An alien invasion comes to one man’s doorstep in the form of a story-creature, followed by death and rebirth in a transformed Earth.
Oathbringer, the eagerly awaited third volume in Brandon Sanderson’s epic Stormlight Archive fantasy series, has debuted at #1 on the New York Times Hardcover Fiction Bestseller list!
Congratulations to the author and his hard-working prep team!
For those who have finished the book and want to talk about the surprises and implications, check out the full spoiler review.
If you’re interested in picking up Oathbringer but aren’t sure how to jump on, here’s a handy refresher of what occurred in the first two Stormlight Archive novels.
A Charlie Brown Thanksgiving is the least of the Big Three Peanuts holiday specials. The Peanuts Gang’s take on Halloween gave us The Great Pumpkin, and A Charlie Brown Christmas became the standard by which all other Christmas specials were judged. When the Gang tackled Thanksgiving, however, there just wasn’t as much to dig into.
Or so I remembered.
But rewatching it, I found that the show packed a surprising amount of depth in between all the Snoopy shenanigans and toast-buttering montages. In fact if you look closely enough, I think you might find a statement about what it means to be an American.
So there’s a Grimm Brothers fairy tale about a mouse, a bird, and a talking sausage who live together. (I am not making this up.) The sausage is the cook. In order to season food, she—yes, she’s identified as a female sausage—jumps into the pan and slithers around, sweating grease and spices on the food.
Anyway, one day the bird decides that the mouse and the sausage have it too easy and they all switch jobs. The sausage goes out to gather wood and is set upon by a dog, who claims (I am still not making this up) that the sausage is guilty of carrying forged letters and thus he is allowed to eat her. The bird sees this, goes home, and tells the mouse. They decide to stay together in memory of their friend the sausage, but then the mouse does the cooking, jumps into the pot like the sausage, and is of course roasted alive. The bird, horrified, accidentally sets the house on fire and drowns in the well trying to get water to put it out.
The moral of this story is presumably that everyone’s job is hard and you should just keep your eyes on your own work, and also that mice are not bright and talking sausages are often guilty of postal fraud.
Netflix’s little corner of the Marvel Cinematic Universe has been focused on more street-level stuff rather than big battles to save the world. The highest stakes we’ve seen have been to save a neighborhood or a city or maybe just a few people, but that’s often enough.
The Punisher both continues that trend and subverts it. Unlike every other protagonist in an MCU film and a Netflix show in particular, Frank Castle doesn’t have powers (Daredevil has his super-senses, Iron Fist has his titular ability, Luke Cage and Jessica Jones have super-strength) or extranormal enhancements (armor, webbing, magic hammer, shrink ray). And nobody really gets saved here, which is fitting, as the Punisher isn’t a hero. What this is more about is exposing corruption.
Show-runner Steve Lightfoot (who is inexplicably listed as the “creator” of the show) takes this all about ten steps further by completely removing Castle from any semblance of the MCU.
We set out on a dangerous mission: to build a better butterbeer. We searched through recipes! We gleaned truths from the Wizarding World of Harry Potter! We scoffed at cream soda! And finally, just in time for a slew of winter holidays, we created and tested four drinks that just might set a new bar for fantasy-based beverages. But perhaps the truth can only be known once each and every one of you has created and tested these recipes? Click through for four of the yummiest—dare we say…magical?—concoctions we could hope to imbibe.
Only one thing is certain.
WE BLAME J.K. ROWLING FOR THE SUGAR HANGOVER WE STILL HAVE.
Now read on, gentle traveler, and join us for some serious DIY Hogsmeade shenanigans.
At Readercon last summer, when I saw that Ada Palmer was hosting a kaffeeklatsch, I jumped at the chance to join in. Having just read her debut, Too Like The Lightning, a few months earlier, I was thrilled at the prospect of having an hour to sit with her and other fans and pick her brain about the vast, complicated world of Terra Ignota and the future of 2454 that she had painstakingly created. During the discussion, someone asked something about how she had written a utopia, to which Ada chuckled for a moment, possibly thinking over all the complications—all the wrenches she’d thrown into the gears, basically—when it came to creating her world. Then, she said, “Well, it’s not quite a utopia, as it is utopian,” which she went on to explain means that while the world itself is utopian in nature, the future itself is far from a perfect utopia. She’s actually gone into a bit more detail about this distinction on her blog, stating:
…[W]hen I talk about a “utopia”—a work intending to depict an ideal future—that is not quite the same as a work which is “utopian” i.e. addressing the idea of utopia, and using utopian positive elements in its future building, while still focusing on people, characters and events, and exploring or critiquing the positive future it depicts, rather than recommending it. 2454 as I imagine it is not a utopia. There are many flaws and uncomfortable elements…. It is using utopia and commenting on utopia without being a utopia.
Which, of course, got me thinking.
I intended to write an “origins of Thanksgiving” post last year, but the release of The Gates of Hell and day-job matters got in the way. I promised in a subsequent “Origins of Xmas” post that I’d do it next year, which a reader has reminded me is now this year … so here we go!
When we think of the historical origins of Thanksgiving, we tend to get an image like the one above.Praying Pilgrims and helpful Indians, amirite? By now we’ve distilled the images even further into simple symbolism that pre-school kids can craft in construction paper. For the pilgrims: black hats with buckles upon them. For the Indians: loincloths and feathered headbands. Turkey with gravy on the table, and nostalgia about peace amid a religiosity of thankfulness.
It’s all lovely, and I quite like Thanksgiving, but its important to distinguish our modern conceptions from the historical realities. Because as quaint as our images are of that “First Thanksgiving,” they’re pretty much all wrong.
Series: Medieval Matters
“It’s time for the Jedi to end.”
Since Luke Skywalker dropped that bomb in the middle of the Star Wars universe in the first trailer for The Last Jedi, questions have been swirling:
Has Luke turned to the Dark Side?
Has he discovered something about the Jedi Order that will redefine what the term “Jedi” means?
Will Rey evolve past the binary Dark/Light Side and become the first (canonical) Gray Jedi?
GIVE US MORE PORGS.
Remember 1988? I don’t, not really—but then, I was two at the time.
People who were older than two in 1988 might remember Helen S. Wright’s A Matter of Oaths. Or then again, they might not: Wright seems to have published precisely one novel (at least, under that name) and at the time, it received little acclaim.
Nigh on thirty years later, republished with a foreword by Becky Chambers, I have to hope its fate will be vastly different. Because A Matter of Oaths deserves your attention. (And it’s one of those books, like Swordspoint, that I honestly didn’t think anyone was publishing in the eighties until I read it.)
Series: Sleeps With Monsters
Spanning two authors and twenty-one books and counting, the Malazan series defines EPIC. With an awesome magic system, fantastic characters and world-building, and more than a couple of very angry gods, it’s a fantasy editor’s dream series. But when there is so much Malazan out there, new readers can’t help but ask “where do I start?”
And that is an excellent question, dear reader. So, I thought it would be best to take this question right to the source. I set out and asked the creators of the world of Malazan, Ian C. Esslemont and Steven Erikson, what they thought was the best order to experience the series. Keep in mind that what they provided is by no means definitive. So with the authors’ and editor’s stamp of approval, here is the best way to get the full Malazan experience.
Binti has returned to her home planet, believing that the violence of the Meduse has been left behind. Unfortunately, although her people are peaceful on the whole, the same cannot be said for the Khoush, who fan the flames of their ancient rivalry with the Meduse.
Far from her village when the conflicts start, Binti hurries home, but anger and resentment has already claimed the lives of many close to her.
Once again it is up to Binti, and her intriguing new friend Mwinyi, to intervene—though the elders of her people do not entirely trust her motives–and try to prevent a war that could wipe out her people, once and for all.
Don’t miss this essential concluding volume in Nnedi Okorafor’s Binti trilogy: Binti: The Night Masquerade, available January 16th from Tor.com Publishing.
Magic is gone, but the Muntjac is ready for its close-up! The ship that takes Quentin on a tax-collecting adventure in Lev Grossman’s second Magicians novel, The Magician King, is likely to play a major role in season three of The Magicians, which is going to involve one heck of a quest: Just a little trip to get magic back, no big deal…
Check out the new trailer for season three, and let the theorizing begin!
Last week’s blog post, which purported to end with Chapter 19, actually covered Chapter 20. This week, we start with Chapter 21, in which Miles and Illyan have a meeting, and Miles’s mother comes home. In Chapter 22, Miles decides to turn ImpSec upside down and discovers a false entry in the evidence room logs.
Reminder: This reread has an index, which you can consult if you feel like exploring previous books and chapters. Spoilers are welcome in the comments if they are relevant to the discussion at hand. Non-spoiler comments should also be relevant to the discussion at hand. Like Earth, Barrayar and other places in the galactic nexus live out sets of cultural practices that range from beautiful to genocidal. Regardless of what may be commonplace as a cultural practice in any place at any time, comments that question the value and dignity of individuals, or that deny anyone’s right to exist, are emphatically NOT welcome. Please take note.
Series: Rereading the Vorkosigan Saga
That one book that changed my life is The Complete Works of Edgar Allan Poe. A brilliant teacher, Mrs. Church, had introduced my small middle-school class to the great poet and writer, and my extreme interest in “The Raven” meant my academic parents were happy to immediately procure a copy of his collected works. This book, a soon tattered and dog-eared paperback, set my course entirely.
I love A Wrinkle in Time. It was my first sci-fi—before AWIT I exclusively read realistic dramas about horses and/or dogs (who usually died by the end)—so encountering a world just adjacent to our own, in a story that merrily hopped across planets, discussed religious faith, philosophy, the concept of individualism, was thrilling to me.
To say I’m excited for Ava DuVernay and Jennifer Lee’s take on it is a vast understatement. I’ll attempt to sum up why I’m jumping up and down in anticipation below, with a list of Five Things I Love. Join me, won’t you?