Head below for a list of genre-bending titles—horror, mystery, short fiction collections, and more—heading your way in March!
Keep track of all the new SFF releases here. All title summaries are taken and/or summarized from copy provided by the publisher. Release dates are subject to change. Check out Tor Nightfire for a more complete list of horror, dark fantasy and weird fiction titles publishing this month, including anthologies, collections, and reissues.
Week One (March 1)
Tell Me an Ending — Jo Harkin (Scribner)
Finn, an Irish architect living in the Arizona desert, begins to suspect his charming wife of having an affair. Mei, a troubled grad school drop-out in Kuala Lumpur, wonders why she remembers a city she’s never visited. William, a former police inspector in England, struggles with PTSD, the breakdown of his marriage, and his own secret family history. Oscar, a handsome young man with almost no memories at all, travels the world in a constant state of fear. Into these characters lives comes Noor, an emotionally closed-off psychologist at the memory removal clinic in London, who begins to suspect her glamorous boss Louise of serious wrongdoing.
The Doloriad — Missouri Williams (MCD x FSG Originals)
In the wake of a mysterious environmental cataclysm that has wiped out the rest of humankind, the Matriarch, her brother, and the family descended from their incest cling to existence on the edges of a deserted city. The Matriarch, ruling with fear and force, dreams of starting humanity over again, though her children are not so certain. Together the family scavenges supplies and attempts to cultivate the poisoned earth. For entertainment, they watch old VHS tapes of a TV show in which a problem-solving medieval saint faces down a sequence of logical and ethical dilemmas. But one day the Matriarch dreams of another group of survivors and sends away one of her daughters, the legless Dolores, as a marriage offering. When Dolores returns the next day, her reappearance triggers the breakdown of the Matriarch’s fragile order, and the control she wields over their sprawling family begins to weaken.
Sundial — Catriona Ward (Nightfire)
You can’t escape what’s in your blood…All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. But Rob fears for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind. She decides to take Callie back to her childhood home, to Sundial, deep in the Mojave Desert. And there she will have to make a terrible choice. Callie is worried about her mother. Rob has begun to look at her strangely, and speaks of past secrets. And Callie fears that only one of them will leave Sundial alive… The mother and daughter embark on a dark, desert journey to the past in the hopes of redeeming their future.
Week Two (March 8)
The Way Spring Arrives and Other Stories — eds. Yu Chen, Regina Kanyu Wang (Tordotcom Publishing)
In The Way Spring Arrives and Other Stories, you can dine at a restaurant at the end of the universe, cultivate to immortality in the high mountains, watch roses perform Shakespeare, or arrive at the island of the gods on the backs of giant fish to ensure that the world can bloom. Written, edited, and translated by a female and nonbinary team, these stories have never before been published in English and represent both the richly complicated past and the vivid future of Chinese science fiction and fantasy. Time travel to a winter’s day on the West Lake, explore the very boundaries of death itself, and meet old gods and new heroes in this stunning new collection.
Week Three (March 15)
When We Were Birds — Ayanna Lloyd Banwo (Doubleday)
In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out. Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger. Yejide and Darwin will meet inside the gates of Fidelis, an ancient and sprawling cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both.
The Cartographers — Peng Shepherd (William Morrow)
Nell Young’s whole life and greatest passion is cartography. Her father, Dr. Daniel Young, is a legend in the field and Nell’s personal hero. But she hasn’t seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over an old, cheap gas station highway map. But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable and exceedingly rare. In fact, she may now have the only copy left in existence… because a mysterious collector has been hunting down and destroying every last one—along with anyone who gets in the way. But why? To answer that question, Nell embarks on a dangerous journey to reveal a dark family secret and discovers the true power that lies in maps
Drowning Practice — Mike Meginnis (Ecco)
One night, everyone on Earth has the same dream—a dream of being guided to a watery death by a loved one on November 1. When they wake up, most people agree: after Halloween, the world will end. In the wake of this haunting dream and saddled with its uncertainty, Lyd and her daughter, Mott, navigate a changed world, wrestling with how to make choices when you really don’t know what comes next. Embarking on a quixotic road trip filled with a collection of unexpected and memorable characters, Lyd and Mott are determined to live out what could be their final months as fully as possible. But how can Lyd protect Mott and help her achieve her ambitions in a world where inhibitions, desires, and motivations have become unpredictable, and where Mott’s dangerous and conniving father has his own ideas about how his estranged family should spend their last days?
Week Four (March 22)
The Impossible Us — Sarah Lotz (Ace)
Bee thinks she has everything: a successful business repurposing wedding dresses, and friends who love and support her. She’s given up on finding love, but that’s fine. There’s always Tinder. Nick thinks he has nothing: his writing career has stalled after early promise and his marriage is on the rocks, but that’s fine. There’s always gin. So when one of Nick’s emails, a viciously funny screed intended for a non-paying client, accidentally pings into Bee’s inbox, they decide to keep the conversation going. After all, they never have to meet. But the more they get to know each other, the more Bee and Nick realize they want to. They both notice strange pop culture or political references that crop up in their correspondence, but nothing odd enough to stop Bee and Nick for falling hard for each other. But when their efforts to meet in real life fail spectacularly, Bee and Nick discover that they’re actually living in near-identical but parallel worlds. With a universe between them, Bee and Nick will discover how far they’ll go to beat impossible odds.
Comeuppance Served Cold — Marion Deeds (Tordotcom Publishing)
A respected magus and city leader intent on criminalizing Seattle’s most vulnerable magickers hires a young woman as a lady’s companion to curb his rebellious daughter’s outrageous behavior. The widowed owner of a speakeasy encounters an opportunity to make her husband’s murderer pay while she tries to keep her shapeshifter brother safe. A notorious thief slips into the city to complete a delicate and dangerous job that will leave chaos in its wake. One thing is for certain—comeuppance, eventually, waits for everyone.
All the White Spaces — Ally Wilkes (Atria)
In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers. When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn maps of the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them. In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape… As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.
Week Five (March 29)
Out There — Kate Folk (Random House)
With a focus on the weird and eerie forces that lurk beneath the surface of ordinary experience, Kate Folk’s debut collection is perfectly pitched to the madness of our current moment. A medical ward for a mysterious bone-melting disorder is the setting of a perilous love triangle. A curtain of void obliterates the globe at a steady pace, forcing Earth’s remaining inhabitants to decide with whom they want to spend eternity. A man fleeing personal scandal enters a codependent relationship with a house that requires a particularly demanding level of care. And in the title story, originally published in The New Yorker, a woman in San Francisco uses dating apps to find a partner despite the threat posed by “blots,” preternaturally handsome artificial men dispatched by Russian hackers to steal data. Meanwhile, in a poignant companion piece, a woman and a blot forge a genuine, albeit doomed, connection.
A House Between Earth and the Moon — Rebecca Scherm (Viking)
For twenty years, Alex has believed that his gene-edited super-algae will slow and even reverse the effects of climate change. His obsession with his research has jeopardized his marriage, his relationships with his kids, and his own professional future. When the Son sisters, founders of the colossal tech company Sensus, offer him a chance to complete his research, he seizes the opportunity. The catch? His lab will be in outer space on Parallaxis, the first-ever luxury residential space station built for billionaires. Alex and six other scientists leave Earth and their loved ones to become Pioneers, the beta tenants of Parallaxis. But Parallaxis is not the space palace they were sold. Day and night, the embittered crew builds the facility under pressure from Sensus, motivated by the promise that their families will join them. At home on Earth, much of the country is ablaze in wildfires and battered by storms. In Michigan, Alex’s teenage daughter, Mary Agnes, struggles through high school with the help of the ubiquitous Sensus phones implanted in everyone’s ears, archiving each humiliation, and wishing she could go to Parallaxis with her father—but her mother will never allow it. The Pioneers are the beta testers of another program, too: Sensus is designing an algorithm that will predict human behavior. Katherine Son hires Tess, a young social psychologist, to watch the experiment’s subjects through their phones—including not only the Pioneers, but Katherine’s sister, Rachel. Tess begins to develop an intimate, obsessive relationship with her subjects. When Tess and Rachel travel to Parallaxis, the controlled experiment begins to unravel.