Orna, a representative of a universe-wide trade union, undergoes a drastic change in perspective while investigating the disappearance of three planets and their inhabitants on a newly terraformed world.
Now We Paint Worlds
Orna, a representative of a universe-wide trade union, undergoes a drastic change in perspective while investigating the disappearance of three planets and their inhabitants on a newly terraformed world.
Auga, a wandering sorcerer, follows his brother’s fate-thread into the village of Ormsfjoll, where he expects to deliver good news and continue his travels. What he doesn’t anticipate is that to meet his brother he must first contend with the truth at the heart of the volcano that wreaks havoc on Ormsfjoll.
When young Ira arrives for her appointment, she is prepared to be transported to The Gateway to Heaven, 6,070 light years away. But the technicians shepherding her through the process fear there’s more to it than what’s advertised.
“The Far Side of the Universe” was translated from Chinese by Michelle Deeter.
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This is a prequel to “Sinew and Steel and What They Told”, published in 2020 and available to read here.
Graff’s official role is muscle for the Visigoth – but his personal mission is internally cataloguing all of his experiences to relay to the other beings from his home planet when they cross paths. His professional life rarely clashes with his identity, but when he realizes his newest job is to take down one of his kind, everything becomes a bit less simple.
For over 25 years, the Wild Cards universe has been entertaining readers with stories of superpowered people in an alternate history.
Nine years after the ace John “The Candle” Montaño first wielded his fire powers as a teenager on the reality TV show “American Hero”, he’s landed a job as the lead investigator for a prestigious arts insurer. His latest assignment, providing security for a traveling art show featuring Satchmo’s golden trumpet, threatens to be a disaster when some of John’s long-buried secrets come calling with a vengeance.
Nothing tears two women apart like the men who want and take indiscriminately. In this retelling of “The Crane Wife”, a makeup artist and her actress lover struggle to stay together as the glitz and glamour of old Hollywood transforms into a cruel and manipulative beast that threatens to pluck them apart.
Content warning: This story contains fictional depictions of domestic violence.
In the years following World War II, Americans celebrated the end of a global war and a recovery from a previous decade of economic crisis by producing an astounding number of children, with consequences that are still unrolling to this day. It was a veritable explosion in birthrates—someone should invent a snappy term for it. Maybe the Big Bang Theory?
This focus on children was reflected in the American science fiction of the day. Many post-war SF tales used the challenges of parenthood to illuminate the anxieties of the era. These five works can serve as examples.
Fans were introduced to the Marvel Cinematic Universe’s iteration of Natasha Romanoff in 2010, and not a year went by when the studio wasn’t asked the same sad question: Where’s our Black Widow movie?
It took too long to get here. Thankfully, it has been worth the wait, and now the only sadness that lingers is the bitter knowledge that we won’t be getting more of these films. Because Black Widow proves that Natasha always had what it took to hold up her own corner of the MCU and then some—it just took the assembling (ahem) of a team that cared enough to tell her story.
[Minor spoilers for Black Widow.]
Reading poetry sometimes feels like battling a giant squid: overwhelming, disorienting, and more than a little slippery. Poems can be elusive beings, evading comprehension and dissection. When you take an already chimeric beast and give it appendages of fantasy, science fiction, horror, or mythology—well, then it becomes another monster entirely.
Even just a few years ago, I would steer clear of poetry tables at book festivals, feeling that it was too frustrating of an artform to fully grasp. But now writing and reading poetry is a weekly pleasure for me, and I recently read the 2021 Rhysling Anthology—which specifically celebrates speculative poetry—from cover to cover.
Last time out, I believe I mentioned Jo Spurrier’s Winter Be My Shield, and mentioned that I’d be reading the next two books in the “Children of the Black Sun” trilogy as soon as I could get my hands on them. Those books are Black Sun Light My Way and North Star Guide Me Home, and they are just as good, if not better, than their predecessor.
Have you ever dug your hands down into real, rich dirt? Like say you’re gardening or planting a tree, and you push your hands down into layers of loam and crumbly black dirt, and you found roots, and bits of stone, and maybe some confused worms? And if you’re not wearing gloves—maybe you like the feeling of dirt on your hands—you can feel the strata of warm and cool earth as you push your fingers down and down and down? You can feel how far the sunlight reached? And then you have dirt in your cuticles and under your fingernails for hours no matter how much your scrub at them?
Reading Matt Bell’s Appleseed is like that.
Should you save a world that doesn’t want to save you?
We’re thrilled to share an excerpt from We Light Up the Sky, a new novel from author Lilliam Rivera about an alien invasion seen from the perspective of three Latinx teens—publishing October 5th with Bloomsbury.
SFF made quite the strong showing in this year’s Emmy nominations. The Mandalorian tied with The Crown for the most nods this year (24 each), and WandaVision is just a step behind (23). The Handmaid’s Tale and Lovecraft Country are also in the double digits, with 21 nominations for Handmaid‘s and 18 for Lovecraft.
The WandaVision nods mark the first time Marvel has been recognized by the Emmys, and include nominations for stars Elizabeth Olsen and Paul Bettany (and, of course, the sublime Kathryn Hahn).
Red pandas are one of the greatest animals in existence. This is just facts.
They also have very pointy little faces that aren’t remotely human-like, and when you mash up those pointy little faces with human features, you get… well, you get Turning Red, Pixar’s upcoming feature about a girl who turns into a red panda when she gets excited.
Except she kind of just turns into a giant red bear.
It’s been a while since we got our first glimpse of Denis Villeneuve’s adaptation of Frank Herbert’s novel Dune. The film was delayed for a year due to the COVID-19 pandemic, and as such, Warner Bros. has had to spool up its PR campaign once again.
It looks like that’s about to start off with a new trailer — but there’s a catch. It won’t be available to watch on the internet at first, but as a dedicated screening in a select number of IMAX theaters.
I’ve read so many books, and I remember almost none of them. Plots, characters, worlds—they’re gone the moment I close the page. Just the other day my spouse asked me if I’d read any Bridgerton books, and I said quite confidently that I never had—only later to see that I’d written a review of one of them just the week before. I used to feel pretty bad about this! Surely if you were reading properly you were reading critically. How dare I say I liked a book if I couldn’t even remember what it was about?
Eventually, though, I cottoned onto the fact that I read fiction for the immediate emotional experience. If a story doesn’t stir an emotional reaction in me, it’s as if it doesn’t exist. Even for stories I’ve loved, sometimes all I remember is a certain tenor of emotion. A strength of feeling. Which is how it can be simultaneously true that one of the most fondly-remembered books of my childhood was also one that I’d forgotten entirely. I couldn’t remember the title, author, or even what it was about. But what I remembered was the figure of someone who had a male body, but was not male—a father who was not a man—and a powerful feeling of recognition and yearning. Somewhere in those forgotten pages, I had seen not just myself—but also something I wanted for myself.
Friends. Friends! We did it. Part 35 of Reading The Wheel of Time. Chapter 56 of The Fires of Heaven is finally here. It’s been an interesting chapter to recap. When I read it, I actually didn’t realize that it’s so short—not that much really happens in it. And yet it feels less like a conclusion than some of the previous books’ final chapters did, and more like the promise of what’s to come. It’s a bit like the first five books in the series have been learning to climb a mountain, and now we’ve reached the peak and are looking out over the rest of the range we have to traverse.
I wonder if that is how Rand feels, too. So much of his journey so far has just been staying alive long enough to accept his identity, and then he had to detour away from strictly Dragoning in order to do all the Aiel stuff. Now he’s back in the thick of it, playing Daes Dae’mar, dealing with courts, nobles, and the representatives of rulers. What he’s doing now feels like it’s going to be a lot of what’s to come.
But I’ll save the rest of those thoughts for after the recap. Come weary traveler, let’s take a moment with Rand to just stand in a window and muse on everything that has happened.
[Why should another man be hunted down and killed or gentled because he can do what I can?]
Tor.com is thrilled to be in collaboration with FIYAH Literary Magazine and the LeVar Burton Reads podcast for a writing contest! If you write science fiction, fantasy, or horror, this is your chance to get your work in front of LeVar Burton, legendary Reading Rainbow host, actor, podcaster, and all around excellent human. One winning story will be featured in Season 10 of LeVar Burton Reads.
Deadline is reporting that Morgan Freeman and Lori McCreary’s Revelations Entertainment has picked up the rights to Brian Lumley’s long-running Necroscope series. From the looks of it, the studio is intending to build out a bigger science fiction/horror franchise that will be spread out across a variety of mediums, including television, video games, graphic novels, and more.
When the inevitable labor dystopia comes crashing down around our ears, I can only hope that the future humanity builds out of the rubble resembles the world in A Psalm for the Wild-Built.
This cozy novella follows Sibling Dex, a nonbinary tea monk as they journey through Panga. They have a cart, a full selection of herbs and tea accoutrement, pillows, and a kind ear to lend. They’re not necessarily a therapist, but slightly adjacent. A friendly face who’s willing to listen to your troubles, offer you a nice cuppa, and give you a chance to rest.
Yes, you read that right: On top of the Amazon TV series, there’s also a Wheel of Time movie in the works. Three of them, apparently! Thor and X-Men: First Class co-writer Zack Stentz is working on Age of Legends, the first of three movies set millennia before Robert Jordan’s Wheel of Time books.
Walk through the door and leave all your problems behind… but you don’t know what’s on the other side.
We’re thrilled to share the cover for Ashley Blooms’ Where I Can’t Follow, available February 15, 2022 from Sourcebooks Landmark.
Ben H. Winters’ acclaimed novel The Last Policeman is getting a TV adaptation from showrunner Kyle Killen. Deadline broke the news, revealing that the project has a pilot order from Fox for its 2021/2022 season.
Photo: State Library of Queensland (George Jackman, 1935)
Every four years, give or take, allowing for the occasional world war or pandemic, somebody somewhere starts up the old refrain. How can Equestrian be a sport? It’s too easy! You just sit there! Where’s the athleticism? This year there’s a bonus. Celebrity offspring makes the team. Obviously Daddy bought her slot. There’s no way she earned it for herself.
Riding is like writing. It looks much easier than it is. Everybody thinks they can do it if they just get around to it. Dash off some words. Sit on that horse and it carries you around. Simple, right? Easy as pie. [Read more]