (or whatever football players do), but they don’t exist without place.
I don’t mean that in a literal sense—that a story needs a stage on which to unfold. I mean that place infuses and animates everything; I mean that place is an embodiment of character and conflict.
Series: Five Books About…
With the heart of an Atwood tale and the visuals of a classic Asian period drama, Nghi Vo’s The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.
This week download a FREE copy of The Empress of Salt and Fortune—Volume 1 in the Singing Hills Cycle series by Nghi Vo.
Sonya, former poster girl for the Delegation, has been imprisoned for ten years when an old enemy comes to her with a deal: find a missing girl who was stolen from her parents by the old regime, and earn her freedom.
We’re thrilled to share an excerpt from dystopian science fiction novel Poster Girl by Veronica Roth, out from William Morrow on October 18.