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When one looks in the box, whatever remains, however improbable, must be the cat.

Reactor

Head below for the full list of horror and genre-bending titles heading your way in November!

Keep track of all the new SFF releases here. All title summaries are taken and/or summarized from copy provided by the publisher. Note: Release dates are subject to change.

 

Week One (November 2)

Burntcoat — Sarah Hall (Custom House)

In an unnamed British city, the virus is spreading, and like everyone else, the celebrated sculptor Edith Harkness retreats inside. She isolates herself in her immense studio, Burntcoat, with Halit, the lover she barely knows. As life outside changes irreparably, inside Burntcoat, Edith and Halit find themselves changed as well: by the histories and responsibilities each carries and bears, by the fears and dangers of the world outside, and by the progressions of their new relationship. And Burntcoat will be transformed, too, into a new and feverish world, a place in which Edith comes to an understanding of how we survive the impossible—and what is left after we have.

Something More Than Night — Kim Newman (Titan)

Hollywood, the late 1930s. Raymond Chandler writes detective stories for pulp magazines, and drinks more than he should. Boris Karloff plays monsters in the movies. Together, they investigate mysterious matters in a town run by human and inhuman monsters. Joh Devlin, an investigator for the DA’s office who scores high on insubordination, enlists the pair to work a case that threatens to expose Hollywood’s most horrific secrets. Together they will find out more than they should about the way this town works. And about each other. And, oh yes, monsters aren’t just for the movies.

 

Week 2 (November 9)

The Perishing — Natashia Deón (Counterpoint)

Lou, a young Black woman, wakes up in an alley in 1930s Los Angeles with no memory of how she got there or where she’s from. Taken in by a caring foster family, Lou dedicates herself to her education while trying to put her mysterious origins behind her. She’ll go on to become the first Black female journalist at the Los Angeles Times, but Lou’s extraordinary life is about to take an even more remarkable turn. When she befriends a firefighter at a downtown boxing gym, Lou is shocked to realize that though she has no memory of meeting him, she’s been drawing his face for years. Increasingly certain that their paths previously crossed—and beset by unexplainable flashes from different eras haunting her dreams—Lou begins to believe she may be an immortal sent here for a very important reason, one that only others like her can explain. Setting out to investigate the mystery of her existence, Lou must make sense of the jumble of lifetimes calling to her, just as new forces threaten the existence of those around her.

The Sentence — Louise Erdrich (Harper)

A small independent bookstore in Minneapolis is haunted for a year by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.

 

Week 3 (November 16)

The Best Horror of the Year Volume 13 — edited by Ellen Datlow (Night Shade)

With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

 

Week 4 (November 24)

Chlorophobia: An Eco-Horror Anthology — edited by A.R. Ward (Ghost Orchid Press)

A group of explorers stumble upon a new species of plant in the depths of the rainforest. A novel virus drives humankind to flee the Earth. A killer fog rolls in off the sea, decimating everything in its path. Eco-horror is one of the hottest and most relevant subgenres around in 2021, and inside this anthology you’ll find punchy, eye-catching flash fiction and poetry by no fewer than fifty talented authors. Plants, animals, weather phenomena… It’s time for Mother Nature to fight back.

 

Week 5 (November 30)

No new titles.

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