It’s strange, isn’t it? One minute you’re here, the next you’re gone. You feel changed, you feel eyes on you, you feel a darkness. It’s just out of your reach. This month’s genre-bending releases face the darkness head on. Enjoy new spins on old myths with The Mythic Dream, a new anthology from Saga; learn about the women who defined the horror genre in Monster, She Wrote by Lisa Kröger and Melanie R. Anderson; and finally get your hands on the highly anticipated sequel to The Handmaid’s Tale in The Testaments by Margaret Atwood!
Head below for the full list of genre-bending titles heading your way in September!
Keep track of all the new releases here. Note: All title summaries are taken and/or summarized from copy provided by the publisher.
WEEK ONE (September 3)
The Nobody People—Bob Proehl (Del Rey)
Avi Hirsch has always known his daughter was different. But when others with incredible, otherworldly gifts reveal themselves to the world, Avi realizes that her oddness is something more—that she is something more. With this, he has a terrifying revelation: Emmeline is now entering a society where her unique abilities unfairly mark her as a potential threat. And even though he is her father, Avi cannot keep her safe forever. Emmeline soon meets others just like her: Carrie Norris, a teenage girl who can turn invisible… but just wants to be seen. Fahima Deeb, a woman with an uncanny knack for machinery… but it’s her Muslim faith that makes the U.S. government suspicious of her. They are the nobody people—ordinary individuals with extraordinary gifts who want one only thing: to live as equals in an America that is gripped by fear and hatred. But the government is passing discriminatory laws. Violent mobs are taking to the streets. And one of their own—an angry young man seething with self-loathing—has used his power in an act of mass violence that has put a new target on the community. The nobody people must now stand together and fight for their future, or risk falling apart.
The Mythic Dream—Dominik Parisien & Navah Wolfe (Eds.) (Saga)
Madeleine L’Engle once said, “When we lose our myths we lose our place in the universe.” The Mythic Dream gathers together eighteen stories that reclaim the myths that shaped our collective past, and use them to explore our present and future. From Hades and Persephone to Kali, from Loki to Inanna, this anthology explores retellings of myths across cultures and civilizations. Featuring award-winning and critically acclaimed writers such as Seanan McGuire, Naomi Novik, Rebecca Roanhorse, JY Yang, Alyssa Wong, Indrapramit Das, Carlos Hernandez, Sarah Gailey, Ann Leckie, John Chu, Urusla Vernon, Carmen Maria Machado, Stephen Graham Jones, Arkady Martine, Amal El-Mohtar, Jeffrey Ford, and more, The Mythic Dream is sure to become a new classic.
WEEK TWO (September 10)
The Testaments—Margaret Atwood (Nan A. Talese)
When the van door slammed on Offred’s future at the end of The Handmaid’s Tale, readers had no way of telling what lay ahead for her—freedom, prison or death. With The Testaments, the wait is over. Margaret Atwood’s sequel picks up the story fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
Foxfire, Wolfskin and Other Stories of Shape-Shifting Women—Sharon Blackie (September Publishing)
Charged with drama and beauty, this memorable collection by a master storyteller weaves a magical world of possibility and power from female myths of physical renewal, creation and change. It is an extraordinary immersion into the bodies and voices, mindscapes and landscapes, of the shapeshifting women of our native folklore. Drawing on myth and fairy tales found across Europe from Croatia to Sweden, Ireland to Russia, Sharon Blackie brings to life women’s remarkable ability to transform themselves in the face of seemingly impossible circumstances. These stories are about coming to terms with our animal natures, exploring the ways in which we might renegotiate our fractured relationship with the natural world, and uncovering the wildness and wilderness within.
The Silver Wind—Nina Allan (Titan Books)
Martin Newland is fascinated by time. Watches and clocks are for him metaphorical time machines, a means of coming to terms with the past and voyaging into the future. But was his first timepiece a Smith, given to him on his fourteenth birthday, or the Longines he received four years later? Was it the small brass traveling clock unearthed in the run-down house for which he is to act as estate agent? And who is the maker of these time machines?
WEEK THREE (September 17)
Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction—Lisa Kröger, Melanie R. Anderson (Quirk Books)
Frankenstein was just the beginning: Horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales.
Wonderland: An Anthology—Marie O’Regan, Paul Kane (Eds.) (Titan)
Join Alice as she is thrown into the whirlwind of Wonderland. Within these pages you’ll find myriad approaches to Alice, from horror to historical, taking us from the nightmarish reaches of the imagination to tales that will shock, surprise and tug on the heart-strings. So, it’s time now to go down the rabbit hole, or through the looking-glass or… But no, wait. By picking up this book and starting to read it you’re already there, can’t you see? Featuring stories from L.L. McKinney, Genevieve Cogman, and more.
WEEK FOUR (September 24)
The Fool and Other Moral Tales—Anne Serre, translated by Mark Hutchinson (New Directions)
Fairy-tale atmospheres and complex narratives are a hallmark of the fiction of Anne Serre, represented here by three radically heterodox novellas. The Fool “may have stepped out of a tarot pack: I came across this little figure rather late in life. Not being familiar with playing cards, still less with the tarot, I was a bit uncomfortable when I first set eyes on him. I believe in magic figures and distrust them… a figure observing you can turn the world upside down.” The Narrator concerns a sort of writer-hero: “Outcasts who can’t even tell a story are what you might call dropouts, lunatics, misfits. With them the narrator is in his element, but has one huge advantage: he can tell a story.” Little Table, Set Yourself!—a moral tale concerning a family happily polyamorous—is the most overtly a fable of these three works, and the briefest, but thin as a razor is thin. A dream logic rules each of these wildly unpredictable, sensual and surreal novellas: these may be romps, but nevertheless deeply moral and entirely unforgettable ones.
Violet—Scott Thomas (Inkshares)
For many children, the summer of 1988 was filled with sunshine and laughter. But for ten-year-old Kris Barlow, it was her chance to say goodbye to her dying mother. Three decades later, loss returns—her husband killed in a car accident. And so, Kris goes home to the place where she first knew pain—to that summer house overlooking the crystal waters of Lost Lake. It’s there that Kris and her eight-year-old daughter will make a stand against grief. But a shadow has fallen over the quiet lake town of Pacington, Kansas. Beneath its surface, an evil has grown—and inside that home where Kris Barlow last saw her mother, an old friend awaits her return.
