It’s just in the corner of your eye, a slip, a glimmer—the way things bend around you. You aren’t supposed to be here, but you are, and maybe this is where you fit after all. This month’s genre-bending releases are all about discovery. Rediscover a long lost manuscript in The Lost Book of Adana Moreau by Michael Zapata; go back in time to the 1621 witch trials in The Mercies by Kieran Millwood Hargrave; and experience a time-scrambled life in Margarita Montimore’s Oona Out of Order!
Head below for the full list of genre-bending titles heading your way in February!
Keep track of all the new releases here. Note: All title summaries are taken and/or summarized from copy provided by the publisher.
WEEK ONE (February 4)
Things in Jars—Jess Kidd (Atria)
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist. As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love is a spectacle and Christabel may well prove the most remarkable spectacle London has ever seen. Things in Jars is an enchanting Victorian detective novel that explores what it is to be human in inhumane times.
The Lost Book of Adana Moreau—Michael Zapata (Hanover Square)
n 1929 in New Orleans, a Dominican immigrant named Adana Moreau writes a science fiction novel titled Lost City. It is a strange and beautiful novel, set in a near future where a sixteen-year-old Dominican girl, not all that unlike Adana herself, searches for a golden eternal city believed to exist somewhere on a parallel Earth. Lost City earns a modest but enthusiastic readership, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she and her son, Maxwell, destroy the only copy of the manuscript. Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious package containing a manuscript titled A Model Earth, written by none other than Adana Moreau. Who was Adana Moreau? How did Saul’s grandfather, a Jewish immigrant born on a steamship to parents fleeing the aftershocks of the Russian Revolution, come across this unpublished, lost manuscript? Where is Adana Moreau’s mysterious son, Maxwell, a theoretical physicist, and why did Saul’s grandfather send him the manuscript as his final act in life? With the help of his friend Javier, Saul tracks down an address for Maxwell in New Orleans, which is caught at that moment in the grip of Hurricane Katrina. Unable to reach Maxwell, Saul and Javier head south through the heartland of America toward that storm-ravaged city in search of answers.
The Gravity of Us—Phil Stamper (Bloomsbury YA)
As a successful social media journalist with half a million followers, seventeen-year-old Cal is used to sharing his life online. But when his pilot father is selected for a highly publicized NASA mission to Mars, Cal and his family relocate from Brooklyn to Houston and are thrust into a media circus. Amidst the chaos, Cal meets sensitive and mysterious Leon, another “Astrokid,” and finds himself falling head over heels—fast. As the frenzy around the mission grows, so does their connection. But when secrets about the program are uncovered, Cal must find a way to reveal the truth without hurting the people who have become most important to him.
WEEK TWO (February 11)
Tyll: A Novel—Daniel Kehlmann, translated by Ross Benjamin (Pantheon)
Daniel Kehlmann masterfully weaves the fates of many historical figures into this enchanting work of magical realism and adventure. This account of the seventeenth-century vagabond performer and trickster Tyll Ulenspiegel begins when he’s a scrawny boy growing up in a quiet village. When his father, a miller with a secret interest in alchemy and magic, is found out by the church, Tyll is forced to flee with the baker’s daughter, Nele. They find safety and companionship with a traveling performer, who teaches Tyll his trade. And so begins a journey of discovery and performance for Tyll, as he travels through a continent devastated by the Thirty Years’ War and encounters along the way a hangman, a fraudulent Jesuit scholar, and the exiled King Frederick and Queen Elizabeth of Bohemia.
And I Do Not Forgive You: Stories and Other Revenges — Amber Sparks (Liveright)
In “Mildly Happy, With Moments of Joy,” a friend is ghosted by a simple text message; in “Everyone’s a Winner at Meadow Park,” a teen precariously coming of age in a trailer park befriends an actual ghost. At once humorous and unapologetically fi erce, these stories shine an interrogating light on the adage that “history likes to lie about women”―as the subjects of “A Short and Speculative History of Lavoisier’s Wife” and “You Won’t Believe What Really Happened to the Sabine Women” (it’s true, you won’t) will attest. Blending fairy tales and myths with apocalyptic technologies, all tethered intricately by shades of rage, And I Do Not Forgive You offers a mosaic of an all-too-real world that fails to listen to its silenced goddesses.
The Mercies—Kiran Millwood Hargrave (Little, Brown and Company)
Finnmark, Norway, 1617. Twenty-year-old Maren Magnusdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Arctic town of Vardø must fend for themselves. Three years later, a stranger arrives on their shore. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband’s authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God, and flooded with a mighty evil. As Maren and Ursa are drawn to one another in ways that surprise them both, the island begins to close in on them, with Absalom’s iron rule threatening Vardø’s very existence. Inspired by the real events of the Vardø storm and the 1621 witch trials, The Mercies is a story of love, evil, and obsession, set at the edge of civilization.
Daughter from the Dark—Sergey and Marina Dyachenko (Harper Voyager)
Late one night, fate brings together DJ Aspirin and ten-year-old Alyona. After he tries to save her from imminent danger, she ends up at his apartment. But in the morning sinister doubts set in. Who is Alyona? A young con artist? A plant for a nefarious blackmailer? Or perhaps a long-lost daughter Aspirin never knew existed? Whoever this mysterious girl is, she now refuses to leave. A game of cat-and-mouse has begun. Claiming that she is a musical prodigy, Alyona insists she must play a complicated violin piece to find her brother. Confused and wary, Aspirin knows one thing: he wants her out of his apartment and his life. Yet every attempt to get rid of her is thwarted by an unusual protector: her plush teddy bear that may just transform into a fearsome monster. Alyona tells Aspirin that if he would just allow her do her work, she’ll leave him—and this world. He can then return to the shallow life he led before her. But as outside forces begin to coalesce, threatening to finally separate them, Aspirin makes a startling discovery about himself and this ethereal, eerie child.
WEEK THREE (February 25)
No new titles.
WEEK FOUR (February 25)
Oona Out of Order—Margarita Montimore (Flatiron)
It’s New Year’s Eve 1982, and Oona Lockhart has her whole life before her. At the stroke of midnight she will turn nineteen, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens thirty-two years in the future in her fifty-one-year-old body. Greeted by a friendly stranger in a beautiful house she’s told is her own, Oona learns that with each passing year she will leap to another age at random. Hopping through decades, pop culture fads, and much-needed stock tips, Oona is still a young woman on the inside but ever changing on the outside. Who will she be next year? Philanthropist? Club Kid? World traveler? Wife to a man she’s never met? Surprising, magical, and heart-wrenching, Margarita Montimore has crafted an unforgettable story about the burdens of time, the endurance of love, and the power of family.