Effects of External Conditions
Written by Karen Walton
Directed by Grant Harvey
Season 1, Episode 4
Original Airdate April 20, 2013
(Re-air date October 5, 2013)
What Happens: The episode opens on a sink spattered with blood as Helena dresses her stomach wound from the confrontation with Sarah-as-Beth in the previous episode. Screechy music and shaky camera matches the crazed personality of the newest clone on the scene. As the camera pulls back, a young boy walks in on Helena.
After the credits, Sarah knocks on Alison’s door and brings her suburbanite clone up to speed on the events since they last met: money, impaling Helena with rebar, and Sarah’s daughter Kira. Alison is surprised that Kira is Sarah’s natural daughter; both of Alison’s children are adopted. What’s left unsaid (but writ all over Alison’s face) is that clones should not be able to reproduce.
Sarah then Skypes with Cosima and asks about the odd handled dagger Helena dropped. Felix butts in to the Skype session and Cosima and Felix address the elephant in the room—nature vs. nurture. Felix gives us a clone count of his own: the crazy killer clone and the 4 European clones she murdered, detached and suicidal Beth, his crazy stepsister Sarah, science girl Cosima, and soccer mom Alison. This adds up to 9 clones.*
*My clone count at the end of each of these recaps includes only those we’ve met physically.
Alison pushes her kids and husband Donnie out of the house to be on call for Sarah; she is prepared for anything, with her gun, her wine, and the clone phone close at hand. Meanwhile, Sarah-as-Beth meets Art at the house where Helena entered and did her stitch-work or “self-surgery” as Art calls it. Art questions the boy’s mother, and the boy himself, asking what the crazy intruder looked like. The boy points to Sarah, which Art takes to mean that the intruder was a woman of about her build, but Sarah knows that the kid means her crazy duplicate, Helena. Sarah gets down and speaks to the boy in hushed tones and grabs a piece of paper from him.
Sarah takes a break to confirm with Mrs. S. that she can see Kira later that night. Mrs. S. stresses that Kira is really looking forward to seeing Sarah, while in the background, Kira paints a picture of Sarah.
Back at the police station, Art updates his colleagues with status of the “unsub” (unknown subject) who attacked Sarah and himself, and we learn more about the body of the German (Katja) found in the quarry. As Art puts it, they’ve got “a calculated female killer who likes to play games.” Beth is paged out of the briefing to pick up a call at her desk from Helena, who wants to learn more about Sarah.
They have a lead on the unsub. Hold the phone, Art just smiled! Holy crap, Art smiled! As Beth and Art depart, Helena enters the police station pretending to be Sarah pretending to be Beth. That’s a three-layer clone sandwich folks! (Admittedly, she’s just trying to appear to be Beth, so this could be considered a two-layer clone impersonation.) Helena hangs out at Beth’s desk and picks up the phone with Paul on the other end of the line, whom she asks to come pick her up from the station.
Art, Beth, and Deangelis arrive at an abandoned church, where a filthy damaged bed is found along with markings on the wall that match other evidence found in Helena’s wake at the other crime scenes. Sarah realizes she isn’t going to make it to see Kira and calls Felix, who is busy painting in the nude. Sarah’s idea is to ask Alison to impersonate her and visit Kira in her place. When Art, Deangelis, and Sarah get back to the police station, they realize somebody’s been playing games on the evidence board, and Sarah realizes somebody was at her desk. (pssst…it was Helena). The IT guy Sarah flirted with previously, Raj, complements Sarah on the cleaned-up look, confirming Sarah’s suspicion.
Alison is very hesitant (shock) to impersonate Sarah, until Felix points out that Sarah is out there risking her life so Alison’s kids don’t become orphans. Again, Felix wins the scene when Alison tells him she’s done some acting in community theater. As Alison tries to wiggle into the part of Sarah, Paul shows up at the police station to get Beth because of Helena’s call. Art saunters over to “Beth” and Paul, tension rises.
Crazy Helena calls Beth’s desk phone while adding more engravings to her back; she stresses the importance of a face-to-face meeting. She sends Sarah an e-mail, which includes a video-taped confession of Helena as Beth admitting to Maggie’s murder. Maggie knew Helena and it seems Beth killed Maggie to cover up the clone story. When Beth and Paul depart outside the police station, Cosima calls Sarah with some information about Helena. Cosima thinks it’s a bad idea for Sarah to meet Helena especially when she realizes the symbol on Helena’s dagger matches a brand on the back of Maggie Chen’s neck, the woman whom Beth shot. Chen and Helena might be part of the same religious cult and Helena is a major wild-card, to say the least.
Felix and Alison-as-Sarah arrive at Mrs. S.’s place while Sarah goes to meet with Helena. At the same time, Art and Deangelis examine evidence & clues about Helena and they discuss, briefly, the problem of Beth. Art gets back to Beth’s desk and does some snooping and discovers, in addition to a picture of Paul and Beth with Paul’s eyes crossed out, the address where Sarah is going to meet Helena. As Sarah is making her way through the apartment building, she leaves a message on Art’s voice-mail as Sarah admitting she’s Sarah, saying that Art is the only person she can trust. Fair point, when you think about it. Although Art has been a hard-ass to Sarah-as-Beth, he’s at least acting consistently as guy who wants the right of the thing to be done.
Kira is reunited with her mother, or rather, Alison as her mother. Before Kira can tell Alison she knows she isn’t Sarah, Felix pulls Mrs. S. out of the room. Just as Sarah admits her identity to Art, Alison admits the truth of who she is to Kira, saying that she and Sarah are sisters. Alison asks…begs Kira not to say anything about it to Mrs. S. When Alison-as-Sarah and Felix leave, Alison manages to get Mrs. S. to agree to allow Sarah to walk Kira home from school.
Sarah finds Helena in the middle of the apartment kneeling in prayer. She tells Sarah “God sent her…Maggie helped make you…saw the light, came to our side…the others are poor copies of God’s image as human beings.” Sarah realizes Helena thinks that she’s the original. Helena wants to “save” Sarah. Art buzzing up to the apartment’s intercom distracts Sarah as Helena continues to be creepy-crazy-batshit-insane. “Maggie helped make you,” Helena says.
Art is knocking on the door shouting for Beth, Sarah’s only option is to encourage Helena to leave through the window. Art thinks Beth is crazy for going into the place alone, which turns out to be Maggie Chen’s former place of residence. Back at the precinct and at the Captain’s desk, Sarah tries to resign, but gets brushback from her captain and Art, though she does hand in her badge.
Helena stumbles into an alleyway, falls down and is picked up by a man in a white van wearing a ring that bears the same fish emblem as Helena’s knife and the brand on the back of Maggie Chen’s knife.
Commentary: We get into more of a police procedural in this episode, but the wild card of the series gets a full introduction as we learn a bit about Helena. For as much as the clone situation has disrupted the lives of Alison and Sarah, Helena is something that cannot be predicted. I still believe Cosima finds this all fascinating and if anything, is somewhat intrigued that she’s so close to this situation which keys directly into her scientific mind and background. Sarah, meanwhile, goes to great lengths to keep a few steps ahead of Art and the police investigation of two clones—Helena and Katja.
Once again, Maslany’s acting prowess takes the stage as Helena is perhaps the most distinct clone of the bunch. Granted, the blond dye-job and curls help, but the facial tick and feral kinetic energy she’s holding inside gives her the demeanor of a caged animal. The scene of Helena at Beth’s desk really established how uncivilized and unmannered Helena is compared to her genetic identicals. Her performance, wardrobe, and make-up come together to make otherwise very attractive woman difficult—or at least uncomfortable—to watch.
The religious implications of cloning come to light through Helena; she’s seemingly part of a group that sees the clones as abominations. We see just the tip of the iceberg of this subplot, but if Helena is a representative of a group, I certainly wouldn’t want to join.
Like many episodes of this show, more questions were raised than answered over the course of the 45 minutes the narrative unfolded. The biggest, to my mind is Helena. She’s an enigma, bizarre, but does seem to possess knowledge about the clones that none of the other members of Clone Club possess.
At this point, determining a favorite clone is tough, but I’m leaning towards Alison, but a lot of that could be down to her interactions with Felix. Either way, Alison is the bees’ knees.
Clone Count (episode): 4—Sarah, Alison, Helena, and Cosima.
Clone Total (series*): 6—Sarah, Beth (deceased), Alison, Cosima, Katja (deceased), Crazy Clone Helena
*I’m only counting those we’ve met in a physical sense, not just names on a sheet of paper
Clone Layers: A three-layer clone sandwich when Helena slinks into the police station pretending to be Sarah pretending to be Beth. We’ve also got the two layer sandwich of Alison portraying Sarah, the preparation of which with Felix provided a healthy dose of humor.
Sexy Time: We get to see a naked Felix, but this is just par for the course with him.
Hey, it’s that guy/gal!:
Janis Beckwith, the coroner and forensics team member is portrayed by Jean Yoon. Yoon is another cast member who was on Lost Girl, as well as Warehouse 13 in addition to playing the part of Dr. Montague in The Time Traveler’s Wife.
Rob Bedford lives in NJ with his wife and dog. He reviews books and moderates forums at SFFWorld, runs a blog about stuff and contributes to SF Signal. If you want to read random thoughts about books, TV, his dog, beer, and hockey, you can follow him on Twitter: @RobHBedford.