The Un-discovered Islands

Be prepared to be captivated by the astounding tales of two dozen islands once believed to be real but no longer on the map. These are the products of the imagination, deception, and human error: an archipelago of ex-islands and forgotten lands. From the well-known story of Atlantis and the mysteries of frozen Thule to more obscure tales from around the globe, and from ancient history right up to the present day, this is an atlas of legend and wonder.

In The Un-Discovered Islands, author Malachy Tallack takes the reader on fascinating adventures to the mysterious and forgotten corners of the map, with glorious illustrations by Katie Scott. Available November 7th from Picador.

 

 

Islands of Life and Death

Faced with the sky we imagine gods; faced with the ocean we imagine islands. Absence is terrifying, and so we fill the gaps in our knowledge with invented things. These bring us comfort, but they conflict, too, with our desire for certainty and understanding. And sometimes that desire gives us back the absences we sought to fill.

For as long as people have been making stories, they have been inventing islands. In literature and in legend, they are there from the very start. For societies living at the sea’s edge, the dream of other shores is the most natural dream there is. Polynesians, Marsh Arabs, the ancient Greeks, the Celts: all imagined lands beyond their horizon. All of them told stories of islands.

These places were not quite like the everyday world. They were supernatural regions, where the lines between life and death were blurred. The ocean divides us from other lands, just as death divides us from the living. The crossing can be made, but only once. Islands, then, are perfect metaphors for other worlds and afterlives. They are separate and yet connected; they are distant and yet tangible. The sea of death is cluttered with imaginary islands.

Today, we try to draw strict lines between facts and fictions. But myth, superstition and religion have been part of human life for as long as we have been human. They have shaped our thinking and guided our actions. The way we comprehend our existence is indivisible from the stories we have told ourselves. So while the islands in this chapter may be mythical, they were no less real for that.

 * * *

The Isles of the Blessed

The notion of a paradise on Earth has long been part of European mythical traditions, and in Homer’s Odyssey we find one of the oldest extant versions of the story. There, Elysium, or the Elysian Plain, is the land to which those favoured by the gods are brought. According to Proteus, the Old Man of the Sea, people there ‘lead an easier life than anywhere else in the world, for in Elysium there falls not rain, nor hail, nor snow, but Oceanus breathes ever with a west wind that sings softly from the sea, and gives fresh life to all men’. This, then, was not a place beyond death, but an alternative to it.
The ancient Greeks did not have one single version of this story, however. It was an evolving and multifarious idea. By the time of Plato, in the fourth century BC, Elysium was most commonly imagined as an island or archipelago in the western ocean. It was known as the White Isle, or the Isles of the Blessed, and some considered it a place to which all could aspire.

In Plato’s dialogue Gorgias, Socrates outlines his own belief, in terms that clearly anticipate the Christian religion yet to be born. After death, he says, body and soul become separated, but each retains the character it had when alive. The fat remain fat; the scarred remain scarred. At least for a time. Equally, ‘when a man is stripped of the body, all the natural or acquired affections of the soul are laid open to view’. Unlike the body, however, the soul must face judgement after death, a task undertaken by three sons of Zeus. Aeacus judged those from the west and Rhadamanthus those from the east, with Minos as the final arbiter. Anyone who has ‘lived unjustly and impiously shall go to the house of vengeance and punishment, which is called Tartarus’; whereas, ‘he who has lived all his life in justice and holiness shall go, when he is dead, to the Islands of the Blessed, and dwell there in perfect happiness out of the reach of evil’.

Socrates knew that his listeners—the rhetoricians Gorgias, Callicles and Polus—considered this story to be a myth. But he suggested they reconsider. His own life had been well lived, he claimed, and he felt ready to present his soul ‘whole and undefiled before the judge’. Did they share that confidence in themselves? The fact is, Socrates told them, ‘that to do injustice is more to be avoided than to suffer injustice, and… the reality and not the appearance of virtue is to be followed above all things, as well in public as in private life’. Only then can one guarantee a passage to paradise.

The Celts too believed in a blessed island, according to the earliest recorded stories. In fact, there were several such islands, including Tír na nÓg, the land of eternal youth. It was there to which the young warrior poet Oisín eloped with Niamh, the daughter of a sea god called Manannán mac Lir. On returning to Connemara to visit his family, three years after the marriage, Oisín discovered that a year in Tír na nÓg was the same as a century in Ireland. His family were long dead.

Other such realms were often used interchangeably. There was the island of Mag Mell, akin to Homer’s Elysium, where deities and favoured mortals lived without pain or sickness. There was, too, Emhain Ablach and its Welsh equivalent Ynys Afallon, the island of apples. Fruitfulness, for the Celts, was a key feature of the place.

In medieval times, that island of apples became known most famously as Avalon. It was there that King Arthur’s sword Excalibur was forged, and it was there where the king himself would later retire after being wounded at the Battle of Camlann. Just as for the early Greeks, the heroic Arthur had earned his place on the blessed isle, and his journey to it was an alternative to death. According to legend, the king would one day return from Avalon to fight for his people: a kind of Celtic messiah.

It is from the twelfth-century cleric Geoffrey of Monmouth that much of the story of Arthur is derived. In his Vita Merlini, Geoffrey described Avalon in some detail—detail that has been drawn directly from the Roman tradition of the Fortunate Isles and the Greek traditions of Elysium, the garden of Hesperides and the Isles of the Blessed.

The Island of Apples gets its name ‘The Fortunate Island’ from the fact that it produces all manner of plants spontaneously. It needs no farmers to plough the fields. There is no cultivation of the land at all beyond that which is Nature’s work. It produces crops in abundance and grapes without help; and apple trees spring up from the short grass in its woods. All plants, not merely grass alone, grow spontaneously; and men live a hundred years or more.

In cartography, the Fortunate Isles became associated with the Canaries, and medieval maps often rendered that archipelago as Insula Fortunata. But the mythical origins of the name were not forgotten. Although Christian teaching insisted that paradise lay in a supernatural realm, the idea of a promised land on Earth never left the European imagination. The fruitful isle remained on the western horizon. In England, the blissful land of Cockaigne was the subject of countless stories and poems; in Germany it was Schlaraffenland, the land of milk and honey; and in Spain it was Jauja, a name now attached to a small city in Peru.

As European explorers began pushing further into the Atlantic in the fourteenth and fifteenth centuries, many expected to find such an idyll somewhere out there. Later, after Columbus, that expectation seemed for a time to have been met, and the language and imagery once associated with the Isles of the Blessed were bestowed upon the newly discovered continent. The promised land had been found, it seemed, and it was called America.

 * * *

Kibu

After death, the bodies of islanders from Mabuiag in the Torres Strait would be taken outside and laid on a platform. Clan members of the dead person’s spouse would then watch over them, to ensure that the spirit, or mari, had properly evacuated the corpse. They would also protect it from the hungry mouths of lizards.

After five or six days, the body, which by then would be putrid, was decapitated. The head would be placed in a nest of termites, or in water, to remove the flesh. The rest of the corpse remained on the platform, covered in grass, until only the bones were left.

Once cleaned, the skull would be coloured red and placed in a basket, decorated with feathers and hair. The deceased’s in-laws, who were in charge of these rituals, would then perform an elaborate ceremony in front of the dead person’s family. For this they would paint themselves black and cover their heads with leaves, before presenting the skull to the closest relative. A chant would be offered to console the mourners:

When the wind comes from the north the sky is black with clouds and there is much wind and pouring rain, but it does not last long, the clouds blow over and there is fine weather once more.

Other islands of the western Torres Strait had rituals that differed slightly from this one. In some, the body would be buried in a shallow grave, or else desiccated and mummified, while on others the skull would be adorned with beeswax and shells. On one island—Muralug—a widow was expected to carry the skull of her husband in a bag for a year after his death, while other family members might wear his bones as ornaments, or keep them safe in their houses.

One element was common to all, however: the belief in an island of ghosts, to which the dead person’s spirit would travel. That island, called Kibu, was beyond the northwest horizon, and once it had escaped from the body the mari would be carried there on the prevailing south-easterly winds.

Upon arrival, the spirit was met by the ghost of an acquaintance—usually their most recently deceased friend—who would take them into hiding until the next new moon. At that time they would emerge and be introduced to the other spirits of the island, who would each hit them upon the head with a stone club. This seemingly unwelcoming act was, in essence, an initiation ceremony, and from that moment on the mari was a markai: a ghost proper.

Some believed the markai spent their time in treetops, crying, perhaps in the form of flying foxes. But most agreed that the afterlife was not so different from this one, and that the spirits remained in human form. During the day they would hunt for fish with spears, and in the early evening they might dance on the
beach. The markai could also catch turtles and dugong (a marine mammal related to the manatee) by creating waterspouts, up which the animals would be drawn.

But ghosts were not restricted to Kibu. They could return home temporarily if they wished, and sometimes they would even go to war with the living. Islanders often invoked the markai, whether individually, through divination and spirit consultation, or in ceremonies such as the ‘death dance’, which was usually held several months after a person had passed away.

In Mabuiag, these ceremonies were called the tai, or simply the markai, and were held on the nearby uninhabited island of Pulu. Often they would mark the deaths of several people at once, and the details of the performance would depend on who and how many were being commemorated. The essence of the ceremony, however, was the representation of the dead by the living. Those taking part would rub their bodies in charcoal and decorate themselves with leaves and feathered headdresses, until they were fully disguised. Each would take on the character of a specific person, and would become, in the minds of the audience, that person’s ghost.

The performers carried bows and arrows, or brooms, and danced and jumped before the spectators. There was an odd, slapstick element to these dances, with one performer skipping and falling over, while others loudly broke wind. The ceremony concluded with the beating of drums and with a great feast.

Throughout the tai, the performers were imitating and personifying the dead. It was a form of consolation for the relatives, and an insistence on the continuation of that person’s spirit. It was believed that the ghost was present within the dancers, and that it would continue to be part of the world. This connection was crucial. The divide between life and afterlife was like that between islands: it was real, but not insurmountable. It could be crossed. Like Kibu itself, the ghost world was accessible and comprehensible. But that accessibility would not last forever.

The rites and beliefs of the Torres Strait islanders were recorded by members of the Cambridge Anthropological Expedition at the very end of the nineteenth century. But already then things were changing rapidly. The islands’ government, together with missionaries, were eager to suppress and replace native customs. More spiritually and physically hygienic forms of burial were insisted upon, and the traditional beliefs were gradually replaced by Christian ones.

Kibu too was replaced, of course, by a heaven that was entirely unlike the islanders’ own world. The afterlife today lies not just over the north-west horizon but skyward, detached entirely from the islands and from the sea. Unlike Kibu, heaven is unimaginable, and the ghosts of the dead are now gone for good.

Excerpted from The Un-discovered Islands, copyright © 2017 by Malachy Tallack.

1 Comment

Subscribe to this thread

Post a Comment

All comments must meet the community standards outlined in Tor.com's Moderation Policy or be subject to moderation. Thank you for keeping the discussion, and our community, civil and respectful.

Hate the CAPTCHA? Tor.com members can edit comments, skip the preview, and never have to prove they're not robots. Join now!